NOVELIST

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See his entry in the Oxford DNB. The archives of the recipient are at Yale. Addressed to ‘Vere H. Collins Esq.’ and signed ‘Frank Swinnerton’. Written in Swinnerton’s distinctive minuscule hand. The central part of the letter has smudging from another letter lightly blotted over it (not near the signature), otherwise in good condition, lightly aged, and folded twice. He thanks him for sending a copy of his book ‘One Word and Another’. He has ‘already glanced through the book; but we have visitors here, with children, and I am writing an urgent article under great difficulties’.

See her entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged, with curling to inner edge. Central vertical fold. She thanks her for writing about ‘Broome Stages’, and is glad she enjoyed it. ‘You are quite right, it is a pleasure and an encouragement to hear that a book makes friends.’ She concludes, ‘Yes, I suppose the name did come from the Church: it gave me the idea, but it was pure chance, there is no association.’

See his entry in Encyclopaedia Britannica. Elegant signature, with final flourish curving backwards above the signature. Clearly in response to a request for an autograph, on 14 x 10 cm piece of cream paper. In good condition, lightly aged.

See his entry in Encyclopaedia Britannica. Both items are in good condition, lightly aged. TLS: 1p, 4to. Addressed to 'Rosalyn Sacks / YMHA - YWHA / Congregation of Mishkan Israel-Linas Hazedek of Jamaica, Inc. / 153-14 90th Avenue / Jamaica, New York 11432'. Signed 'Norman Mailer'. Reads: 'Dear Rosalyn Sacks, / I don't have any pictures at the moment, but I'll try to get ahold of one and autograph it and send it to you and the members of the Congregation of Mishkan Israel-Linas Hazedek in Jamaica.

See her entry, and his, in the Oxford DNB. On the reverse of a colour postcard of the Radcliffe Camera in Oxford from the Old Bodleian. In fair condition, lightly aged and with slight creasing to one corner and at the head (not affecting text). To the right, in the section reserved for the address, she writes: ‘Hardy / with all very / best wishes & love / from / Iris !’. Beneath this is a pencil note identifying Amies as the recipient. At top left, in another hand (her husband John Bayley’s?) is written ‘Born before all time: / a dispute over Christ’s origin / Karl Joseph Kuschel’.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Mr Scarr: / I’m sorry but I have already engaged myself for three talks besides my offical three and, not being an extemporizer, can’t undertake any more. / Yours sincerely / Robert Graves’. See Image.

See his entry in the Oxford DNB. The two items were previously held together by a small dab of glue at the head of the letter. They are now separated, and traces of the glue remain, not affecting any text. Otherwise they are in good condition, lightly aged. ONE: ALS, 30 December 1932. 1p, 12mo. Signed Hugh Walpole. He thanks him for his charming ‘Carol’: ‘I have been picking it out on the piano. And I send back the photo autographed. With every good wish for 1933’.

See his entry in the Oxford DNB. The three items are in good condition, each with his firm signature ‘Compton Mackenzie’. Each is 1p, 4to, in good condition, folded for postage.Despite being scored through, one can see that the first and last salutation are addressed to ‘Mrs Raymont’, and the second to ‘Mr Raymond’. ONE: 23 November 1961. He is pleased that she enjoyed his book ‘Mezzotint’: ‘The setting is really the Seychelles but of course I had to lay it in the South Atlantic instead of the Indian Ocean.’ He agrees with her ‘about these efforts at modernity by some of my contemporaries.

Reade was a fellow of Magdalen College, Oxford, from 1836 to his death. According to his entry in the Oxford DNB: ‘in the years of his fame, and particularly in the early 1860s, he did much of his writing in his rooms at Magdalen, using them as a retreat. His tenure of the fellowship was contingent on his remaining unmarried, a stipulation he complained of bitterly but continued to put up with, even when he was earning thousands a year as a writer’. 1p, 12mo. In fair condition, lightly discoloured, on thin wove paper. Folded once.

Of his activities around this time the Oxford DNB writes: 'he 'wrote film scripts in Hollywood in 1934–5 for classics such as David Copperfield (MGM, 1935), in which he played a bit part, and Little Lord Fauntleroy (1936)'. The subject of the letter may be his novel 'The Inquisitor', published by Macmillan in 1935. 1p, 12mo. In fair condition, lightly aged and worn. Folded once. Reads: ‘Dear Mr. Hunt / Here is a proof. The quotations are from the [?] Version. to me the only [last word underlined] version. / Yours sincerely / Hugh Walpole’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Reads: ‘Dear Miss Jennings / Thank you for your letter. There was however no half crown in the envelope. I searched carefully. / Yours sincerely / Hugh Walpole’.

Letter One: [No envelope; undated] One page, 8vo, good condition. Text: Forgive me for not having written before to thank you for your very kind letter, but I have had something like five hundred letters & telegrams of congratulation & they have been a job to deal with. It was very kind of you to write. I am just off to England to receive the insignia. [Maugham was made a Companion of Honour in 1954 if that indicates the date of the letter(?)]; Letter Two: Postmark 24 Oct. 1934 and dated Oct. 34 (though the '3' looks like a '2'), Two pages, 8vo, good condition.

Paper, 12 x 7cm, some faint staining, but writing clear. See Image.

See her entry in the Oxford DNB. 2pp, 12mo. Twenty-three lines of text. In fair condition, lightly aged, but with slight creasing at head of leaf. Folded twice. Financial calculations written lengthwise underneath signature, with light smudging.

