YOUNGER

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged and worn. Folded once. From Taylor’s papers. Addressed to ‘Tom Taylor Esq’. Begins: ‘Dear Mr Taylor / I have profited by your kind instructions, & enrolled myself on the List of the Arundel Society.’ He finds the collection ‘well worth seeing’, and ‘the Van Eyck in particular strikes me as being the most wonderful example of successful reproduction in Chromo Lithography that I have yet seen’. Signed ‘J Walter’. From Taylor’s papers.

See the two men’s entries in the Oxford DNB. The five items are in good condition, lightly aged, with each on a 4to bifolium, and all folded for postage. In a neat and attractive hand. The text of each letter is on the first leaf, and the first two letters are addressed by Porteus on the reverse of the second leaf, each with broken seals in red wax. In Letters Four and Five Porteus lays out his objections to Maurice’s ‘Elegy on the late Right Honourable William Pitt’, published in 1806 under the name ‘T. M.’ ONE (St James’s Square, 10 April 1898): 1p, 4to. Addressed to ‘Revd. Mr Maurice / No.

See his entries in the Oxford DNB and History of Parliament. A loyal Pittite (‘publicity agent for the ministry’, and founder of the Tory ‘Sun’ newspaper) who served as Irish Secretary. As a connoisseur he had a strong influence on the taste of the Prince of Wales, besides recommending the purchase for the nation of the Elgin Marbles. He bequeathed fifteen paintings to the new National Gallery. 2pp, 12mo. Signed ‘Farnborough’. The circumstances of the present item are unknown. In good condition, lightly aged and worn. Folded twice.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, with thin neat strip from windowpane mount adhering at edges. Folded for postage. Signed ‘Carrington’ and addressed to ‘Robert Sparrow Esq.’ He has received Sparrow’s letter, and informs him that ‘the Bill is yet [to be] brought into the House of Lords for the improvement of waste land’.

See his entry in the Oxford DNB. 1p, 12mo. On watermarked wove paper. In good condition, folded once. Centred on the page, and clearly written for an autograph hunter. Reads: ‘with kind regards from / G. Colman / 21st. July. 1828. / Brompton Square.’

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of mount adhering to blank second leaf of bifolium. Folded twice. He returned 'but very late from Brighton, and was afterwards very unwell, which added to a great deal of business', prevented him from finding for Adams 'an Autograph of my Brothers, which I promised you some time back'. He is now enclosing the autograph, but apologises that he has 'none of my Father's [i.e. William Pitt the elder] to send you, for among his letters, there are no copies preserved in his own hand writing.'

A savage and bitterly-sarcastic satirical spoof epitaph, the text of which, the Liverpool Mercury reported in 1822, had been 'repeatedly published before'. Some versions are said to have included a woodcut by George Cruikshank, but the only other publication found (with a few minor variations from the present version) is in the Irish Magazine, June 1809, pp.286-287, where the author is named as 'WILKS INR.', i.e. '[John] Wilkes [sic] Junior'. Printed on one side of a 26.5 x 10 cm piece of unwatermarked wove paper.

1p., 8vo. Bifolium addressed on reverse of second leaf to 'Messrs: Nichols & son, | No. 26, | Parliament Street, | Westminster.' (Delivered by hand, with word 'Wait.' at bottom left of address.) In fair condition, lightly aged. Written in a bold hand, the letter reads: 'Gentlemen, | I lately sent you by post a careful review of Baron D'Ordre's “Exiles of Parga,” & offered to correct a proof for you. Have you any intention to print the same?

All three items are in good condition, lightly aged. Both letters are signed 'Richard Bentley'. ONE (ALS, 4 May 1927): 2pp., landscape 12mo. Annotated by Heal at head of first page: 're Writing Masters'. Begins: 'My dear Sir | I thought you MUST have the mezzo of Tomkins! The private schools being adjacent to that of St. Pauls is hardly accidental? It would seem to imply a connection of duties (though not of schools.) and in former times people lived close to their work. No railways – no omnibuses even then. Stage Coaches, pre-Palmer, also slow'.

Bentley is without a doubt the author of this anonymous work, and the present copy comes from the Bentley Archives. viii + 67 + [1]pp., 8vo. In attractive paper-vellum quarter-binding, with red cloth boards on the cover of which the title is stamped in gilt. In good condition, lightly aged. Attractively printed, with title-page in black and red. Divided into six parts: 'Events in the Reign of Edward III', 'English Governors of Brittany'; 'Introductory: The Attack on Vannes', 'The Battle of Saintes', 'The Battle of Mauron' and 'After Mauron'.

1p., 4to. In fair condition, on aged and worn paper. Tipped in onto leaf of grey paper removed from an album. Addressed by Coote on reverse to 'Mr. Cadell'. Reads: 'Dr. Coote presents his Compliments to Mr. Cadell, & offers many Apologies for having solong [sic] kept back, from Inattention and Negligence, the Books which Mr. C. furnished for the Supplement to Mosheim. - January 23, 1814.' For more on Coote, see his entry in the Oxford DNB. Cadell & Davies published his six-volume supplement to Mosheim's ecclesiastical history in 1811.

