ARCHITECTURE

[Prince Matila Ghyka, Romanian mathematician.] Correspondence to him in French from Karl Häuptli, Swiss architect (TLS and three Autograph Studies, with diagrams, on ‘le nombre d’or’) and A. Andre of Marseilles (TLS and enclosures on the I Ching).

Author: 
Prince Matila Ghyka [Matila Costiescu Ghyka] (1881-1965), Romanian aristocrat, mathematician and polymath; Karl Häuptli (b.1894), Swiss architect associated with Theodor Fischer; A. Andre]
Publication details: 
ONE (Häuptli): 11 April 1953; on his letterhead as ‘Diplomierter Architekt / Fachlehrer am Kantonalen / Technikum in Biel [Switzerland].’ TWO (Andre): 17 March 1965; ‘17 av. des Coccinelles / Les Caillols / Marseille (XIIe) [France]’.
£850.00

Ghyka, who was grew up and was educated in France, settled in London after the Second World War, and is considered one of the most significant members of the Romanian diaspora. His main preoccupation was with geometry and mathematical aesthetics, and his publications on the subject were influential: the ‘first epiphany’ of theatre director Peter Brook ‘came while reading a book by the Romanian prince Matila Ghika while staying with Salvador Dalí in Spain’ (Guardian, 17 January 2010).

[Arts and Crafts architecture in the Potteries, 1908.] Blueprint of plans and elevations by the architect William Ford Slater for ‘3 HOUSES HIGH LANE BURSLEM / FOR MR: HARRY H. ROSE / 1/8th Scale’, for construction by John Henry Broadhurst and Son.

Author: 
[Arts and Crafts achitecture in the Potteries.] William Ford Slater (1866-1951), architect and surveyor; J. H. Broadhurst and Son [John Henry Broadhurst], builder of Burslem, Staffordshire.
Burslem
Publication details: 
J. H. Broadhurst & Son, Burlem, Staffordshire. 27 [June?] 1908. ‘John Henry Broadhurst / [June?] 27/08 / p pro J H Broadhurst & Son’.
£280.00
Burslem

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

[Charles A. Buckler, architect] Substantial Autograph Letter Signed Charles A. Buckler to Frederick [Watson] on a design for the Bassingham Doorway (oak doors, etc.). See Note below.

Author: 
Charles A. Buckler [Charles Alban Buckler (1825–1905), author, topographer, architect, artist and officer of arms].
Publication details: 
Oxford, 9 Sept. 1857. Two Letters.
£150.00

Four pages, 12mo, bifolium. I am delighted to hear from you that the Bassingham Doorway is to be preserved - | I lose no time in sending a design for the oak doors - I think plainly moulded framing & ridged panels will best suit the age - It looks plain in outline - but if of handsome English oak, will look beautiful in execution.

[The horologist who designed the Big Ben clock: Sir Edmund Beckett Denison (latterly Lord Grimthorpe).] Three Autograph Letters Signed to Edward Hayes Plumptre, regarding the business of Westminster girls’ school Queen’s College.

Author: 
Sir Edmund Beckett Denison [afterwards Edmund Beckett, Lord Grimthorpe] (1816-1905), lawyer, architect and horologist who designed the Big Ben clock [Edward Hayes Plumptre (1821-91); Queen’s College]
Publication details: 
ONE: 14 January 1856; Queen’s College. TWO: ‘Valentines Day’ [14 February] 1870; 33 Queen Anne Street W. [London] THREE: 3 April 1870; Doncaster.
£220.00

The third of these letters in particular gives a good indication of his Yorkshire bluntness (his entry in the Oxford DNB describes him as ‘a man of arrogance and bile, [...] capable of generosity, strong friendships, and kindness towards people in need of help’). The three items are in good condition, lightly aged; the third with slight wear along one edge. All three are signed ‘E B Denison’ and the second and third are addressed to ‘My dear Plumptre’. ONE (14 January 1856): 3pp, 4to.

