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See her entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 3pp, 16mo. Bifolium. In good condition, lightly aged, with slight sunning to first page, and traces of mount on blank final page. Folded once. Signed ?Genevi?ve Ward? (note the accent). The letter relates to the 1889 revival at the London Opera Comique of the role which made her famous, Stephanie, Marquise de Mohrivar, in Merivale and Grove?s 1879 play ?Forget Me Not?.

See his entry in Encyclopaedia Britannica. Not to be confused with Fleury (1815-1884), whose handwriting is markedly different. 1p, 12mo. On grey paper. In good condition, lightly aged. Neatly folded twice. Reads: ?Le G?n?ral Fleury se rendra avec le plus grand plaisir a l?invitation que Madame la Bne: de Seebach lui a fait l?honneur de lui adresser. / Paris. 2 Mai 1856.? The recipient is presumably the mother of the Alsatian artist Baron Lothar von Seebach (1853-1930).

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry in the Oxford DNB. On 11 x 7 cm piece of grey paper, presumably cut from an album. In good condition, lightly aged, with traces of glue from mount on reverse. Reads: ‘Try & trust will move mountains - / J. M. de Robeck / 1919’. See Image.

1p, landscape 12mo. In good condition, lightly aged. In response to a request for an autograph: ‘Para Paul-Marcel como recuerdo afectuoso. / Alicia de Larrocha / 18. 6 – 1975’. See Image.

In his 1902 biography L. A. Banks quotes Dr David Gregg of Brooklyn: ‘There is but one man in the American pulpit that can draw, and hold, and thrill, twice every Sabbath the year round, an audience of 8,000. There is but one man on the globe that preaches the Gospel every week through the press to 25,000,000.’ 3pp, 8vo. Bifolium, with the final page written lengthwise on the reverse of the first leaf. In good condition, on discoloured paper, with remains of stub adhering to blank reverse of second leaf, which also carries a pin hole to one corner. The recipient is unidentified.

See her entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage. The letterhead is both printed and embossed. Addressed to ‘Miss M. G. Hocken, / Meadow Way House Studio, / St. Ives, / Cornwall.’ Signed ‘Ninette de Valois’. Reads: ‘May I suggest you write to the Director of Productions at The Royal Opera House. I do not know what our theatre does with regard to the many requests for such exhibitions - so I would be grateful if you would forward your request to this particular department.’

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

The three items in good condition, lightly aged. Each folded. ONE: Lithographed copperplate funeral announcement. 1p, 4to. Black bordered. At foot: ‘Administration spéciale des Funerailles, 70, rue des Saints Pères, Henri de Borniol, Directeur.’ Headed ‘M’. Begins: ‘Vous êtes prié d’assister aux Convoi, Service et Enterrement, de Monsieur Charles-Rene-Forbes Conte de Montalembert, ancien Pair de France, Membre de l’Académie Française, décédé le 13 Mars 1870, muni des Sacraments de l’Eglise, en sa demeure, rue du Bac, No.

See his entry in Encyclopaedia Britannica, and Taylor's in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once. In worn envelope with Penny Red stamp and postmark, and slight loss around flap. The envelope was no doubt retained because it was addressed by Delaunay to 'Sir Tom Taylor / Lavender Sweet [sic] / Wandsworth'. A neatly laid written and laid out communication, addressed to ‘Cher Monsieur Taylor’ and signed ‘Yours truly / L Delaunay / de la Comedie française’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Fifty-eight lines of text. In good condition, lightly aged. Folded twice for postage. Begins: Dear M. Van de Weyer / Altho' I had been prudent enough to preserve the appeal of M. Derôme to the Times in its original form, not the less welcome was the glorified text which I found on my table yesterday on our return from a short visit to Brighton. That charming appeal acted as a mental Conserve alimentaire to me, when it first appeared, and it shall be placed with certain other valued opuscules, where I can offen turn it to the like account.