4pp., 12mo. Bifolium. In fair condition, on lightly aged and worn paper. Arnold, whose conversion to Roman Catholicism hindered his academic dvancement in England, was grandfather of the writer Aldous Huxley, and taught James Joyce at Dublin. At the time of writing he was running a private tutoring establishment at Oxford. He begins the letter by explaining that it has hardly been possible to reply to Hutchinson 'during term time [...] I had so much work on my hands'.

3pp., 4to. In good condition, each of the two leaves in neatly-trimmed remains of a windowpane mount. Headed 'Private' by Rose and 'Rec[eiv]ed' by the recipient, who has sent Rose a copy of a tract he has written on naval matters. (The reference in the letter to Lord Melville, who was Lord of the Admiralty from 1812 to 1827, may suggest Melville's secretary H. S.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

On one side of 11 x 18.5 cm piece of paper. In good condition, lightly aged and creased. On reverse is small circular printed paper label of the Ray Rawlins Collection. Reads: 'July 16 1767 Received of Hugh Rogers Esqr the Above Sum in Full for His Son till Last Whitsuntide | by me | Jos. Warton'. Hugh Rogers of Helston, had a son, John, at Trinity, Oxford, presuambly tutored by Warton.

3pp., foolscap 8vo, with the fourth page carrying the description of the document when folded into the usual packet. Bifolium. In fair condition, on aged paper. With embossed tax stamp and circular stamp in black ink dating the document to London, 24 September 1849. The agreement, on the first two pages, is 'Between George Hibbert of Albany Piccadilly in the County of Middlesex Esquire of the one part and George Krehmer of Albanyaforesaid Esquire of the other part.' It is signed 'George Hibbert', with 'Witness Charles Sprigges'.

1p., 4to. 31 lines. Fair, on aged paper. On paper with watermarked date of 1814. Initialled 'G. C.'; with the words 'Copy to Morris' in the top left-hand corner. Docketed on reverse 'Copy to Morris March 1815'. Colman writes that is is now his intention, 'as it ever has been, to use every effort in my power for the interest of the Theatre, by carrying on the business in the best manner that the continual obstacles opposed to my plans will permit'. He states that he is 'in treaty with various Performers for the approaching Summer'.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

1 p, 4to. Nine lines, in a neat and close hand. Fair, on lightly-aged paper, and still tipped-in onto a leaf from an autograph album. Addressed, with two postmarks, on reverse of second leaf of bifolium, to 'Mr. Jos. Sharpe, | at his chambers in | Lincolns Inn | London'. He wrote to Sharpe five weeks previously, sending a lease for his perusal, 'and likewise to authorise you to deliver up my sister's plate upon Mr. Argile paying you ye. <?> I agreed to take.' If the latter matter is still unsettled, he instructs Sharpe to apply to Argile's attorney 'to settle it forthwith'.

1 p, landscape 12mo (18.5 x 11.5 cm). Eleven long lines in a small neat hand. Text clear and complete. Fair, on aged paper. Tipped in onto a piece of paper, 21 x 13 cm. The reference to Melmoth's 'advanced Age' is at the foot of the page. Docketed on reverse in a contemporary hand: 'From Mr. Melmoth to Mrs. Walters'. Begins: 'Believe me, my very dear Sophia, I am so truely [sic] your obedient servant in every affectionate & friendly sense of those terms, that there is no office in which you can employ me I shd.

1 p, 4to. On a bifolium, addressed on reverse of second leaf: 'Thursday at 11 O'Clock | Chas. Westmacott, Esqr., | 5, Clements Inn.' Fair, on creased and aged paper. Christie's note reads 'Mr Christie presents his Compts. to Mr. Westmacott. | with Mr. Westmacott's permission, the bearer of this Mr. Christie's warehouseman, will remove the Pictures to King St. | King St, | Monday Feb. 14 | 1825.' Beneath this, in another hand, Recd 69 Pictures | [signed] John Biddle'. Above Biddle's receipt, in a third hand, are the word 'Received' and 'Recd 69 [i.e. Christie & Manson?]' in pencil.

Folio, 2 pp. On first leaf of bifolium, with the verso of the second leaf docketed, under the heading 'King's Warrant'. Text clear and complete. Fair, on aged paper. Headed '(Copy)', and with 'George R' in a bold hand in the top left-hand corner. Although the signature is almost certainly not in the hand of the king, the document is docketed in pencil: 'Signature of his late beloved Majesty King George III on Copy of a Warrant retained by General Saml. Townsend'.

4to, 1 p. On piece of watermarked laid paper. Thirteen lines of text. Clear and complete. Good, on aged paper, with thin strip of stub adhering to blank reverse. Docketed at head, in a contemporary hand, '331 | Lord Camelford for fac simile'. Camelford was not at home when Buchan called, but he 'will take care that his Lordship's Letter shall be transmitted to Mr Pitt [his cousin William Pitt the younger?]'. Pitt 'will doubtless feel himself flatter'd with his Lordship's testimony in favour of his abilities and fortitude'.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

Scottish politician (1754-1835), President of the Board of Agriculture, opponent of William Pitt the younger and editor of Ossian. The recipient James Phillips was a bookseller and stationer. On piece of paper roughly eight inches by three inches. Grubby and lightly stained. Evidence of previous mounting. Repair to slight damage to one edge with loss of two words of text. Embossed four-penny receipt stamp (slightly damaged) on reverse.