CHRISTMAS

Excellent affectionate and eloquent content, including a moving expression of the conventional Victorian view of Christmas. See Bright's entry in the Oxford DNB. A total of eight pages, six of which are closely written. Items One and Two addressed to ‘My dear Jacob’. Item Three is incomplete. ONE: ‘Univ Coll / Innocents Day 1866.’ 5pp, 12mo. On bifolium. Bright’s signature ‘W. Bright’ and the conclusion of the letter (i.e. the fifth page) are written crosswise at the head of the first page.

For information on Littler see the entry in the Oxford DNB of his brother Prince Frank Littler (1901-1973), who did not share Emile’s ‘affection for plays or players individually’. Also see Macqueen-Pope’s entry in the same work. The three items in fair condition, lightly aged and creased. Both signed ‘Emile’. ONE: TLS of 15 November 1957. 1p, 4to. Reads: ‘My dear Popie, / You know about everything in the Theatre, and I am wondering if you could tell me how many London pantomimes Julian Wylie did, either by himself or as the Wylie-Tate organisation.

Two pages, 4to, good condition, lacking at least a signature page. An impediment in the arrangement of the Miscellaneous Records of the Exchequer which I feel it my duty to submit to the notice of the Board.

In addition to his distinguished career as a playwright, Fry had some success in Hollywood. He completely rewrote (uncredited) the screenplay of 'Ben-Hur' (1959), and was responsible for the screenplay of the Dino De Laurentiis epic 'The Bible: In the Beginning' (1966), directed by John Houston. The present item is a treatment for a film that did not make it into production. It is [1] + 71pp, 8vo. Each page on a separate loose leaf. With thin card covers, also loose, the front cover carrying a duplication of the title-page, and the back cover blank. In good condition, lightly aged.

A nice piece of Second World War ephemera, of which no other copy has been traced. 1 British Corps formed part of the B.E.F., travelling to France in September 1939, and withdrawing from Dunkirk at the 'Darkest Hour' in May 1940. In good condition, lightly aged and worn. Lithographed in black on the four sides of a 9.5 x 15 cm bifolium. Two parallel diagonal red lines printed at top left of front cover, which also carries the Spearhead badge of 1 British Corps at centre, above 'B.E.F.' in a scroll, with 'Christmas – 1939' at bottom left.

An attractive item, neatly written out in black ink on one side of a 13 x 8.5 cm piece of shiny card, with printed decorative border of flowers in gold and blue. In good condition, lightly aged and worn, with traces of mount adhering to reverse. As a joke, at the foot, in block capitals, the menu is attributed to 'Sala & Co | Refreshment Contractors', at Sala's address. An interesting artefact of the Victorian Christmas. The menu reads:'[fleuron] Menu. | CHRISTMAS DAY | 1881 | oysters on the half shell.

2pp., 8vo. In good condition, lightly aged. She condoles with her over her 'sad loss last June. I had no idea of it, or I should have written to express my sympathy at the time. I was so much interested to meet your son, & hear how splendidly he had done.' On receiving Sladen's letter she wrote to her neice Betty Brichenough, and wonders if 'Captain Christmas', i.e. Danish sea captain and author Captain Walter Christmas (1861-1924), has heard from her. Fearing that she has mislaid Christmas's card she asks Sladen to write to him on her behalf.

White Card, 6 x 4.5cm, a little grubby but otherwise good condition. Printed text as follows: "I am going abroad so am not sending Christmas cards this year, but I should not like you to think I had forgotten you." Followed by her signature etc (as detailed above.

The card is printed in brown ink on one side of an 18 x 13 cm piece of thin beige card. An 8.5 x 6 cm black and white photograph has been tipped in within a printed square. In fair condition, with signs of age and wear. The text, in capitals, reads 'Santa Claus in Patagonia. | [Photograph.] | With best wishes for Christmas and the New Year from Mr. & Mrs. A. F. Tschiffely. | 1938 - 1939.' The photograph shows the supposed subject of the card, a Patagonian native with white hair and beard, in morth-eaten jumper, clutching a bottle of Bols as he stares at the camera.

