ARCHITECTURE

See his entry in the Oxford DNB. The recipient Philip Dosse (Summerson spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. The five items are in good condition, lightly aged. The three letters signed ‘John Summerson’. ONE: ALS, 3 October 1973. 1p, 12mo. Two previous letters from Dosse were sent while Summerson was in Canada. ‘The book on Fischer von Erlach I will review with pleasure. I’m not sure that I want to do the Raj book as well – anyway, not in the same review.

See the entries for his mother and father in the Oxford DNB. The recipient Philip Dosse (Guinness spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large signature, underlined. Reads: ‘Thankyou! [sic] I should be glad to review “Lost Demesnes” and “Classic Irish Houses” by Craig (see the enclosed) if it is sent to you.’

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, torn along the inner edge on removal from mount. Addressed to ‘Chas. Fowler Esqr:’ (a vice-president of the Artists’ General Benevolent Institution) and signed ‘Rob. Smirke.’ Reads: ‘Dear Sir / May I request you will have the goodness to add the amount of the enclosed cheque for me to the collection recently made for the Artists Genl. Benevolent Institution.’

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged, with small and slightly rusted staple holes to one corner. Folded once. Addressed to ‘My dear [Gern?] King / A. G. B. I’ (i.e. the Artists’ General Benevolent Institution) and signed ‘Aston Webb / Presd. A G B I -’. He is writing at the request of ‘the Council’, ‘to express to you on their behalf & my own our sincere regret at your resignation from our Council’.

An interesting letter, in which Webb sets out his approach to bookplate design. According to his entry in the Oxford DNB, ‘By 1899 Webb was in poor health and losing money. His meagre savings were insufficient to build a cottage, so he accepted Caxtons, a four-bedroom sixteenth-century yeoman's house at Worth, near Crawley, Sussex, offered at a selflessly low rental by his friend William Scawen Blunt.’ For the context of the present letter, see the letter from Webb to Sydney Cockerell, 1 September 1902, in volume 3 of John Apin’s edition of Webb’s letters.

See his entry in the Oxford DNB. See his entry in the Oxford DNB. Sneyd-Kinnersley is the headmaster who is alleged to have subjected a naked seven-year-old Winston Churchill to repeated beatings. 3pp, 12mo. With mourning border. Letterhead (no doubt designed by Waterhouse himself) in characteristic style. On grey paper. In good condition, lightly aged. Folded once for postage. Good expansive signature ‘A Waterhouse’, and the letter written in a stylish hand. Addressed to ‘The Rev: H. W Sneyd Kinnersley’.

See his entry in the Oxford DNB. Both items in good condition, lightly aged, on grey paper, with central horizontal fold. Each signed ‘Aston Webb’. ONE: ANS to ‘Dear Walter Spiers’, 27 March 1899. 1p, 16mo. Thanking him for his congratulations on his election. TWO: ALS to ‘Dear Mr Baldwin’, 20 June 1903. 1p, 12mo. After thanking him for his congratulation he continues: ‘We had a most delightful dinner with you the other evening.’

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

Ghyka, who was grew up and was educated in France, settled in London after the Second World War, and is considered one of the most significant members of the Romanian diaspora. His main preoccupation was with geometry and mathematical aesthetics, and his publications on the subject were influential: the ‘first epiphany’ of theatre director Peter Brook ‘came while reading a book by the Romanian prince Matila Ghika while staying with Salvador Dalí in Spain’ (Guardian, 17 January 2010).

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

Four pages, 12mo, bifolium. I am delighted to hear from you that the Bassingham Doorway is to be preserved - | I lose no time in sending a design for the oak doors - I think plainly moulded framing & ridged panels will best suit the age - It looks plain in outline - but if of handsome English oak, will look beautiful in execution.

The third of these letters in particular gives a good indication of his Yorkshire bluntness (his entry in the Oxford DNB describes him as ‘a man of arrogance and bile, [...] capable of generosity, strong friendships, and kindness towards people in need of help’). The three items are in good condition, lightly aged; the third with slight wear along one edge. All three are signed ‘E B Denison’ and the second and third are addressed to ‘My dear Plumptre’. ONE (14 January 1856): 3pp, 4to.

An interesting letter, in which a knowledgeable contemporary gives an extremely critical opinion of Victorian restoration as it pertains to churches in Wales. Freeman’s entry in the Oxford DNB describes how in his youth he had contemplated a career as an architect, and as a historian he showed ‘an interest in field archaeology and architecture, with the ability to sketch buildings and their features’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘Edward A Freeman’.

See Nicolas Barker’s appreciative obituary in the Independent, 7 April 1999, which notes that after selling his entire stock to the University of Texas in 1968, ‘He moved his business to the other side of Great Russell Street, and briefly opened another shop, selling prints in partnership with Rob Douwma.’ (The British Museum website states that ‘Weinreb & Douwma was on the corner of Great Russell Street and Bloomsbury Way during the 1970s and 1980s.’) The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business w

See her entry in the Oxford DNB. 1p, long 8vo. In good condition, lightly aged. Headed ‘TORRINGTON SQUARE. / To the EDITOR of The TIMES’. Whether the letter was published or not, and if so whether it appeared in its entirety, is unclear. Clearly a carbon, but with her characteristic signature at end in black ink ‘Margot Oxford’. The forty-seven-line text has four autograph emendations.

