PRINCE

2pp, 4to. 41 lines, including postscript, in green ink. On aged and brittle air mail paper, with chipping and discoloration at the head, resulting in some loss to printed letterhead, but with text clear and entire. Addressed to ‘Mon cher ami’ and with valediction from ‘Ton très dévoué ami’. The recipient is unidentified, but would appear to have been a former colleague at the Russian legation in Tehran, Persia. Signed ‘Geo. S. Romanovsky’. He begins by thanking him for his congratulations. The recipient is right: ‘les choses ont changé’.

See the two men's entries, with that of Helena Faucit, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Shirley Brooks Esq' and signed 'Theodore Martin'. Brooks has evidently asked for autographs and photographs of Martin and his wife, the celebrated actres Helena Faucit (1817-1898). The letter begins: 'My dear Brooks / Here are the autographs you wish. There is not in all The Lady of Lyons one line to which any reasonable being could wish to attach his name. It is only the situations which are good for anything.

Printed on one side of a piece of laid paper, watermarked with date 1808, roughly 34.5 x 21 cm. Very good. Illustration at head, coloured in red and green, roughly 6.5 x 10 cm.

See Taylor’s entry, and that of Princess Sophia’s brother William Frederick, Duke of Gloucester and Edinburgh (1776-1834), in the Oxford DNB. Bagshot Park was the residence of her brother the duke (Silly Billy’), to whom she was very much attached. The siblings were not entirely accepted by the Royal Family due to the unequal nature of their parents’ marriage. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded for postage. Taylor, who is not named but is clearly the recipient, has marked the letter as ‘Private’. Good firm signature ‘Sophia Matilda’.

See the two men's entries in the Oxford DNB. Each of the two letters is 1p, 4to, with the Prince’s letter on the recto of the first leaf of a bifolium, and the Earl’s signed autograph copy of his reply on the recto of the second leaf of the same bifolium. Both leaves are discoloured and damaged, with wear and loss from infestation, but the two signatures and the area around them are good and clear. The document has been folded twice for postage. Strip of white tape along gutter of blank reverse of second leaf from mount. ONE (Frederick’s ALS): Fifteen lines.

See Christian's entry in the Oxford DNB. (He was the newly-created Downing Professor of the Laws of England at Cambridge from 1788 to his death.) 1p, landscape 8vo. On one half of a 4to leaf that has been torn in two. In fair condition, lightly aged, with thin strip of tape at the right-hand edge, and two punch holes at the left-hand edge of Manington's side. ONE (Christian): Conclusion of autograph draft legal document, numbered '(9)' and signed at bottom left 'Ed. Christian'. With several deletions. Relates to 'Jno Hutchings & Son', who deny 'Combin[ation] & Confederacy &c'.

All three in black and white. The first and third item lightly aged and creased; the first stained on reverse; the second item lightly aged. ONE: Half-length portrait. 8 x 12.5 cm. Stamped on reverse ‘4 JAN 1950’. A Seated Wilhelm, grey-haired and tight-lipped, with hands joined in front of him, wearing suit and tie and light-grey tweed jacket. TWO: Half-length portrait, apparently from the same shoot as One, with autograph signature. 8 x 11 cm. Written on reverse: ‘HECKINGEN. / SEP. 7. 1951’. Same outfit as One, but with cigarette in right hand.

Both in black and white, and in good condition, lightly aged. ONE: Half-length portrait. 10 x 14 cm. A Seated Wilhelm, grey-haired and tight-lipped, with hands joined in front of him, wearing suit and tie and light-grey tweed jacket. On reverse, a typed note addressed to 'Mr. James Dandy / England.', and dated from 'Hechingen, Zezember 1949': 'Herzlichen Dank für Ihr liebes Paket, es hat mich sehr gefreut. / Beste Wünsche u. Grüse'. TWO: View of Hechingen Castle. 8.5 x 13 cm. Typed message on reverse, also signed by him: ‘Herzlichen Dank für das freundliche Gedenken zu Weihnachten.