[Victorian church restoration: the scathing view of the Regius Professor of Modern History at Oxford.] Autograph Letter Signed from E. A. Freeman [Edward Augustus Freeman], expressing concern for the ‘grand detail’ of St Mary’s Haverfordwest.

Author: 
E. A. Freeman [Edward Augustus Freeman] (1823-1892), Regius Professor of Modern History at Oxford [Victorian church restoration; Welsh architecture; St Mary’s, Haverfordwest; Hodgeston, Pembrokeshire]
Publication details: 
6 June 1886; on letterhead of 16 St Giles, Oxford.
£56.00

An interesting letter, in which a knowledgeable contemporary gives an extremely critical opinion of Victorian restoration as it pertains to churches in Wales. Freeman’s entry in the Oxford DNB describes how in his youth he had contemplated a career as an architect, and as a historian he showed ‘an interest in field archaeology and architecture, with the ability to sketch buildings and their features’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘Edward A Freeman’.

[Ben Weinreb, London bookseller and editor of ‘The London Encyclopedia’.] Autograph Note Signed [to fellow bookseller Andrew Block] on attractive printed invitation card for the opening of the new ‘Weinreb + Douwma’ print and map shop.

Author: 
Ben Weinreb (1912-1999), London bookseller and authority on architecture, first editor of ‘The London Encyclopedia’ [Robert Douwma, printseller; Andrew Block, bookseller]
Weinreb
Publication details: 
Invitation to shop opening, 26 January 1970; 93 Great Russell Street, London WC1.
£45.00
Weinreb

See Nicolas Barker’s appreciative obituary in the Independent, 7 April 1999, which notes that after selling his entire stock to the University of Texas in 1968, ‘He moved his business to the other side of Great Russell Street, and briefly opened another shop, selling prints in partnership with Rob Douwma.’ (The British Museum website states that ‘Weinreb & Douwma was on the corner of Great Russell Street and Bloomsbury Way during the 1970s and 1980s.’) The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business w

[Margot Asquith, Countess of Oxford.] Autograph Signature ('Margot Oxford') to Copy of Typed Letter to the Editor of The Times, regarding the plans of the University of London with regard to the preservation of Torrington Square, Bloomsbury.

Author: 
Margot Asquith [Emma Margaret Asquith, Countess of Oxford and Asquith, née Tennant] (1864-1945), wife of Liberal Prime Minister H. H. Asquith, author and socialite [University of London; Birkbeck]
Publication details: 
Without date or place. [Circa 1935.]
£120.00

See her entry in the Oxford DNB. 1p, long 8vo. In good condition, lightly aged. Headed ‘TORRINGTON SQUARE. / To the EDITOR of The TIMES’. Whether the letter was published or not, and if so whether it appeared in its entirety, is unclear. Clearly a carbon, but with her characteristic signature at end in black ink ‘Margot Oxford’. The forty-seven-line text has four autograph emendations.

[Sir Aston Webb, architect of the facade of Buckingham Palace.] Typed Letter Signed to Rev. A. R. F. Hyslop of Glenalmond College, clarifying the position of the Board of Architectural Education on the question of ‘geometrical drawing’.

Author: 
Sir Aston Webb (1849-1930), architect of Buckingham Palace and the Victoria and Albert Museum, President of the Royal Academy
Publication details: 
29 March 1909; on letterhead of the Board of Architectural Education.
£50.00

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

[Lord Esher [Lionel Brett, 4th Viscount Esher], architect and town-planner.] Typed Letter Signed and Autograph Note Signed to the lutenist Desmond Dupré, discussing costs and options for new house.

Author: 
Lord Esher [Lionel Brett; Lionel Gordon Baliol Brett, 4th Viscount Esher (1913-2004), British architect and town-planner [Desmond Dupré (1916-1974), English lutenist]
Publication details: 
Both items on his letterhead, Wellington Park, Oxon, and New Town House, Hatfield, Herts. ANS: 22 October 1952. TLS: 28 October 1952.
£90.00

Dupré is thinking of retaining Brett as architect in the rebuilding of a house on an attractive site, and the two items deal with the practicalities. Both signed 'Lionel Brett', and both in fair condition, lightly aged. ONE: TLS. 2pp, 4to, Folded three times. Forty-two lines of text. Addressed to Dupré at The Lodge, Windlesham, Withyham, Sussex. Deals firstly with ‘the estimate for demolition’, with comments ‘On the technical side’, before moving on to the question of ‘salvage materials’.