3pp., folio. Bifolium. Addressed, on reverse of second leaf, 'To | Mrs. Squire, | Wragby, | near Lincoln.' In fair condition, aged and worn, with Middleton's seal cut away from the second leaf (without any loss to text) and a number of closed tears along creases. Seventy lines of neatly-written text. A letter filled with pious sentiment, beginning: 'Mr. Squire favored us To-day with a Call, and it gave us a peculiar Pleasure to see that he is so well recovered from that Fit of Illness in which my Brother & I saw him, notwithstanding the uncommonly severe Winter we have since had.

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

A nice set of documents relating to the London émigré art scene. A copy of the engraved portrait to which these two items refer, titled ‘Louis Joseph de Bourbon, prince de Condé, prince du sang’, is BM P&D 1850,0211.17, and carries the information M.de de Tott pinx., F. Bartolozzi RA sculp., and her details, as publisher: London Publish'd by M.de de Tott Octo. 1 1802. De Tott’s original painting is in the Musée Condé in Paris. See Bartolozzi’s entry in the Oxford DNB and the second (1885) edition of Tuer’s monograph on him. The two items are attached with a wafer at top inner corner.

See the entry for Sir Charles Brooke in the Oxford DNB. On one side of an 18 x 9 cm piece of paper, the upper part torn from a larger sheet, with neatly-torn bottom edge resulting in a little loss to the flourish beneath the signature and the tip of the downstroke of the ‘y’ in ‘Harry’. In fair condition, lightly aged, with a central vertical fold. The text, in a bold hand, reads: ‘ “Though obstacles beset you - struggle still!” / Even a worm may climb this highest hill! / Yrs Sly / Harry de Windt’ See Image.

Something of an historic document. In February and March of 1814 Vincence had led the French delegation at the Congress of Châtillon peace conference, at which his counterpart was Lord Aberdeen, with the British Home Secretary Lord Castlereagh arriving partway through. On behalf of Napoleon, Vincence had led, with little success the subsequent negotiations with Russia, Prussia and Austria which resulted in Napoleon’s abdication and exile to Elba, by the signing of the Treaty of Fontainbleau, a month before the present letter, on 11 April 1814, which was ratified by Vincence.

There can be few greater falls from grace than Petain's in the whole of human history. A 10 x 6.25 calling card. In good condition, lightly aged and ruckled, with glue and traces of paper mount on the blank reverse. The engraved text ('LE MARECHAL PETAIN / Ministre de la Guerre') is centred, with the top line in shaded block capitals and the bottom in copperplate. Beneath this Petain writes: 'avec ses remer'. See Image.

See his entry in the Encyclopaedia Britannica. 1p, 16mo. Twenty-two lines. On watermarked laid paper. Seven numbered memoranda, possibly an aide-mémoire for a speech. Begins: ‘1o. la loi égale pour tous.’ Later on: ‘1o Ce n’est point un droit que la loi accorde; c’est un devoir qu’elle impose. et pour imposer ce devoir, elle n’a vue que son interêt. / une fonction publique n’est pas le droit de tous; elle est le devoir de quelques uns.’ And later: ‘5o. Quoi le Pere est b[?] . . . . les Dieux de l’oncle sont confisqués.’ The seventh and last memorandum concerns ‘Les malheureux!

The two items are on variations of the revolutionary letterhead of the Prefect of the Drôme Department, with oval medallion illustration of a seated liberty with a phrygian cap on a stick, forearm leaning on the fasces and the words ‘Libérté’ and ‘Égalité’. The printed decree is in good condition, lightly aged, with slight foxing and discoloration. The secretarial letter is in fair condition, with darker patches of discoloration.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

An excellent letter, exhibiting precisely the sort of indignation one would wish for from such a renowned satirist. As a result of the furore caused by the publication in 1762 of his best-known work, ‘Le Colporteur’, Chevrier fled to Holland. The French government attempted to have him extradited, and his death that same year was rumoured to have been caused by poisoning. 3pp, 4to. On bifolium. Thirty-nine lines of text. In good condtion, lightly aged. The item has been expertly mounted, and the thin white-paper mount still adheres to reverse of the final leaf.

