GOTHIC

[Alfred Waterhouse, RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London.] Autograph Letter Signed to his son's headmaster Rev. H. W. Sneyd-Kynnersley, regarding the boy's deficiencies.

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect of Manchester Town Hall and the Natural History Museum,[Rev. Herbert William Sneyd-Kynnersley, headmaster of St George's, Ascot]
Publication details: 
28 July 1874; on letterhead of Fox Hill, Reading.
£65.00

See his entry in the Oxford DNB. See his entry in the Oxford DNB. Sneyd-Kinnersley is the headmaster who is alleged to have subjected a naked seven-year-old Winston Churchill to repeated beatings. 3pp, 12mo. With mourning border. Letterhead (no doubt designed by Waterhouse himself) in characteristic style. On grey paper. In good condition, lightly aged. Folded once for postage. Good expansive signature ‘A Waterhouse’, and the letter written in a stylish hand. Addressed to ‘The Rev: H. W Sneyd Kinnersley’.

[Alfred Waterhouse, RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London.] Autograph Letter Signed to Thomas Haigh, regarding designs for a house in Keston.

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London
Publication details: 
'Manchester / 2 : Aug : 1856'.
£50.00

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

[Alfred Waterhouse, RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London.] Autograph Letter Signed to ‘Horsley’ [John Callcott Horsley?], responding to an appeal and requesting no 'mystery'..

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London [John Callcott Horsley (1817-1903), painter]
Publication details: 
8 August 1878; on letterhead of 20 New Cavendish Street, Portland Place, W. [London]
£50.00

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

[Charles A. Buckler, architect] Substantial Autograph Letter Signed Charles A. Buckler to Frederick [Watson] on a design for the Bassingham Doorway (oak doors, etc.). See Note below.

Author: 
Charles A. Buckler [Charles Alban Buckler (1825–1905), author, topographer, architect, artist and officer of arms].
Publication details: 
Oxford, 9 Sept. 1857. Two Letters.
£150.00

Four pages, 12mo, bifolium. I am delighted to hear from you that the Bassingham Doorway is to be preserved - | I lose no time in sending a design for the oak doors - I think plainly moulded framing & ridged panels will best suit the age - It looks plain in outline - but if of handsome English oak, will look beautiful in execution.

[Charles Nodier, French Romantic supernatural author.] Autograph Letter Signed ('Charles Nodier'), in French, explaining to an unnamed count that his friend and protégé 'M. Leharivel' is not eligible for membership of the Academie Française.

Author: 
Charles Nodier [Jean Charles Emmanuel Nodier] (1780-1844), French Romantic author of fantastic and supernatural tales, Librarian of Bibliothèque de l'Arsenal, Member of the Académie Française
Publication details: 
Without date or place.
£250.00

1p, 12mo. Seventeen lines of closely written text. In fair condition, lightly aged and worn, laid down on a leaf from an album. The recipient is not named, but is addressed as 'Monsieur le Comte'. The letter concerns the count's 'ami et protégé' 'M. Leharivel' [author of 'Grammaire Francaise Pasigraphique, Simplifiee Et Regularisee, Pour Servir de Base Fondamentale; Et Anecdotes, Et Contes Historiques (1839) ].

James Kennaway Colling; Chromolithography ] Autograph Letter Signed James K. Colling to Revd. H.T. Ellacombe, divine and antiquary [Wikipedia]..

Author: 
James K. Colling [ James Kellaway Colling (1816–1905), architect, watercolour artist, noted book illustrator, pioneer of early Chromolithographic printing.]
Publication details: 
6 Ridgmount Place, Hampstead Road, [London], 25 May 1857.
£120.00

Three pages, 12mo, bifolium, fold marks, very good condition. If you will let me know what Numbers you require of the Gothic Ornaments {his work first published in 1838] I will endeavour to let you have them. It is very probable that you would not get them at my publishers as there being so little demand for the work now in Numbers we bind them all up as far as we can- But if you will let me know what you require I will send them to you and charge you only [underlined] 2/6 per Number.

