DRAWINGS

Printed on one side of a piece of laid paper, watermarked with date 1808, roughly 34.5 x 21 cm. Very good. Illustration at head, coloured in red and green, roughly 6.5 x 10 cm.

Berggruen was awarded the French Legion of Honour and the German Order of Merit. Among those attending his funeral were German Chancellor Angela Merkel and President Horst Köhler. One of his sons is the US billionaire investor and philanthropist Nicholas Berggruen. In the year this letter was sent Erskine opened his influential St Georges Gallery Prints off Cork Street. 1p, 12mo. In fair condition, but with slight damage and creasing at the centre of the right-hand margin. Highly stylized signature, ‘Heinz Berggruen’. Folded once for postage. Reads: ‘Dear Mr.

See the two men's entries in the Oxford DNB. Webb’s book contained four engravings from drawings by Birket Foster, the last (‘The Tomb of Thomas Lawson’) of which is absent. The first has ‘E. EVANS Sc.’ engraved into the plate; the other two, evidently the work of the same hand, are unattributed. Three proof engravings, on wove paper roughly 20.5 x 13.5. All in good condition, very lightly spotted and worn, and certainly suitable for display. ONE (the frontispiece): Captioned, ‘SWARTHMOOR HALL.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

See the Oxford DNB entry on Burnaby ('He was commemorated in verse, song, and Staffordshire pottery').

See Sams's entry in the Oxford DNB. 4pp, 12mo. On a bifolium, the second leaf of which has had a rectangle, almost amounting to half, cut away from the bottom. The text of the letter is complete, but the priced list of the prints and drawings on the last page, lacks the lower half. A long letter, closely written. Signed 'J. Sams.' Aged, worn and lightly stained, but nevertheless in passable condition. The recipient, saluted as 'Esteemed Friend', is not named.

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to 'E Gambart Esq' and endorsed by the recipient. Two years earlier Gambart had published 'Passages from the Poems of Thomas Hood', illustrated with 34 plates by the Junior Etching Club (of which Whistler was a member between 1857 and 1862). The book had been well-received, but the letter makes clear that it had not covered its costs.

On 34 x 27 cm unwatermarked laid paper. Dimensions of plate 34 x 23 cm. Dimensions of print 5.1 x 7.4 cm. Dimensions of print and text 15 x 7.4 cm. In fair condition, lightly aged, spotted and creased, with stub from album adhering to one margin. This is an early state of a print of which the British Library has a copy (acquired in 1867) of the undated third state, dated to 1820, carrying only four lines of text rather than the substantial amount present here. The present copy has, engraved in small letters immediately beneath the print: 'Robt. Balmanno delt. 1818. Jno.

Printed in black ink on a 9 x 16.5 cm. piece of paper. A scarce piece of ephemera. Grubby, aged and worn. Laid down on part of a page from an album. A pastiche of a Georgian banknote, the main body of the text reading: 'No. 24 . . . . | Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers, or Bearer FIVE Farthings, when Methodism shall have been done away with by the Pious exertions of the established Clergy, and when Iohn Bull's Family shall be no longer scared by the tale of the Devil let loose. | London the 1st. day of Septr 1810.

1p., 12mo. In fair condition, lightly aged, with dog-eared corners at foot. Brenton's florid signature is placed at the foot of a numbered list headed 'Plates not returned'. The plates are all on maritime themes, and may be connected with his 'Naval History of Great Britain from the Year 1783 to 1822' (1823) or his 'Life and Correspondence of John, Earl of St. Vincent ' (1838): 'St. Vincent By Beechey | Howe | Battle of Trafalgar | St Johns New Fd Land | Scheldt | Algiers | Sir Charles Pole | Lord Duncan | Copenhagen'.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

All items in good condition, on lightly-aged paper. The letters total 49pp, 16mo and 8vo.. All are complete except the last, which lacks the last part. They are liberally adorned with sketches. Mostly addressed to 'My dear Aunty' and signed in a variety of ways, from 'J. Bowyer B. Nichols' to 'BBN'. The first letter, dated 4 December 1871, sets the tone, showing Bowyer Nichols to be a precocious and spirited twelve-year-old. It begins: 'Will you send me, if you can find it, that poem about Sally Porter and Charlie Church?

All twenty-four illustrations have been laid down on leaves removed from an album of prints. Both series are numbered to twelve, and each is complete. The plates in the Retzsch series appear to have had their margins cropped. All images clear and complete, on lightly-aged paper, with occasional light spotting and discoloration. Laid down at the head of the first illustration in the first series, and slightly (0.5 cm) encroaching onto it, is a printed label reading 'Illustrations to Shakespeare's | TEMPEST | in 12 plates'.

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

Four 16mo letters, three of them of one page, and the other of two pages. In good condition, on lightly-aged paper. In a crabbed hand. One addressed to 'J T Smith Esqre | British Museum', and another to 'J T Smith Esqre | 22 Carmarthen Street | an answer'. Little more than short notes. In one letter to J. T. Smith she asks him for 'Mr Vance's address, for a married gentleman', in the other she tells him that 'Mrs Martin of Liverpool, whose intimate friends are yours also, [...] wishes to be indebted to your obliging attention'.

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

1p., 4to. In good condition, on aged paper. He is desired to thank Westmacott 'for the offer of your picture of Cromwell for exhibition, and at the same time to inform you, that the arrangements, for the present season, are already completed'. He ends with the tact for which he was renowned, expressing the hope that he will have 'the pleasure of seeing you at the private [last word underlined] view on tuesday next'. The recipient is presumably C. M.

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

On 8.5 x 16.5 piece of paper, cut from the conclusion to a letter. In fair condition, on aged and worn paper, laid down on a larger piece. He asks the recipient to 'make these Numbers perfect from the Waste', and gives instructions in case it cannot be done. For more about Baker see his obituary in the Gentleman's Magazine, February 1811.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.