[C. R. Cockerell [Charles Robert Cockerell], Professor of Architecture at the Royal Academy of Arts.] Autograph Letter Signed ('C. R. Cockerell.'), regarding the reprinting of a paper.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author, Professor of Architecture at the Royal Academy of Arts
Publication details: 
29 January 1856. No place.
£35.00

1p, 12mo. In fair condition, on lightly-aged paper. Folded twice. The recipient is not named, but would appear to be the editor of a journal. The letter begins: 'My Dear Sir | I really think it would be desirable to reprint the paper on the [Stones?] testimonial to distribute it as a corrected paper. | Otherwise the dissatisfaction I felt, & the trouble I have given you, will be universal amongst the subscribers'.

[Charles Robert Cockerell, architect, archaeologist and author.] Autograph Note Signed ('C. R. Cockerell') to 'Roberts' [the Scottish painter David Roberts], accepting an invitation to a 'meeting' with 'Distinguished Guests'.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author [David Roberts (1796-1864), Scottish painter]
Publication details: 
12 February 1858. No place.
£45.00

1p, 12mo. In good condition, lightly aged. Folded twice. The letter reads: 'My Dear Roberts. | I shall have great pleasure in accepting your kind invitation for Friday next, & in meeting such Distinguished Guests as you propose to gather round you. | Ever my Dear Roberts | Sincerely yours | C. R. Cockerell.' From the Roberts papers.

[[C. R. Cockerell [Charles Robert Cockerell], Professor of Architecture at the Royal Academy of Arts.] Autograph Note Signed ('C. R. Cockerell') regarding the paying of a subscription.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author, Professor of Architecture at the Royal Academy of Arts
Publication details: 
8 May 1848. No place.
£35.00

1p, 12mo. On a bifolium endorsed on second leaf '1848 | C R Cockerell R A | 8 May'. Reads: 'My Dear Sir | I hope you have recd. my subscription paid by cheque on London & Westymr. Bank. & forwarded to Mess. Drummond on the 14 Feby. 1848. | Your's truly | C. R. Cockerell'.

[Frank Miles, artist, friend of Oscar Wilde, and Jack the Ripper suspect.] Autograph Note Signed ('Frank Miles') to an autograph hunter, gracefully supplying his own.

Author: 
Frank Miles [George Francis Miles] (1852-1891), artist and friend of Oscar Wilde, architect, gardener and Jack the Ripper suspect
Publication details: 
No date. 26 Tite Street, Chelsea [London].
£90.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on reverse. Folded once. Reads: '26 Tite St. | Chelsea | Pray forgive me for not having answered before | If you are glad to have my handwriting, then I am gladder to send it to you. | Frank Miles'. The house in Tite Street which Miles had E. W. Godwin build for him, and at which his friend Oscar Wilde lived as a 'boarder', was originally numbered 1, then 26, and now 44.

[Architectural Metalwork and 'Handsmithed Wrought-Ironwork'.] Substantial trade catalogue of Hill & Smith Ltd., Brierley Hill, Staffordshire, filled with photographs and illustrations of the firm's work, calculations and descriptions.

Author: 
Hill & Smith Ltd., Brierley Hill, Staffordshire, Architectural Metalworkers specialising in 'Handsmithed Wrought-Ironwork'
Publication details: 
Hill & Smith Ltd., Brierley Hill, Staffordshire. Undated. [Circa 1925?]
£180.00

[IV] + 525 + [7]pp., 4to. In blue cloth quarter-binding with paper boards and cover printed with architectural diagram design. Announcement on first page reads: 'HILL & SMITH LTD. | Have pleasure in submitting herewith illustrations of some of their manufactures. They hope to issue a priced list at a later date, when markets for raw materials, etc., become more settled.