[ Ursula Torday; pseud. Charity Blackstock ] Three Typed Notes Signed Charity Blackstock to Miss [Eileen] Cond, inveterate collector of novelists' signatures.

Author: 
Ursula Torday (1912 – 1997), writer of c. 60 gothic, romance and mystery novels 1935 - 1982. Pseudonyms include Charity Blackstock.
Publication details: 
Flat 4, 6/8 Blandford Street, W1, 1965-1967
£35.00

Total 3pp, 12mo, very good condition, [1965] thanking her for reading her and sending the requested signed bookplate; [1966] sending another signed bookplate, pleased that she reads her books, and anticiapting the publication of her next (with a different publisher); [1967] another signed bokplate is being sent, with thanks for faithful readership.

[John Landseer, landscape engraver, father of Sir Edwin Landseer.] Autograph Letter Signed ('J Landseer') to 'J. Scoles Esqr', i.e. the architect Joseph John Scoles, asking for tickets of admission to his church.

Author: 
John Landseer (1769-1852), landscape engraver, father of Sir Edwin Landseer [Joseph John Scoles (1798-1863), Gothic Revival architect]
Publication details: 
'Monday Morng.' [no place or date]
£45.00

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

[ Arthur Wellesley Batson, composer, artist and cleric. ] Autograph Letter Signed ('A Wellesley Batson') to 'Johnnie', whom he has seen in Marlow Church, causing him to reminisce about their time at Whitbourne.

Author: 
Arthur Wellesley Batson (1852-1917), composer, artist and cleric, Rector of Ringstead, Norfolk
Publication details: 
Ringstead Rectory, Lynn. 16 July 1890.
£40.00

2pp., 12mo. Bifolium. In fair condition, lightly aged and worn. The letter begins: 'My dear Johnnie - | I saw you in Marlow Church the Sunday before last & recognised you although when I saw you last you had long curls falling on your shoulders 10 years ago!' He hopes to meet with him if he is still at Marlow when he goes there again. 'Edward stayed here for a week a short time ago.' The letter concludes: 'I often think of my Whitbourne days & Barkie & the good times we had.' From the papers of the Harington baronets of Whitbourne Court. Batson was a student of theology at Oxford in 1881.

[ Alfred Waterhouse, Victorian Gothic Revival architect. ] Autograph Letter Signed ('A Waterhouse') to the physician W. H. Allchin, asking him to call to see his son, 'who has a swelled face'.

Author: 
Alfred Waterhouse (1830-1905), RA, Victorian Gothic Revival architect who designed Manchester Town Hall and the Natural History Museum, London [ Sir William Henry Allchin (1846-1912), physician ]
Publication details: 
On letterhead of 20 New Cavendish Street, Portland Place, W. [ London ] 5 May 1889.
£50.00

1p., 12mo. In good condition, lightly aged. Addressed to Allchin at 5 Chandos Street, W. He asks him whether it would be 'convenient to you to come across today to see my Son who has a swelled face, & whose mother thinks he is not in a condition to go outside the house'.

[ The Oxford Architectural Society. ] Bookplate of the Society, by the wood-engraver Orlando Jewitt, on mount signed by secretaries John Portal and Robert Wilmot.

Author: 
Orlando Jewitt [ Thomas Orlando Sheldon Jewitt ] (1799-1869), architectural wood-engraver [ The Oxford Architectural Society; The Society for promoting the Study of Gothic Architecture
Publication details: 
[ Executed for the Oxford Architectural Society. ] Inscription on mount dated 'A: A: May 1850.'
£180.00

A scarce piece of Oxford ephemera. The Society for promoting the Study of Gothic Architecture was founded in 1839; renamed the Oxford Architectural Society in 1848; renamed the Oxford Architectural and Historical Society in 1860; merged with The Oxfordshire Archaeological Society in 1972 to become The Oxfordshire Architectural and Historical Society. In good condition, printed in black ink on a 15 x 11 cm piece of white India paper, laid down on a 22 x 18.5 cm grey card mount. At the foot of the design, in tiny letters, is engraved 'O. JEWITT. | DEL.

