BELGIUM

See his entry in the Oxford DNB. In addition to being the de facto editor of Edmund Yates?s ?World?, the recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure. Scott?s handwriting is not entirely legible. ONE: ?Wednesday?, dated by Broadly ?March 1887.? 1p, 12mo. In good condition, with glue from mount adhering to the blank reverse. Folded once. Signed ?Clement Scott?. On the question of ?the letter from the impertinent idiot Mr James Runciman? he comments: ?He thinks that calling a man ?Tommy Rot? is a complaint! I conclude that he must be a madman?.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Fifty-eight lines of text. In good condition, lightly aged. Folded twice for postage. Begins: Dear M. Van de Weyer / Altho' I had been prudent enough to preserve the appeal of M. Derôme to the Times in its original form, not the less welcome was the glorified text which I found on my table yesterday on our return from a short visit to Brighton. That charming appeal acted as a mental Conserve alimentaire to me, when it first appeared, and it shall be placed with certain other valued opuscules, where I can offen turn it to the like account.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. An area torn away at the head of the first leaf (with the loss of one word of text) has been skilfully repaired with archival paper; otherwise in good condition, lightly aged. He apologizes for being unable to ‘come to your at home tomorrow as I can not go to any parties till after the funeral of the Duke of Albany’. He asks her to ‘accept and make use of’ tickets ‘for some tableaux vivants which are to take place tomorrow night at the house of the Princesse de Caraman-chimay.

1p, 4to. In fair condition, lightly aged. Folded twice. The typed text of the letter is in French, but the following autograph text is in English: the address (‘Dear Lord Monckton,’), the valediction (‘With the hope of seeing you here soon! | Liliane de Belgique’), and the dating (‘21st. of February 1988’). She has been deeply touched by the ‘émouvant hommage’ which, thanks to Monckton, Eton has just rendered to the memory of the king. Monckton is aware ‘combien celui-ci était resté attaché à son ancien collège, auquel le liaient tant de souvenirs, et dont l’empreinte a marqué toute sa vie’.

Rendell had served as Ambassador to Belgium between 1947 and 1950. At the time of writing he was heading the Commission which resulted in the 1955 Constitution of Singapore. 1p, long 8vo. Folded twice. In fair condition, lightly aged. Endorsed with action taken in red ink. Twenty lines of text, addressed to ‘Sir Georges [sic] RENDELL’ in London as ‘Mon cher ami’. Having once again ‘repris mon job avec plaisir et intérêt’, he has not spent much times in the Belgian capital, instead ‘faisant la navette entre Genève, Strasbourg et Bruxelles’.

A scarce survival, providing a mass of valuable information, written during wartime, with nothing else about this section of the Belgian resistance having been discovered. All three documents in fair condition, on aged and lightly-worn paper. ONE: 'Historique de la Section 802 depuis ses debuts.' Typed document. 3pp., 4to. Rust staining from paperclip at head of first page. Type indentation indicates that this is an original document, not a mimeograph. Giving an account of Section 802 from September 1941 to 9 September 1944.

An unusual piece of First World War ephemera, a nicely-printed notebook intended for correspondence produced to raise funds for the charity. 48pp, 12mo, each page printed on its own leaf of wove paper. The leaves are perfect bound at the head, notebook-style, into grey card printed wraps, but with the glue now brittle and with the leaves now detached from the wraps, and with some leaves now loose.

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'

2pp., 4to. In good condition, lightly aged and worn. On behalf of 'the Executive Committee', he thanks him and 'the Sub Committee' for the letter 'reporting the conclusion of the arrangements for Reception of the Belgians at Wimbledon', and declares the arrangements satisfactory. The letter concludes with a resolution of the Executive Committee, requesting the Sub Committee 'to continue their labours in this department until after the Departure of the Belgians from Wimbledon'.

Printed in black ink on one side of a piece of 26.5 x 19 cm paper wove paper. Unsigned and without caption or text, but unmistakably the work of Rops, and with his name written in light pencil in the margin. Apparently a proof. Dimensions of plate 16 x 9 cm, and of the illustration itself 11 x 6.5 cm. Aged and creased, with spotting at head.

Three strips of paper, each with a single column of text in small print: 47 + 55 + 30 cm. Complete article, paginated to 3. The second strip has the running title 'National Guard - A Visit to Flanders - 2'. Aged and creased, and with a corner torn away from the third strip, resulting in loss of text to six lines and the running title, Two minor manuscript corrections.

Duplicated Typescript of 25pp., 4to, on rectos of 25 leaves. In conventionally-printed wraps by 'G. THONON. HERSTAL', bearing the title and author's name. With bookmark ribbon striped with the colours of the Belgian flag bound-in at the back. In fair condition, on aged paper, in worn wraps. Dedicated on first page carries the dedication 'AU ROI LÉOPOLD | Digne fils du Roi Chevalier | un humble garde-frontière | dédie ses souvenirs | SEPTEMBRE 1940'.

3pp., 8vo. Bifolium. In fair condition, on aged, worn and brittle paper. 66 lines of closely-written text, heavily revised with additions, deletions and emendations. The author describes his scheme as 'un projet qui contribuerait a l'embellissement de le grand plan de Bruxelles, sans qu'il coutait rien a la ville'. He describes the renovation of the facade of the Maison du Roi, and suggests the placing of 'Statuettes d'Albert et d'Isabelle' in a 'niche gothique'. Jamaer reconstructed the Maison du Roi in 1868.