[John George Jackson, Leamington architect.] Autograph Letter Signed ('J G Jackson') to William Hookham Carpenter, regarding payment to his father the bookseller James Carpenter, the building of a villa for 'Mr Woolryche', and a bust of Shakespeare.

Author: 
John George Jackson, Leamington architect [William Hookham Carpenter, Keeper of Prints and Drawings at the British Museum, son of London bookseller James Carpenter]
Publication details: 
3 May 1834; Newbold Lodge [Leamington].
£56.00

For John George Jackson (c.1798-c.1851), architect of Leamington Priors, pupil of P. F. Robinson, see Lyndon F. Cave's 'Royal Leamington Spa' (1988). He erected Newbold Lodge on the site of Strawberry Cottage in the early 1830s. See the entry for the recipient William Hookham Carpenter (1792-1866), later Keeper of Prints and Drawings at the British Museum, in the Oxford DNB. At the time of the present letter Carpenter was working for his father the Old Bond Street bookseller James Carpenter (c.1768-1852). 2pp, 8vo. Bifolium.

[John Drinkwater and Samuel Pepys.] Two Typed Letters Signed (both 'John Drinkwater') to Edwin Chappell, responding with asperity to his criticism of Pepys House in Brampton. With Autograph Draft Copy of a reply by Chappell.

Author: 
John Drinkwater (1882-1937), poet and dramatist [Edwin Chappell (1883-1938), Pepys scholar and maritime historian; Samuel Pepys]
Publication details: 
Letter One: Pepys House, Brampton, Huntingdon; 31 May 1933. Letter Two: on letterhead of 9 The Grove, Highgate Village, London; 17 June 1933. Chappell's draft reply: on letterhead of 41 Westcombe Park Rd, Blackheath [London]; 21 June 1933.
£180.00

Pepys's house at Brampton is the subject of an article by Chris Partridge in the Observer, 30 May 2004, which states that 'The first earl, Edward Montagu, was Pepys's cousin and patron, giving him the political clout to further his career in the Navy Office. In 1927 the then earl gave the Pepys House Trust a 100-year lease at a peppercorn rent, and it has been open to the public ever since. All three items in good condition, lightly aged. Drinkwater's second letter and Chappell's draft reply pinned to one another. ONE: Drinkwater to Chappell, 31 May 1933. TLS. 2pp, 4to.

[The Temple of Solomon.] Four German architectural engravings of 'Tempels Salomonis', extracted from 'Uebersetzung der algemeinen Welthistorie'.

Author: 
Siegmund Jacob Baumgarten [The Temple of Solomon, Jerusalem; Tempels Salomonis]
Publication details: 
Extracted from work published in Halle by Johann Justinus Gebauer, 1744-1793.
£280.00

Four original engravings, on laid paper, extracted from the third volume of S. J. Baumgarten et al., 'Uebersetzung der algemeinen Welthistorie, die in Engeland durch eine Geselschaft von Gelehrten ausgefertiget worden' (Halle: J. J. Gebauer, 1744-1793). Each with the binder's instruction 'T III p 365' engraved at top right. Attached to one another and in fair condition, aged and worn on browned paper, with some creasing along outer edge of the first two prints. Paper dimensions are approximate. ONE: 'Grund-Riss von dem Modell des Salomonischen Tempels'. Paper dimensions: 23 x 36 cm.

[ Nineteenth-century Swiss architecture. ] Volume of 'Skizzen & Notizen' by 'G. Samuel Senn', containing numerous original architectural tracings, diagrams, illustrations, calculations, and manuscript text 'Bauvertrage, Akkörde und Akkordbedingungen'

Author: 
G. Samuel Senn, architectural student [ Zofingen, Switzerland ]
Publication details: 
[ Zofingen, Switzerland? ] Between 1846 and 1850.
£450.00

Around 280pp., small 4to (20.5 x 16 cm). In bulky notebook with marbled boards and label on front cover: 'Skizzen & Notizen | von | Samuel Senn. | 1848.' Internally in fair condition, shaken, on aged and worn paper. In heavily-worn binding with spine almost rubbed away and front cover coming loose. An attractive and impressive volume, crammed with detailed tracings, diagrams, illustrations and plans of architectural features, projections, patterns and ornaments, most in fine pen and a few in colour. Most of the tracings have been laid down, with a few folding out.

