SCHMIDT

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See Michael Coveney?s obituary in the Guardian, 10 August 2011, which states that Wood was ?one of the greatest stage actors of the past century?, and that he ?returned to the West End in 1961 as Henry Albertson in the whimsical off-Broadway musical The Fantasticks, at the Apollo?. 86pp, 4to. Each act separately paginated. Duplicated and bound with metal studs into black waxed-card wraps, with each page on the recto of a separate leaf. Title ?THE FANTASTICKS? printed on front cover, with details of the Studio Duplicating Service. In good condition, lightly aged, in lightly creased wraps.

1p., 8vo. In fair condition, on aged and worn paper. The whole page is filled in an attractive way, with the three signatures in different styles of handwriting: 'Henry Hellwig.' (in Gothic style, surrounded by flourishes), 'Ferdinand Augustin aus Tirol.' (in a modern cursive hand), 'Wilhelm Schmidt, <?>' (in a German style, the last four words not deciphered). At the foot of the page: 'Signatures of the Alpine Singers | Torquay Jany 17th 1840.'

v + 83pp. In grey printed wraps. Printed on rectos only and comb-bound. On aged and worn paper, with stamps of the Hire Library of Messrs Chappell & Co. Ltd, 50 New Bond Street. With pencil markings and annotations. Loosely inserted is an 'On Loan' receipt to 'Mr. T. Dickinson, 12A, York Mews, London, N.W.5.' The first English production of the play was at the Apollo Theatre, London, opening on 7 September 1961. It ran for 44 performances.

Quarto: 196 + xii pp. 58 facsimiles in text, but lacking frontispiece. No dustwrapper. In original cloth binding, decorated on the front board in yellow, grey and black. Good, with spotting to edges and boards. Concentrating exclusively on German autographs. Wolbe was removed from his teaching post by the Nazis in 1933.