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

Dupré is thinking of retaining Brett as architect in the rebuilding of a house on an attractive site, and the two items deal with the practicalities. Both signed 'Lionel Brett', and both in fair condition, lightly aged. ONE: TLS. 2pp, 4to, Folded three times. Forty-two lines of text. Addressed to Dupré at The Lodge, Windlesham, Withyham, Sussex. Deals firstly with ‘the estimate for demolition’, with comments ‘On the technical side’, before moving on to the question of ‘salvage materials’.

1p, 12mo. On a bifolium endorsed on second leaf '1848 | C R Cockerell R A | 8 May'. Reads: 'My Dear Sir | I hope you have recd. my subscription paid by cheque on London & Westymr. Bank. & forwarded to Mess. Drummond on the 14 Feby. 1848. | Your's truly | C. R. Cockerell'.

[IV] + 525 + [7]pp., 4to. In blue cloth quarter-binding with paper boards and cover printed with architectural diagram design. Announcement on first page reads: 'HILL & SMITH LTD. | Have pleasure in submitting herewith illustrations of some of their manufactures. They hope to issue a priced list at a later date, when markets for raw materials, etc., become more settled.

For John George Jackson (c.1798-c.1851), architect of Leamington Priors, pupil of P. F. Robinson, see Lyndon F. Cave's 'Royal Leamington Spa' (1988). He erected Newbold Lodge on the site of Strawberry Cottage in the early 1830s. See the entry for the recipient William Hookham Carpenter (1792-1866), later Keeper of Prints and Drawings at the British Museum, in the Oxford DNB. At the time of the present letter Carpenter was working for his father the Old Bond Street bookseller James Carpenter (c.1768-1852). 2pp, 8vo. Bifolium.

Pepys's house at Brampton is the subject of an article by Chris Partridge in the Observer, 30 May 2004, which states that 'The first earl, Edward Montagu, was Pepys's cousin and patron, giving him the political clout to further his career in the Navy Office. In 1927 the then earl gave the Pepys House Trust a 100-year lease at a peppercorn rent, and it has been open to the public ever since. All three items in good condition, lightly aged. Drinkwater's second letter and Chappell's draft reply pinned to one another. ONE: Drinkwater to Chappell, 31 May 1933. TLS. 2pp, 4to.

Four original engravings, on laid paper, extracted from the third volume of S. J. Baumgarten et al., 'Uebersetzung der algemeinen Welthistorie, die in Engeland durch eine Geselschaft von Gelehrten ausgefertiget worden' (Halle: J. J. Gebauer, 1744-1793). Each with the binder's instruction 'T III p 365' engraved at top right. Attached to one another and in fair condition, aged and worn on browned paper, with some creasing along outer edge of the first two prints. Paper dimensions are approximate. ONE: 'Grund-Riss von dem Modell des Salomonischen Tempels'. Paper dimensions: 23 x 36 cm.

Around 280pp., small 4to (20.5 x 16 cm). In bulky notebook with marbled boards and label on front cover: 'Skizzen & Notizen | von | Samuel Senn. | 1848.' Internally in fair condition, shaken, on aged and worn paper. In heavily-worn binding with spine almost rubbed away and front cover coming loose. An attractive and impressive volume, crammed with detailed tracings, diagrams, illustrations and plans of architectural features, projections, patterns and ornaments, most in fine pen and a few in colour. Most of the tracings have been laid down, with a few folding out.

2pp., 12mo. Bifolium. In fair condition, lightly aged and worn. He very much regrets that his 'occupation and residence for 1/3rd of the year in the S[outh]. of France render it almost impossible for me to be of use in the way you propose to the L[iver]pool. Arch[itectura]l. Society: for your Session commencing just at the time, when I ought to set out for the Continent.' He will do his best to delay his departure for that year, 'so as to enable me to comply with your request, if you can manage to give me the first week in October'.

1p., 12mo. In good condition, lightly aged. Addressed to Allchin at 5 Chandos Street, W. He asks him whether it would be 'convenient to you to come across today to see my Son who has a swelled face, & whose mother thinks he is not in a condition to go outside the house'.

1p., 12mo. In fair conditon, on aged and worn paper. Headed in another hand 'Answered'. Reads: 'My dear Sir, | Many thanks for your kind note. If you could bring with you tomorrow evening to the Antiqs. [i.e. Society of Antiquaries ] the dates when the late Mr James Elmes became Surveyor of the Port of London, & when he resigned that office, you would further oblige me.'

A scarce piece of Oxford ephemera. The Society for promoting the Study of Gothic Architecture was founded in 1839; renamed the Oxford Architectural Society in 1848; renamed the Oxford Architectural and Historical Society in 1860; merged with The Oxfordshire Archaeological Society in 1972 to become The Oxfordshire Architectural and Historical Society. In good condition, printed in black ink on a 15 x 11 cm piece of white India paper, laid down on a 22 x 18.5 cm grey card mount. At the foot of the design, in tiny letters, is engraved 'O. JEWITT. | DEL.

2pp., 12mo. Bifolium with mourning border. In good condition, lightly aged and worn, with the blank second leaf tipped-in onto a leaf from an album. His only excuse for 'the long delay' is 'that all my time has been occupied in taking stock, which necessarily has been a most irksome job'. It will be the following month before he can 'put forth an appendix to my Catalogue, as it will be necessary for me to wait the coming event of something, that I may, or may not be engaged in.' He will have time 'to consider & reconsider' Huggins's 'advertisement'.