[ Edmund Sharpe of Lancaster, architect and architectural historian. ] Autograph Letter Signed ('Edm: Sharpe. -') to fellow-architect H. Heathcote Statham, offering to change his plans so as to assist the Liverpool Architectural Society.

Author: 
Edmund Sharpe (1809-1877) of Lancaster, English architect, architectural historian, railway engineer [ Henry Heathcote Statham (1839-1924), architect; Liverpool Architectural Society ]
Publication details: 
The Higher Greaves, Lancaster. 9 July 1864.
£65.00

2pp., 12mo. Bifolium. In fair condition, lightly aged and worn. He very much regrets that his 'occupation and residence for 1/3rd of the year in the S[outh]. of France render it almost impossible for me to be of use in the way you propose to the L[iver]pool. Arch[itectura]l. Society: for your Session commencing just at the time, when I ought to set out for the Continent.' He will do his best to delay his departure for that year, 'so as to enable me to comply with your request, if you can manage to give me the first week in October'.

[ Frank Miles, artist, friend of Oscar Wilde, and Jack the Ripper suspect. ] Four prints of portraits of young ladies, three of them presented as cabinet cards titled 'The Miller's Daughter', 'Rose' and 'A Little Queen. | A Study by Francis Miles'.

Author: 
Frank Miles [ George Francis Miles ] (1852-1891), artist and friend of Oscar Wilde, architect, gardener and Jack the Ripper suspect
Frank Miles
Publication details: 
Two published by Mansell & Co., Percy Street, London, and dated 1872 and 1873. Two published by Poulton & Co., London.
£200.00
Frank Miles

Wilde lived with Miles in the house in Tite Street which Miles had commissioned E. W. Godwin to build for him. Miles ended his days at Brislington House Lunatic Asylum. All four engravings are printed in black. Three (all 'Copyright') are on 13 x 9.5 cm pieces of paper, each laid down on 16.5 x 10.5 cm pieces of card, with printed text in red ink on the card beneath the print; the fourth print is on a loose 12.5 x 9.5 cm piece of paper.

[ Alfred Waterhouse, Victorian Gothic Revival architect. ] Autograph Letter Signed ('A Waterhouse') to the physician W. H. Allchin, asking him to call to see his son, 'who has a swelled face'.

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London [ Sir William Henry Allchin (1846-1912), physician ]
Publication details: 
On letterhead of 20 New Cavendish Street, Portland Place, W. [ London ] 5 May 1889.
£50.00

1p., 12mo. In good condition, lightly aged. Addressed to Allchin at 5 Chandos Street, W. He asks him whether it would be 'convenient to you to come across today to see my Son who has a swelled face, & whose mother thinks he is not in a condition to go outside the house'.

[ John Gough Nichols, printer and antiquary. ] Autograph Letter Signed to unnamed recipient, requesting information on the architect James Elmes.

Author: 
John Gough Nichols (1806-1873), printer and antiquary [ James Elmes (1782-1862), architect and surveyor; Society of Antiquaries of London ]
Publication details: 
25 Parliament Street [ London ]. 21 May 1862.
£40.00

1p., 12mo. In fair conditon, on aged and worn paper. Headed in another hand 'Answered'. Reads: 'My dear Sir, | Many thanks for your kind note. If you could bring with you tomorrow evening to the Antiqs. [i.e. Society of Antiquaries ] the dates when the late Mr James Elmes became Surveyor of the Port of London, & when he resigned that office, you would further oblige me.'