The material is in fair condition, lightly aged and worn. Items Two and Three are addressed to ‘Cher ami’. De Cottens’ handwriting is somewhat opaque. ONE: ANS, 14 May [no year]. The letterhead includes an engraved illustration of the Queen’s Hotel in Leicester Square. 1p, 12mo. ‘Cher Monsieur Clarkson / tous mes bien vifs remerciements pour votre aimable envoi de tickets. / Bien votre / Victor de Cottens.’ TWO: ALS, 26 [March? 1910?]. 1p, 12mo. He wonders whether the recipient might put his ‘experience à la disposition’ of a named colleague from Brussels. THREE: ALS, 1p, 16mo.

See his entry in the Encylopaedia Britannica. The signature ‘Mirbel’ is written on a clear area of a circular printed device of 4.5 cm diameter, in grey tone, within decorative border. The text reads: ‘MUSEUM / D’HISTOIRE NATURELLE / AU JARDIN DU ROI / Entrée aux Jours et Heures / consacrés à l’Etude. / Prof. Admin.’ Laid down on a 7 x 7.5 cm piece of paper, on which is written, in a neat early nineteenth-century hand, ‘Mirbel the naturalist’. See image.

1p, 16mo. In fair condition, lightly aged, with three creased from folding into envelope. Neatly written out in Barante’s distinctive neat and tiny hand. Addressed to ‘Monsieur’ and signed ‘Barante’. He is writing on behalf of Madame Bouvier, who wishes to find out where the Princess Sapieha is residing at present, as her daughter is ‘attachée à la princesse’, and she would like the enclosed letter (not present) to reach her. He would be most obliged if the recpient could help Madame Bouvier’s letter reach its destination.

An excellent letter, linking leading nineteenth-century writers of the French and English nations. See Daudet's entry in the Encyclopaedia Britannica, and Meredith’s in the Oxford DNB. Daudet’s association with Meredith during his ‘first and only visit to England’ is described on pp.122-124 of the 1911 edition of J. A. Hammerton’s ‘George Meredith, his Life and Art’, which also quotes extensively from Madame Daudet’s account of the Englishman, referred to in the letter. 2pp, 16mo. Twenty-one lines of closely- and neatly-written text. On the rectos of the leaves of a bifolium.

On one side of a 35 x 24 cm leaf of gilt-edged wove paper, extracted from the autograph album of novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. In fair condition, lightly aged, with a small closed tear and slight creasing to extremities. Reads: ‘Recuerdo de un humilde artista en todas las Españas, y admirador de las bellísimas hijas de la Hermosisima Albiòn / Sarasata / 20 - 12 - 92’.

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

The anonymous author of this material is evidently a well-educated individual, and well-versed in the sciences. He has taken great care over the material, and it can be presumed that his intention was either to try for publication, or use it while lecturing.

1p, 4to. On discoloured and somewhat grubby paper, folded twice for postage. Addressed to ‘S. Hodgson Esq.’ and signed ‘H M. Hake’. Hodgson has sent Hake ‘a manuscript fragment’, which does not seem to indicate either of ‘the portraits in the Gallery’. He has ‘looked up the record of portraits offered in the past but there is no mention of Mrs. Cruikshank or her executors.’ He asks a related question before turning to the subject of the physician Sir Benjamin Ward Richardson (1828-1896), who was in Hake’s opinion ‘more of a professional worthy than a national one’.

See his entry, and that of Delane, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged, with neat remains of a windowpane mount adhering to the blank reverse of the second leaf. Addressed to ‘Dear Mr Lelane’ (sic) and signed ‘Stratford de R.’ Having heard that Delane was in town he writes to say that he was ‘gratified by the complimentary terms in which I was mentioned in the Times two or three days ago.