Card by Gordon Fraser Fine Arts, Bedford, with nice colour reproduction of centre panel of the Master of Frankfurt 'Adoration' triptych. Signed by her 'Brigid', beside which, by him, '& Frederich.' In good condition, in worn stamped and postmarked envelope addressed to 'Mr. James Dandy. / Brook Lane, / Rixton, / Nr. Warrington. / Lancs.' See Image.

2pp, foolscap 8vo. In good condition, lightly aged, with thin strip of paper from mount adhering to one edge. Folded twice. Large heavily-smudged signature of the king ('George R.') at head of first page, which has the royal seal under paper in the left-hand margin. Signed at end of document ('By His Majesty's Command') by the Home Secretary and future Prime Minister: 'R Peel'.

This document, signed by George IV as Prince Regent, and by the former Prime Minister Lord Sidmouth as Home Secretary, relates to Matthias Maher (1798-1865), a Royal Navy officer who was twice tried at the Old Bailey on a charge of forgery. On the first occasion, 6 May 1818, he was found not guilty by reason of insanity; and removed to the criminal asylum in St George's Fields. Maher was found sound of mind – as the present document reveals by Sir George Leman Tuthill (1772–1835) and Edward Wright (c.1788-1859), the latter to die of disgrace in Australia.

See his entry, and hers, in the Oxford DNB. From the papers of her relation Lady Theresa Lewis. 2pp, 8vo. On the first leaf of a bifolium, the recto of the second leaf being addressed by him to ‘Countess of Jersey / &c &c &c’. In good condition, lightly aged and worn. Folded for postage. Written in high eighteenth-century style.

See his entry in the Oxford DNB. 1p, 12mo. With mourning border. In fair condition, aged and worn, with remains of white 'star' wafer mounts adhering to the four corners. Beneath the underlined heading 'Note for Secretary' reads: 'The relative positions of Iris & Phoebe do not appear to agree in papers marked (2) and (4) in my letter. Please let me know which is right. / LB.' Presumably Iris and Phoebe were ships.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

Ghyka, who was grew up and was educated in France, settled in London after the Second World War, and is considered one of the most significant members of the Romanian diaspora. His main preoccupation was with geometry and mathematical aesthetics, and his publications on the subject were influential: the ‘first epiphany’ of theatre director Peter Brook ‘came while reading a book by the Romanian prince Matila Ghika while staying with Salvador Dalí in Spain’ (Guardian, 17 January 2010).

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

See Beckett’s entry in the History of Parliament, according to which he held the position of Under-Secretary of State for Home Affairs from 1806 to 1817. 1p, foolscap 8vo. In fair condition, lightly aged and creased at the foot, with strip of discoloration at the head. Folded twice into a packet. Addressed to ‘Colonel Torrens’.

See his entry in the Oxford DNB. Both items 1p, 12mo, and both in good condition, lightly aged, with slight evidence of previous mounting on the blank reverses. Both folded once for postage. Both letters during the tenure as Lord Mayor of London of Sir John Charles Bell (1843-1924). ONE (8 March 1907): ‘Sir Claude Macdonald has the honour to accept the kind invitation of the Lord Mayor to Luncheon on March 13th.

The daughter of the fifth Duke of Argyll, Lady Charlotte bore eleven children to her two husbands, and was forced to write novels by her first husband’s death and second husband’s profligacy. See her entry in the Oxford DNB. 4pp, 16mo. Bifolium. In good condition, lightly aged. Neatly attached by a paper hinge to part of a leaf from an album. Begins: ‘Lady Charlotte Bury presents her Compts to Sir William Hamilton, & takes the liberty of soliciting for the honor & favor of his name, as a subscriber to a work by Lady Charlotte of which the enclosed Prospectus gives every particular.

Not, one would imagine, a particularly common signature. In good condition, lightly aged. On 20 x 16.5 piece of watermarked laid paper: the lower half of a document dated in another hand to 1806. Another (illegible) signature at top right. The Crown Prince’s signature as ‘Attester’ is an excellent one, good and clear, reading ‘Christian August [lel?] Holstein’. He would serve as Crown Prince of Sweden between 15 July 1809 and 28 May 1810. After his death the line of succession would pass to the Frenchman Jean Bernadotte. See image.