[ Charles Robert Cockerell, architect, archaeologist, and author. ] Two Autograph Letters Signed (both 'C. R. Cockerell') to the connoisseur Henry Smedley, one regarding a paper he has read regarding 'the works of Phidéas'.

Author: 
C. R. Cockerell [ Charles Robert Cockerell ] (1788-1863), architect, archaeologist, and author [ Henry Smedley (1785-1832), connoisseur ]
Publication details: 
Neither with place or date. One 'Saturday -' and the other 'Monday'.
£180.00

See Cockerell's entry in the Oxford DNB, and Smedley's obituary in the Gentleman's Magazine, April 1832. The two letters are in good condition, on lightly aged and worn paper. Each letter is of 1p., 12mo. On bifoliums addressed to Smedley at Broad Sanctuary on reverse of second leaf. ONE: 'Monday'. 1p., 12mo. Indistinct seal of head in red wax. Begins: 'My Dear Smedley. | You will hear with pleasure that I read my MS: on Saturday; no dissent cast but G. B. who has started a doubt as to this being the works of Phidéas.' He is going out of own for a week and hopes to see Smedley on his return.

[ The Oxford Architectural Society. ] Bookplate of the Society, by the wood-engraver Orlando Jewitt, on mount signed by secretaries John Portal and Robert Wilmot.

Author: 
Orlando Jewitt [ Thomas Orlando Sheldon Jewitt ] (1799-1869), architectural wood-engraver [ The Oxford Architectural Society; The Society for promoting the Study of Gothic Architecture
Publication details: 
[ Executed for the Oxford Architectural Society. ] Inscription on mount dated 'A: A: May 1850.'
£320.00

A scarce piece of Oxford ephemera. The Society for promoting the Study of Gothic Architecture was founded in 1839; renamed the Oxford Architectural Society in 1848; renamed the Oxford Architectural and Historical Society in 1860; merged with The Oxfordshire Archaeological Society in 1972 to become The Oxfordshire Architectural and Historical Society. In good condition, printed in black ink on a 15 x 11 cm piece of white India paper, laid down on a 22 x 18.5 cm grey card mount. At the foot of the design, in tiny letters, is engraved 'O. JEWITT. | DEL.

[ John Weale, writer on architecture, and London bookseller and publisher. ] Autograph Letter Signed to the architect Samuel Huggins, regarding stocktaking, Huggins's 'advertisement' and 'the Soane Museum'.

Author: 
John Weale (1791-1862), writer on architecture, and London bookseller and publisher, initially with George Priestley [ Samuel Huggins (1811-1885), Liverpool architect and writer ]
Publication details: 
59 High Holborn, London. 13 December 1861.
£80.00

2pp., 12mo. Bifolium with mourning border. In good condition, lightly aged and worn, with the blank second leaf tipped-in onto a leaf from an album. His only excuse for 'the long delay' is 'that all my time has been occupied in taking stock, which necessarily has been a most irksome job'. It will be the following month before he can 'put forth an appendix to my Catalogue, as it will be necessary for me to wait the coming event of something, that I may, or may not be engaged in.' He will have time 'to consider & reconsider' Huggins's 'advertisement'.

[ Sir Matthew Digby Wyatt (1820-1877), architect and writer on art. ] Autograph Letter Signed ('M. Digby Wyatt') to the herald and playwright J. R. Planché, regarding C. R. Cockerell's theory on 'the Wells & other sculptures' at the Crystal Palace.

Author: 
Sir Matthew Digby Wyatt (1820-1877), architect and writer on art [ James Robinson Planché [ J. R. Planché ] (1796-1880), playwright and herald; John Burley Waring; Charles Robert Cockerell ]
Publication details: 
54 Guildford Street [ London ]. 9 May 1857.
£120.00

3pp., 12mo. Bifolium. In good condition, lightly aged. The name of the addressee has been amended from 'J. B. Waring' to 'J. R. Planché Eqr.' In 1854 Wyatt and Waring had collaborated on four architectural guidebooks to the courts of the Crystal Palace at Sydenham, and the present item relates to sculptures present there. The letter beings iwth Wyatt thanking Planché for 'a copy of your interesting comments on Professor Cockerell's views with respect to the Wells & other sculptures', which he has read 'with care and interest'.