On 1.5 x 4.5 cm piece of paper. In good condition, lightly aged. Cut from letter with mourning border.

[2] + 29pp., 4to. On rectos only. Heavily-aged and worn, with some damp staining, stapled, with remains of grey front cover and last leaf loose. With numerous emendations to almost every page. Ends abruptly on p.29. A fast-paced comedy, with a seance connecting past and present. Two exchanges: 'Bobbie. I suppose you're going to wear tights again? | Maud. Well, I've a ripping good reason for doing so - two, in fact.' and (during the seance): 'Nerea. Dance for me, I pray you, Oh embodiment of lissom grace. | Bobbie.

6.5 x 10 cm piece cut from envelope, with the seal (roughly 1 x 1.5 cm) in black wax (2.5 cm in diameter) attached on a strip of paper. The seal a firm impression in good condition and the envelope fragment in fair condition, on aged paper, strip carrying typewriten caption laid down at foot. The Princess's autograph is unsigned, and simply reads: 'À mon cher petit Léopold.'

Typescript, Paginated 76pp. but a few added, eg p.25a, cutting in places), 4to, clipped into brown folder (label partly removed '"The Play Box", Plays Placed, etc'), chipped, fold marks, sunned. Text dulled and stained in parts, but clear. With extensive additions and corrections in Cammaerts' hand, virtually every page, ranging from excising lines and paragraphs to one or two words to sentences to four lines. Note: "The International Theatre's production of M.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

24pp., 12mo. Stapled. Lacking title-leaf (publication details quoted from another copy) and with damage to last leaf, on aged and lightly-creased cheap paper stock. Ten poems, five of them dated: 'Aux Affamés' (8 January 1917), 'Le Bon Fermier' (15 January 1917), 'Le Crime', La Grève Judiciaire' (September 1918), 'Le Retour du Soldat' (10 October 1918), 'Les Pauvres Gens sont comme les Pavés', 'Assez!', 'L'Abdication' (15 October 1918, regarding the Kaiser's abdication), 'Ce que demande le Peuple!', 'La Plainte du Soldat'. The item featured in the 1919 'Belgische Bibliografie'.

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

2pp., 12mo. In fair condition, on lightly aged and creased paper. He writes that he has received the collection of specimens safely, and that there are several that are new to him. He would like to make a selection, but pressure of work makes that impossible, so he is taking the lot at £8 18s 0d. He concludes by expressing pleasure at the news that 'Monsieur Dale' still enjoys good health.

8pp., 12mo. Stapled and unbound, and with last leaf a perforated subscription form. In fair condition, on aged and lightly-creased paper, with rusting to staple.

ix + 252pp., 8vo. In sturdy modern green buckram binding. On brittle browned high-acidity paper, with the half-title and title leaves detached. Stamp, shelfmarks and label of the Ministry of Education Reference Library, London. Printed on half-title: 'Vie de Maitre Thomas et de son Disciple Sourt-Muet Petit-Paul', beneath which, in manuscript: 'Presented by the Belgian Governt. | 1842.' Frontispiece lithograph by H. Goemaere of the 'Alphabet Manuel des Sourds-Muets'. The author is described on the title-page as: 'L'Abbé C.

4pp., 4to. On four leaves attached at one corner by a brass stud. In very good condition, on lightly-aged paper. The proposal of the 'scheme' covers the first two pages, with the first page headed with the associations name and address, with a list of the eleven members of the 'Central Committee', headed by the Marquis of Lincolnshire, and including 'Sir RIDER HAGGARD' (who must surely have had a hand in the document's composition), and the secretary E. T. Brown.

238pp. used, sm folio, full leather, raised bands, worn, words on spine obscured (gilt worn away), in Latin, French and Flemish. Note: Some Belgian scholars have kindly contributed the following background: "The manuscript is a typical 18C- juridical compilation. This one is specifically aimed at the Council of Brabant. The manuscript was probably 'started' by a lawyer, an attorney or another jurist who often frequented the council of Brabant. It contains a number of texts with Brabant law sources, and law procedures.

6pp., 12mo. In very good condition, adhering to leaves removed from an album. Helps begins: 'My dear Martin, | This is one of the things you excel in - the giving, in a comparatively short memoir, the real aim and end of a life: so that after reading your "In memoriam", one does not care to hear any more details.' Helps 'really cannot find any fault' in Martin's piece. 'H[er]. M[ajesty] [i.e. Queen Victoria] must, I think, be exceedingly pleased with the book - I mean your work.

1p., 12mo. In good condition, on lightly aged and worn paper. The poem, of 60 irregular lines, is placed (with a facsimile of Verhaeren's signature at the foot) within a thick floral border, reminiscent of the Arts and Crafts movement. It begins: 'Ce n'est qu'un bout de sol dans l'infini du monde. | Le Nord | Y déchaîne le vent qui mord. | Ce n'est qu'un peu de terre avec sa mer au bord | Et le déroulement de sa dune inféconde.' Scarce: no copy in the Bibliotheque Nationale, on COPAC or in the Imperial War Museum.

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

The contract is a form (1p., 12mo) printed in English in Paris by Imprimerie Hervey, and completed in autograph by De Keyser, with his stamp. It is in good condition, on aged paper, laid down on a larger sheet on which the words 'Royal Hotel, | 26, New Bridge Street, Blackfriars' are written in red ink in a large hand. In the same hand, on the form itself, is written: 'Published separately in English, French, German and Spanish'.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'