From the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan’s play ‘The Sleeping Prince’, Olivier’s production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as ‘The Prince and the Showgirl’, with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp’s novels has grown in recent years.

For information on Littler see the entry in the Oxford DNB of his brother Prince Frank Littler (1901-1973), who did not share Emile’s ‘affection for plays or players individually’. Also see Macqueen-Pope’s entry in the same work. The three items in fair condition, lightly aged and creased. Both signed ‘Emile’. ONE: TLS of 15 November 1957. 1p, 4to. Reads: ‘My dear Popie, / You know about everything in the Theatre, and I am wondering if you could tell me how many London pantomimes Julian Wylie did, either by himself or as the Wylie-Tate organisation.

The recipient is not named (the salutation is to ‘Mylord’), but William ends with compliments to ‘Lady Auckland’, and the letter also contains a reference to Eden Park. 1p, landscape 12mo. In fair condition, on aged paper, laid down on part of leaf cut from album. Signed ‘G. F. Pr Hed.d’Orange’. The mount is captioned, in a contemporary hand, ‘George [sic] Prince of Orange (Holland) date 1798’.

In fair condition, on lightly aged paper. Folded once. Signed ‘G Card d’Hohenhohe’, and with his embossed monogram. He is enclosing ‘il libro per la Signora Costanza’, together with the three letters of recommendation, which she may read before sealing. He ends with good wishes for the voyage. See image.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

Written while his brother Maximilian II was on the throne. (Following Maximilian’s death in 1864 Bavaria would be ruled by the celebrated ‘mad king’, Adalbert’s nephew Ludwig II.) The recipient is Lady Ann Cullum (1807-1875), widow of Rev. Sir Thomas Gery Cullum (1777-1855), 8th Baronet, of Hardwick House, Bury St Edmunds, who is referred to as ‘botanist and antiquary’ in his eponymous father’s entry in the Oxford DNB. 2pp, 4to. Thirty-six lines, neatly and closely written. On first leaf of bifolium. In good condition, lightly aged and creased. Folded twice.

For more information on writer (one of West End theatre?s ?most dominant and successful landlords?) and recipient (the foremost British theatre historian of the twentieth century), see their entries in the Oxford DNB. The five items (the TNS is Item Three, the others are ALsS) are in good condition, lightly aged; Item Five with slight paperclip damage to a margin. Each folded once. All five signed ?Prince Littler? and addressed to ?Popie?, two at the Theatre Royal, Drury Lane, one at 9 Oakdale, London N14, and one at Coventry House, Coventry St, W1.

1p, 12mo. On bifolium, addressed on the reverse of the second leaf, with the cardinal's seal in red wax to one corner, 'A Monsieur Payne'. In good condition, lightly aged, with stub from mount adhering to inner edge. Folded twice. In a close, neat hand, the letter reads: 'Le Cardinal Fesch fait ces compliments à Monsieur et à Madame Payne et les Félicites de leurs heureux Retour a Rome. | Le Cardinal est toujours visible vers midi mais il tachera de visiter les aimables voyageurs, à leurs auberge avant leur depart.

Black-bordered, three pages, 12mo, bifolium, fold marks, good condition. Text: I have not failed to lay before Her Majesty the Queen the purport of your letter of the 31st Ult. | Her Majesty was well assured that the University of Cambridge was not likely to be backward in any expression of Sympathy with Herself in Her overwhelming grief or to be wanting in any mark of respect for their Chancellor.

Two etchings in black ink, printed side by side on a 23.5 x 18 cm piece of wove paper, with a thin printed line dividing them. Possibly proofs of two plates on conjoined leaves in a book. In fair condition, lightly aged and creased, with a tiny nick at foot and dog-eared corners. Each of the sketches is full-length, and has a caption at foot, in a facsimile of D'Orsay's hand.