[ Charles Robert Maturin, author of 'Melmoth the Wanderer'. ] Autograph Letter Signed ('C. R. Maturin') to William Spooner, writh reference to a 'friendly letter' by Sir Walter Scott, and his family's 'romantic' history.

Author: 
Charles Robert Maturin [ C. R. Maturin ], Irish writer of gothic novels and plays, best-known for 'Melmoth the Wanderer'
Publication details: 
No place [ Dublin, Ireland ]. 15 August [ no year ].
£220.00

1p., 4to. In fair condition, aged and worn. The breaking open of the wafer has resulted in slight loss at the beginning of Maturin's signature. Addressed on reverse to 'William Spooner Esqre | at Mr Millikin's | Grafton Street'. (His not writing of 'Dublin' implies that he is writing from the same place.) Maturin was the great-uncle of Oscar Wilde, who adopted the name 'Sebastian Melmoth' during his self-exile on the continent.

[ Sir Charles Barry, architect who worked on the Houses of Parliament and Trafalgar Square. ] Autograph Signature ('Charles Barry').

Author: 
Sir Charles Barry (1795-1860), English architect who worked on the Houses of Parliament and Trafalgar Square
Publication details: 
Place and date not stated.
£20.00

On 3 x 11 cm slip of paper. In fair condition, lightly aged. Cut from the end of a letter. Good firm signature. Reads: 'Yours faithfully | Charles Barry'.

[ Alfred Waterhouse ] Autograph Note Signed "A Waterhouse" to "Lucas" [John Seymour Lucas?]

Author: 
Alfred Waterhouse, architect and artist.
Publication details: 
[Printed heading] 20 New Cavendish Street, Portland Place, W., 8 April 1896.
£65.00

One page, 12mo, bifolium, fold mark, good condition. £I have obtained a photograph of my Academy drawing before I coloured it, & beg to send you a copy." Postscript written at an angle, "I shall be very glad to go out with the working drawings of the first wing, when you say the word." Note: further enlightenment welcome.

[ Emilio Marolda, ] Elegant engraved ticket of invitation, illustrated with six cherubs, inviting 'Mr. George Bodleys' [ Gothic Revival architect George Frederick Bodley ] to the 'Fête d'Ouverture' of his 'nouvel [sic] atelier' in London.

Author: 
Emilio Marolda, Sicilian interior designer, artist and decorator [ George Frederick Bodley (1827-1907), Gothic revival architect ]
Publication details: 
74a Margaret Street, Cavendish Square [London]. Thursday 1 July [c.1881?].
£100.00

Printed in black on one side of 13.5 x 18.5 cm card. Plate dimensions 11.5 x 16 cm. Aged and spotted. An attractive and elegant production with both illustration and text engraved. The illustration, with engraved signature of 'E Marolda' shows six putti playing with a string of foliage, with one in the bottom left-hand corner swathed in ribbon and standing beside an architectural feature. The text reads: 'Les Muses réunies prient ['Mr. George Bodleys' inserted in mansucript] de vouloir bien honorer de ['sa' inserted] presence le nouvel atelier de Sigr.

[Printed translation into Portuguese of the first Gothic novel, Horace Walpole's 'The Castle of Otranto'.] Livraria Amena | O Castello de Otranto. Conto Gothico por W. Marshall. Esq. Vertido do Inglez.

Author: 
'W. Marshall. Esq.' [Horace Walpole] [J. J. A. Silva, Lisbon publisher]
Publication details: 
Lisboa [Lisbon]: Typographia de J. J. A. Silva, 1854.
£350.00

[1] + 111pp., 16mo. Unbound or lacking wraps (?). Aged and worn, with slight ink staining to title-page. The text is preceded by a full-page 'Prologo' from the publishers. No other copy traced on either Worldcat, COPAC, or PORBASE, and does not feature in the list of 'Later Editions' of the novel on pp.66-67 of A. T. Hazen's 1948 Walpole bibliography.