[ Henry Gally Knight, architectural writer and antiquary. ] Autograph Letter Signed ('H Gally Knight')

Author: 
Henry Gally Knight (1786-1846), architectural writer and antiquary [ The Dramatic Authors' Society, London ]
Publication details: 
Lower Grosvenor Street [ London ]. 11 July 1842.
£56.00

1p., 12mo. In fair condition, lightly aged and worn, with small glue and paper stain affecting one word of text. He asks the unnamed male recipient to thank 'the Dramatic Authors' Society, for the honor they have done me in noticing my humble efforts in the cuase of the Drama'. It will give Knight pleasure, 'at all times [...] to assist in promoting the objects for which they are ciated'.

[ H. Lonsdale Elmes, architect. ] Autograph Note Signed ('H. Lonsdale Elmes') to Henry Howard, Secretary, Royal Academy, giving the name of a drawing for exhibition.

Author: 
H. Lonsdale Elmes [ Harvey Lonsdale Elmes ] (1814-1847), English architect, designer of St George's Hall, Liverpool
Publication details: 
No place or date.
£180.00

On 10 x 11.5 cm piece of paper, cut down from a longer letter. Aged and worn, with traces of glue and grey paper mount adhering to the reverse, which is addressed by Elmes to Howard at the Royal Academy. Reads: 'I send with this one drawing for Exhibition with my name at the back of which the following is the description | "Design for a National Museum comprised in a space of two Acres | H. Lonsdale Hunter | 11 Park Street | Westminster'. Note: Perhaps he was quoting for St George's Hall(?).

[ West Dereham Church Restoration Fund, Norfolk. ] Printed appeal and 'First Subscription List', following the 'collapse of the entire roof of the nave on St. Mark's day, 1901'. With photograph.

Author: 
West Dereham Church Restoration Fund, Norfolk. [ W. Burleigh, Vicar; H. Steward and J. T. Horn, Churchwardens ] [ Sir Richard Harington (1835-1911) of Ridlington, 11th Baronet ]
Publication details: 
[ West Dereham Church Restoration Fund, Norfolk. ] Appeal dated June 1901. 'First Subscription List' undated [ 1901 ].
£35.00

Both items in good condition, on aged paper. ONE: Appeal dated June 1901, headed 'West Dereham Church Restoration Fund.' Signed in type 'W. BURLEIGH, Vicar. | H. STEWARD, | J. T. HORN, | Churchwardens.' Carrying a small photograph of the ruins of the church, flanked by a description of the church, 'dedicated to St. Andrew', and its features. Beneath these the appeal begins: 'This interesting Church is now lying in ruins, simply from the effects of old age, and the consequent collapse of the entire roof of the nave on St. Mark's day, 1901.

[ A Grand Regency Town House: Two Architectural Plans of 43 Berkeley Square. ] Two finished manuscript floor plans by Joseph Hobbs of the town house of Sir John Harington, 'In its present state' and 'with proposed Alterations'. With three receipts.

Author: 
[ Sir John Edward Harington of Ridlington, 8th Baronet (1760-1831); Joseph Hobbs, planmaker; Berkeley Square, London ]
Publication details: 
Both plans by 'Joseph Hobbs | 30 Margaret Street' [ Cavendish Square, London ] Both dated 'June 1815'.
£600.00

Each of the two plans is on a 46 x 60 cm piece of wove paper. Both have the name of the details of the planmaker at bottom right: 'Joseph Hobbs | 30 Margaret Street'. Two finished and professional floor plans of a grand Town House. Both items are aged, worn and creased, with closed tears, but would respond well to archival repair. ONE: 'Sir John Harington Bart | Plan of House Berkley [sic] Square | In its present state | June 1815'. In black and white, with grey shading. Five plans in a line: 'Basement', 'Parlor Floor', 'Drawing Room', 'Two Pair Floor' and 'Attic Floor'.

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