See his entry in the Oxford DNB. The first letter, and probably the second, were written around the time when his ‘Down the Garden Path’ (1932) and its two sequels had made Nichols wildly popular, eliciting several parodies. ONE (TLS to ‘Mr. Bryon’): 1p, 12mo. Discoloration along top part of outer edge, otherwise in good condition. Folded once. Good clear signature ‘Beverley Nichols’. He thanks him for sending the interview. ‘I think it is admirably written, and expresses my views very clearly.’ TWO (conclusion of TLS): 1p, 12mo. Twenty-nine lines of text. In good condition, lightly aged.

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

See the Oxford DNB entry of the recipient James Payn (1830-1898), at the time of this letter the editor of the Cornhill Magazine. More significantly, Payn had since 1874 been a reader for Smith, Elder, and the present letter stems from the firm?s interest in Forrest?s ?tale of the Indian Mutiny? which they would publish in 1891 under the title ?Eight Days?. 2pp, 16mo. Bifolium with mourning border. In good condition, lightly aged and worn, with short closed tear at edge of postage fold. Addressed to ?James Payn Esqr.? and signed ?R. E. Forrest?.

Mason was, according to E. V. Lucas, ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years, and the films made from them, notably The Drum (1938), for which he wrote his own scenario, and The Four Feathers (1939), were among the most popular in their time.’ 1p, 12mo. In good condition, lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'.

See his entry in the Oxford DNB. The recipient would appear to have been an impudent autograph collector. Addressed to ‘Grant Reid / Esq’ and signed ‘Herbert Maxwell’. Begins: ‘Dear Sir / I have directed a copy of Post Meridiana to be sent to you according to your desire.’ He cannot however comply with Reid’s other request. ‘I have no time to give to drawing now, and my family have possessed themselves of all my old drawings.’

2pp, 16mo. Twenty-eight lines of text, in purple ink. With contemporary English translation on both sides of a separate 16mo leaf. Both items in fair condition, on aged paper, with slight damage to corners from mounts. Trust the translation, the letter is addressed to a 'Dear friend', and begins: 'My friend Graf [i.e. the antiquities dealer Theodor von Graf] arrived yesterday from Venice and brought many most interesting antiquities - His visit prevented my writing to you - but then I hope to show you some of his treasures, next time we meet. He came early and stayed late.

She is noticed in her the entry for her father Derwent Coleridge in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium of grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ‘My dear Mr. Pearson’ and signed ‘Christabel R. Coleridge’. Her journey was comfortable and she found ‘all well’ on her return. She does not believe her cold ‘will be of any consequence and the weather is quite fine’. Her ‘two head lady school teachers are laid up with colds’. She ends: ‘I think more things are alive in the garden than I expected to see’.

See her entry in the Oxford DNB. 2pp, 12mo. On grey paper. In fair condition, with blocks of discoloration. Addressed to 'Dear Madam' and signed ' M Yonge'. She cannot tell her 'how late the final proof must be, as it depends on the printers, and the Christmas week so disturbs arrangements that they generally wish to have all finished earlier than usual'. She suggests sending he a card 'when the proofs come in to me', as there will be a few days to spare, 'while the other ladies are correcting them'.

See is noticed in her the entry for her father Derwent Coleridge in the Oxford DNB. 1p, 12mo. In good condition, on grey paper. Folded once. In a vigorous and youthful hand, considering the fact that she would be dead in a few months. Reads: ‘Miss Christabel Coleridge presents her compliments to the Secretary of the Royal Literature [sic] Fund, but is compelled to decline the honor they have done her, as she is unable to travel to London. She will endeavour to send a small subscription later on’.

See his entry in the Oxford DNB. On one side of 9 x 6 cm piece section from a letter and laid down on slightly larger and thicker piece of paper. In good condition, lightly aged. Reads: '[...] / to subscribe myself / Your faithful Servant / W. Harrison Ainsworth. / Kensal Manor House, / Harrow Road. / March Four. 1843.' See IMage

The subject of this article is discussed by William M. Johnston, in his article ‘William Kinglake’s “A Summer in Russia”: A Neglected Memoir of Saint Petersburgh in 1845’ (TSLL, Spring 1967). The memoir was published anonymously by Ainsworth in the New Monthly Magazine, of which he was editor and proprietor, in three parts, but a German translation in the same year revealed Kinglake’s identity. See the entries for Ainsworth and Kinglake in the Oxford DNB. An interesting letter, casting light on Victorian journalistic practices. 4pp, 12mo. Forty lines of text. On a bifolium.

See the two men’s entries in the Oxford DNB. In good condition, lightly aged and folded for postage. 2pp, 16mo. Signed ‘H H Milman’ and addressed to ‘My dear Mr Lister’ (the item is from the papers of Lister’s wife Lady Theresa Lewis (1803-1865; ODNB). He begins by congratulating Lister on the birth of his daughter ‘and the safety of Lady Theresa’.

An interesting letter, in which Johnson discusses her writing practice. See her entry and that of her husband in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 2pp, 12mo. 27 lines of text. In good condition, lightly aged, with slight rust spotting from a paperclip. Folded twice for postage. On the topic of ‘Madame de Charlus’, one of the ‘Six Proust Reconstructions’ - plays by Johnson inspired by the work of Marcel Proust - just broadcast on the BBC Third Programme, she thanks him for his ‘most kind & pleasing letter’.