54 of John Carter's original engravings, from his own drawings, for his 'Views of Ancient Buildings in England' (1786-1793).

Author: 
John Carter (1748-1817), English architect and draughtsman
John Carter (1748-1817), English architect and draughtsman
Publication details: 
All 54 captioned as 'Engrav'd & Pub'd' by John Carter between January 1786 and January 1791, successively at Wood Street and College Street, Westminster; and Hamilton Street, Hyde Park Corner; from drawings made by him between 1766 and 1785.
£450.00
John Carter (1748-1817), English architect and draughtsman

All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.

English manuscript translations of three 'Moral Tales from the Original German of Augustus Lafontaine translated by J Powell [James Powell of the Custom House)] Vol III', titled 'The noblest Man', 'The Intrigue' and 'The Power of Conscience'.

Author: 
August Lafontaine (1759-1831), author; James Powell of the Custom House (and Newington Place, Surrey), translator
Moral Tales from the Original German of Augustus Lafontaine
Publication details: 
Circa 1804 (date of watermark). London?
£1,250.00
Moral Tales from the Original German of Augustus Lafontaine

4to, 134 pp. In original loose grey wraps, with 'Moral Tales | Vol III' in manuscript on front. Texts clear and complete, with numerous manuscript emendations. Fair, on aged paper, with slight creasing to corners of a few leaves. Wraps worn. Comprising 34 bifoliums (watermarked 'RW | KENT'), with a single leaf (watermarked 'TW | 1804') carrying the title 'Moral Tales. | from | the Original German of Augustus Lafontaine | translated | by | J Powell | Vol III | Contents of Vol III | The noblest Man. | The Intrigue | The Power of Conscience'.

Autograph Letter Signed ('E Herbert') to Wyatt, on the subject of 'the lighting of the Wilton Chapel'.

Author: 
Edward Herbert (d.1870?) [Thomas Henry Wyatt (1807-1880); Wilton House]
Publication details: 
Cairo. Feby. 18. 1864.'
£45.00

12mo, 2 pp. With mourning border. 42 lines. Text clear and complete. On aged and worn paper, with slight chipping to extremities. Herbert has not yet received Wyatt's 'promised letter', but wants 'to say one word [...] about the lighting of the Wilton Chapel. The Gap must be brought to the centre of the Ceiling before the works are completed, as Mr. Olivier wishes to give Eveng. Lectures to the Servants on different occasions & I thought a Corona in the centre would light the whole [...] I can quite trust to yr. Taste to choose one.

Autograph Card Signed to the Royal Society of Arts.

Author: 
Francis Bond
Publication details: 
1 May 1901; on embossed letterhead 'FERRIBY, | WOODSIDE GREEN, | SOUTH NORWOOD. S.E.'
£45.00

English author (died 1918), and authority on church architecture. Three pages, on two 16mo cards (both embossed). Docketed and bearing the Society's stamp. 'May I offer a lecture of architectural character for next session? I have lectured to the R.I.B.A. on "Cathedral Chronology" and on "Continental Romanesque" and to the Architectural Association the London Institution &c If you will refer to the Secretary of the last or of the other institutions, you would obtain information as to the reception of my lectures.

[TRAVELLER'S SAMPLE] An essay on the history of English church architecture prior to the separation of England from the Roman obedience.

Author: 
George Gilbert Scott
Publication details: 
London: Simpkin, Marshall and Co. 1881.
£100.00

4to. In good condition, in original stamped patterned cloth and with attractive red leather label (somewhat worn) stamped with gilt on front board. Boards with bevelled edges worn and frayed at corners. Marbled endpapers, with front hinge cracked. Contains ten leaves comprising: frontispiece ('PLATE II. | TINTERN ABBEY. | EXTERIOR VIEW OF THE EAST END.'); title-leaf (title-page in red and black, with vignette and ruled with red lines); leaf with 'TABLE OF CONTENTS'; first two leaves of 'PREFACE' (pp.i-iv); and five leaves of text (pp.103-112).

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