MUSEUM

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, torn along the inner edge on removal from mount. Addressed to ‘Chas. Fowler Esqr:’ (a vice-president of the Artists’ General Benevolent Institution) and signed ‘Rob. Smirke.’ Reads: ‘Dear Sir / May I request you will have the goodness to add the amount of the enclosed cheque for me to the collection recently made for the Artists Genl. Benevolent Institution.’

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged, with small and slightly rusted staple holes to one corner. Folded once. Addressed to ‘My dear [Gern?] King / A. G. B. I’ (i.e. the Artists’ General Benevolent Institution) and signed ‘Aston Webb / Presd. A G B I -’. He is writing at the request of ‘the Council’, ‘to express to you on their behalf & my own our sincere regret at your resignation from our Council’.

See his entry in the Oxford DNB. See his entry in the Oxford DNB. Sneyd-Kinnersley is the headmaster who is alleged to have subjected a naked seven-year-old Winston Churchill to repeated beatings. 3pp, 12mo. With mourning border. Letterhead (no doubt designed by Waterhouse himself) in characteristic style. On grey paper. In good condition, lightly aged. Folded once for postage. Good expansive signature ‘A Waterhouse’, and the letter written in a stylish hand. Addressed to ‘The Rev: H. W Sneyd Kinnersley’.

See his entry in the Oxford DNB. Both items in good condition, lightly aged, on grey paper, with central horizontal fold. Each signed ‘Aston Webb’. ONE: ANS to ‘Dear Walter Spiers’, 27 March 1899. 1p, 16mo. Thanking him for his congratulations on his election. TWO: ALS to ‘Dear Mr Baldwin’, 20 June 1903. 1p, 12mo. After thanking him for his congratulation he continues: ‘We had a most delightful dinner with you the other evening.’

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

See his entry, and that of his fellow Academician Horsley, in the Oxford DNB. 1p, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘A Waterhouse’. Reads: ‘Dear Horsley. / You are quite right. No “mystery” between us if you please. / I say “yes” to your query to the extent of 2 guineas. / I hope you will soon gain the sum you desire without any great trouble to yourself’.

See his entry in the Oxford DNB. Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. On 7 x 4 cm piece of grey paper, presumably cut from an album. No othe writing on the slip other than Panizzi's compact and disciplined signature 'A Panizzi.' In good condition, lightly aged, Strips of sunning at top and right edge, but nowhere near the signature. See scan.

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed to ‘W. S. Dallas Esq’ and signed ‘P. Cunliffe Owen’ [sic, no hyphen]. Begins: ‘There will be no Ladies on the 13th. Inst & the card I will send you will be personal. I am sorry, that this rule exists, but it affects my own family as well as all the Gentler Sex.’ He concludes with brief details of the plans for the evening. In a postscript which he has initalled he asks Dallas to ‘do some more translation from German’.

See Mitford's entry in the Oxford DNB. 1p, 32mo. On first leaf of bifolium. Text complete on somewhat grubby and worn paper. The recipient (‘My dear Sir’) is not named, and the letter is signed ‘JMitford’. Closely written, with the result that a few word are difficult to decipher, unfortunately including the name of the subject. It reads: ‘My dear Sir / I can see no objection to you printing the lines that I return, as I presume they are but little known. / I think [Lang?] was a very good sort of Man, as well as a very [clear?] [shrewd?] one . .

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and creased. Folded for postage. Addressed to ‘Dear Hyman’ and signed ‘C. B. Oldman.’ He begins by thanking him for his ‘kind congratulations’ (on his promotion to at the British Museum, following the retirement of Sir Henry Thomas): ‘I have been laid up with a bad cold over Christmas otherwise I should have written before’. Hyman’s latest catalogue interested him very much, and he hopes that ‘the fact that I don’t buy much nowadays will not deter you from sending me future issues.

1p, 12mo. On first leaf of bifolium. In good condition, with slight wear at foot of gutter. Folded once for postage. The signature ‘Reginald Stuart Poole’ is large and expansive. The text, in another hand, reads: ‘Sir, / I regret to say that I cannot entertain the purchase of the coin of Egbert which you showed me the other day’.

See his entry in the Oxford DNB, with that of the recipient Lady [Maria] Theresa Lewis (1803-1865), who lived in Kent House in Knightsbridge with her second husband Sir George Cornewall Lewis (1806-1863), Bart, Liberal Chancellor of the Exchequer, her first husband having been the novelist Thomas Henry Lister (1800-1842). 1p, 12mo. In good condition, lightly aged. Folded for postage. ‘Sir Henry Ellis presents his Compliments to Lady Theresa Lewis he has at last found the Letter, from the incumbent of Foxford, which gives the date of the Burial there of Lady Catherine Gray.