On piece of laid paper folded twice to make a 19 x 14 cm. card. In good condition, with light signs of age. Tiny printer's device on back cover the only illustration. Front cover in black ink reads: 'Christmas Greetings from Rosalind & Gerald Bullett The Old Farm East Harting Sussex'. Colophon in brown ink on left-hand side of opening. Right-hand opening carries the sixteen-line poem, in four four-line stanzas, the first of which reads: 'I went to the window, where the morning was, | And saw innocence scattered on the grass.

On a gilt-edged piece of card, 13 x 11.5 cm., with rounded edges. In good condition, lightly aged. The illustration by 'E M W' on one side is printed in silver, yellow, light blue, grey and brown, and shows a snowy country scene with two tiny figures beneath a shining sun on a stone bridge over a stream. Captioned 'The Joy of Christmas be in your heart.' Cowan's eight-line poem, on the other side, is printed in grey, in variety of gothic fonts. It begins: 'Only its best and brightest history | May Memory relate you!

On a thick piece of shiny card, with rounded edges, 12.5 x 18cm. Aged, and with two dog eared corners and a 3cm closed tear (not affecting illustration). On one side is the chromolithographic illustration, with 'J. N. Drummond' in the bottom right-hand corner, showing an English rural landscape - more autumnal than winter - with river in the foreground and trees and viillage with church in the background.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

One page, 4to, c.35 x 24cm, folded (with marks), creased slightly at edges and on folds, some foxing and pinholes, blank reverse grubby, with two small woodcuts at top. A sheet containing a number of Christmas songs: The Black Decree (Herod); O see man's Saviour in Bethlehem born; While Shepherds watch'd their Flocks by Night; On Christmas Night all Christians sing. No other copy traced.

3pp., 12mo. Bifolium. In fair condition, on aged and unevenly-sunned paper. He begins by giving six numbered points which 'will do for the Introduction' to a prospectus for a magazine. The first reads: 'The biographical & archaeological portion of the Magazine will be placed under the superintendance of the Revd Professor Christmas, M.A.

The three items in good condition, on lightly-aged paper; the essay and first letter having punch-holes in the margin. The essay is 3pp., foolscap 8vo. The title, corrections and emendations are all in van der Post's hand. 'To someone like myself who believes that coincidence is the manifestation of a great law of which we are not yet properly aware, this timing of the birth of Christ is not accidental.

2pp., foolscap 8vo. On two leaves stapled together. In good condition, on lightly aged and creased paper. This item is discussed in M. F. Snape's 'God and the British Soldier: Religion and the British Soldier in the First and Second World Wars' (London: Routledge, 2005). Montgomery described Hughes as 'the ideal of what an Army padre should be', and according to Snape: 'A major theme which seemed to emerge from the collaboration of Montgomery and Hughes in 1942 was the notion of the consecration of British arms to a higher purpose.

Both items in very good condition, on lightly-aged paper. Item One (galley proofs): On piece of 13 x 49 cm. paper. In manuscript at head: '7 Harley Gardens SW | Monday | Dear Mrs Butterworth | The Printer will send you a proper proof tomorrow | Yours in haste | E Lowe'. The first part only, in small type, with one minor correction. The article is attributed to Augusta de Grasse Stevens in Helen O. Black's 'Notable Women Authors of the Day' (1893). Item Two (manuscript biography): 4pp., 4to. With a few minor emendations.

8vo, 1 p. Image clear on aged paper, with the leaf loosely attached to the letterpress title of the work whence it comes (see below), that title being laid down in a folder with a window cut into the front for viewing the card through. The dimensions of the engraved illustration are roughly 12.5 x 8 cm, with the main feature of the elaborate design being contained in a circle 8 cm in diameter.

Three pages, 12mo. On aged paper, with some foxing, a few closed tears and wear to extremities. Glue and strip of mount adhering to blank verso of second leaf of bifolium. Text clear and entire. He is in 'a maelstrom of work and worry' and asks Ross 'a question which you are almost certain not to be able to answer!' Asks if he has 'seen Tom Smith's crackers', and if so, whether he observed 'anything specially and eminently notable'.

Company founded in 1908 by Philip Lee Warner and Eustace Gurney, 'to bring artists' work to the appreciation of a wider public'. One page, quarto. Folded twice. Good, but slightly foxed and lightly creased. The typed message reads ' "The best of Prophets of the future is the Past" | With the best of wishes for future success.' The signatures are arranged in four columns. The inclusion of 'Cobden-Sanderson' is unexplained.