See the two men’s entries in the Oxford DNB. 2pp, 12mo, on first leaf of a bifolium. In good condition, lightly aged. Folded twice for postage. Signed ‘Henry Ellis’ and addressed to ‘G. Cornewall Lewis Esq’. Begins: ‘My dear Sir / Mr Henry Christian will have a Card for our Reading Room sent to him this morning, and I will speak to Sir Frederic Madden to afford Mr. Christian the accommodation which he wishes to have in the MS.

See Cary's entry in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged and folded for postage. The recipient is not named, but the item is from the papers of Lady Maria Theresa Lewis, and the letter is written to her first husband, the novelist Thomas Henry Lister (1800-1842), whose father Thomas Lister of Armitage Park was a childhood friend of Cary's (see his 1847 biography by his son).

See the two men’s entries in the Oxford DNB. The five items are in good condition, lightly aged, with each on a 4to bifolium, and all folded for postage. In a neat and attractive hand. The text of each letter is on the first leaf, and the first two letters are addressed by Porteus on the reverse of the second leaf, each with broken seals in red wax. In Letters Four and Five Porteus lays out his objections to Maurice’s ‘Elegy on the late Right Honourable William Pitt’, published in 1806 under the name ‘T. M.’ ONE (St James’s Square, 10 April 1898): 1p, 4to. Addressed to ‘Revd. Mr Maurice / No.

2pp, 12mo. On the first leaf of bifolium. In good condition, lightly aged (blank second leaf slightly damaged). Folded twice. Recipient not named, but is from the Piffard papers. Good bold signature ‘W. Carruthers’. Reads: ‘Dear Sir / The enclosed specimens are all certainly fish coprolites. / I would have returned them sooner but I was anxious to see Mr Etteridge who I understood from Mr Brody said they were cones. / I have only to-day been able to see him, and hee says that he has no doubt about the these [sic] specimens being Coprolites.’

Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. From the Piffard papers. 1p, 4o. On recto of the first leaf of a bifolium. In fair condition, lightly aged and worn, with short closed tears to both leaves on fold. Folded four times.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Addressed to 'The Provost of Oriel' and with sprawling signature 'Yours vy trly / Cosmo Cantuar:'. Reads: 'Dear Provost, / I have received your letter of November 20th about Mr. Randall Cooper. I am sorry to say that your letter came too late for the appointment of the first batch of Assistant Cataloguers. They have now been appointed but I am informed that there may be further appointments in the Spring.

See the entries for Lang and Ross in the Oxford DNB. 1p, 12mo, on light-grey paper. In good condition, lightly aged. Folded once for postage. Begins 'Dear Vice Chancellor. / Some time ago I proposed Sir David Cecil for election to the Athenaeum. His name has produced a remarkable number of supporters, but no one has been put down as seconder to my proposal.' He asks Ross to second Cecil's nomination, before writing a sentence which is hard to decipher. He concludes by suggesting that he inform the club secretary accordingly, if Ross is willing.

See his entry in the Encylopaedia Britannica. The signature ‘Mirbel’ is written on a clear area of a circular printed device of 4.5 cm diameter, in grey tone, within decorative border. The text reads: ‘MUSEUM / D’HISTOIRE NATURELLE / AU JARDIN DU ROI / Entrée aux Jours et Heures / consacrés à l’Etude. / Prof. Admin.’ Laid down on a 7 x 7.5 cm piece of paper, on which is written, in a neat early nineteenth-century hand, ‘Mirbel the naturalist’. See image.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.

See his entry in the Oxford DNB. The fibre-glass dress in which his second wife Helen married him is exhibited in his museum at the University of Sheffield, and was included in the 2010 BBC radio series A History of the Word in 100 Objects. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, on lightly aged paper, and are folded for postage. All nine are signed 'W. E. S. Turner'. Each bears the stamp of the RSA, some with manuscript docketting.

An interesting range of content. See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The letter, with her printed letterhead, is somewhat worn and creased, the other four items are in good condition. Three items (including the letter) signed ?Doris Moore? and one ?DLM?.

Four pages, sm. fol., bifolium. damaged at join not affecting text, removed from bound volume. Whereas the Commissioners for the Exhibition of 1851 have purchased Lands at Kensington Gore with a view to secure adequate space in the Metropolis for Institutions connected with Science and Art [...].

Four pages, sm. fol., bifolium. damaged at join not affecting text, removed from bound volume. Whereas the Commissioners for the Exhibition of 1851 have purchased Lands at Kensington Gore with a view to secure adequate space in the Metropolis for Institutions connected with Science and Art [...].

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

Despite the fact that Reynolds and Crookes’s X-ray apparatus is now in the Science Museum at South Kensington, Reynolds has no entry in the Oxford DNB, although Crookes’s entry can be consulted. The two items are in good condition, lightly aged and worn. Both folded several times. Both 1p, 4to, and both signed ‘Russell J. Reynolds’. ONE: Addressed to G. K. Menzies of the Royal Society of Arts. With recipient's red pencil tick.