CARTER

See his entry in the Oxford DNB. 1p, 4to. Fourteen lines. The recipient is not named. Written in a large loose hand, rendering the following reading tentative. In fair condition, lighty aged and worn, with minor traces of grey paper mount on reverse. Reads: ‘Dear Sir.

Dimensions six inches by eight. Four of the photographs very good, the other good, but with staining in one corner (capable of professional cleaning). Good, clear, professional images against a black background. The goblet was commissioned by Bonham Carter from Whistler as a wedding present to the present queen of England on her marriage to the Duke of Edinburgh. The body is etched with intricate images and the words 'Elizabeth | so be it ever, joy and peace. | And mutual love give you increase, | That your posterity may grow | In fame, as long as seas do flow.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

An opponent of appeasement and Winston Churchill's closest female friend. See her entry in the Oxford DNB. 2pp, 12mo. In good condition, folded twice for postage. Addressed to ‘Mr. Seyers’ and signed ‘Violet Bonham Carter’. She regrets that she is unable to accept his invitation to ‘come to Monmouth in November - as my plans are very uncertain - it is just possible I might be abroad then. / It is so good of the Monmouth Town [bench?] to invite me’. She ends by asking him to thank them for ‘their kind offers of hospitality’.

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

Lansing Van der Heyden Hammond (b.1906), son of the distinguished organist and choirmaster of Mount Holyoake College William Churchill Hammond, was for many years Director of the Commonwealth Fund Division of International Fellowships. For Bonham Carter, see his entry in the Oxford DNB. The present group of six items shed light on the 1940s administration of the Commonwealth Fund. They are in good condition, lightly aged and creased. The autograph letter is 1p, 12mo; the five single-spaced typed letters total 6pp, 4to. All six are signed ‘Lance’. ONE: ALS, 10 January 1948. 1p, 12mo.

Pp.[xxxiv].280, dj sl. worn edges, end of front endpaper with fold marks, book in very good condition. Illustrated throughout and with the fine double-page title printed in red and white (by Reynolds Stone). Note: Barbara Kaye (Muir), Percy Muir's widow, purchased this copy at auction (Bloomsbury) and sold it to me after exhibiting it at the Cafe Royal in 1996. She added a pencil note to the front endpaper: Presentation copy from co-editor [John Carter] to John Rayner. With cutting of review of book by Head Master of Eton Dr Robert Birley.

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

A very nice artefact relating to a beautiful Rampant Lions production, published in 1975. Printers' dummy, produced to indicate the intended layout of the book, consisting of duplicated typed leaves, with emendations and printing instructions in manuscript, showing the intended arrangement of the 125 pages of letterpress (and including an alternative version of p.78), with eleven illustrations loosely interleaved. In good condition, lightly aged and worn.

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

Printed in lilac on one side of a 12 x 8,5 cm piece of thin card, with serated edges and rounded corners, and with glue staining to one edge and on blank reverse. The card is embossed with tiny stars, with decorative edges and the text enclosed within an oval border, with the autograph signatures above one another in a rectangular box beneath it. The twelve-line poem (signed in type 'S. C.

2pp., 12mo. Bifolium with mourning border. On lightly aged and ruckled paper, with slight damage at head of gutter. The letter would appear to concern a contribution intended for 'The Juvenile Forget Me Not', the annual Mrs S. C. Hall began editing in the late 1820s. begins: 'My dear Mrs. Hall | I sent you the story or rather the bit of a story you have - because you asked for it. Therefore if you like it, the pay is not to be considered - But at the same time if you dont like it, pray dont think of using it out of courtesy.

28pp., 8vo. Stitched into grey printed wraps. Aged and worn, with the firm ownership signature 'John Carter' in ink in the top-left corner of the front cover. A few passages are highlighted in pencil. Now scarce.

42pp., 8vo. Duplicated stapled typescript, with text on rectos only. Not illustrated. Introduction by Jones, in which he explains that 'the list is arranged chronologically under the country of origin, plus special types of cards as, for example, transformation, etc. A selected bibliography has been included for those who may wish to go into these matters more extensively.' A scholarly production, with 264 entries and four-page bibliography. Aged and worn, with printed card cover (on which a playing card has been laid down as part of design) detached and chipped.

[8] + 224pp., 8vo. Seven plates. In good condition, on lightly-aged paper, in blue cloth binding, in worn and nicked dustwrapper. Inscribed on front free endpaper: 'For Graham | part author of these pages | R. H. M. June '56.' Pollard's partner in the unmasking of the Wise forgeriers is the book's dedicatee, and the pair's efforts are described in Chapter 8, 'Sherry and Shibboleths'. Pollard's small label ('From the Library of | GRAHAM | POLLARD') is at the head of the front pastedown, which also carries Spicer's owl and moon bookplate.

Each 1p., 12mo. Both in good condition, on lightly-aged paper. Both carry the stamp and manuscript mark of the Royal Society of Arts. Convincing facsimiles of signed autograph letters. The first reads: 'In the third year of war my publishers and myself are determined to carry on "The Year's Art" without a break. | Will you, therefore, be good enough to amend the enclosed extract describing the institution in your charge, with especial reference to changed conditions. | Please notify also names (with dates of death) of any of your members or staff dying at home or abroad.

2pp., 4to. In fair condition, lightly aged and worn. Writing in dramatic terms, he apologises for 'the disappointment to which I subjected your society', and explains that he had 'fully calculated on receiving some notice from you, a day or two previous to the day fixed'.

1p., 4to. In fair condition, creased and lightly aged. Addressed to 'Mr. Mark R. Bonham Carter | c/o The Commonwealth Fund | 41 East 57th Street | New York 22, New York'. He writes having just returned 'from another trip to Paris', and has seen Bonham-Carter's 'note of farewell - with the conspicuous marks of the Wegener influence'. He is glad Bonham-Carter enjoyed his visit to Chicago, and looks forward to a visit to England by 'one or more of the McKeons', which will give him 'an opportunity to retaliate for some of the ragging that constitutes the American conception of hospitality'.

11pp., 4to. With three plates and five figures in text. Paginated 292-302. Stapled in card wraps. Inscribed on front cover: 'with best wishes | B.A.R.C.' The only copies on COPAC at the Warburg Institute and V & A.

[1] + 10pp., crown 8vo. Held together with a metal stud, and placed in a brown card folder, with typed title on front cover. In good condition, with light signs of age and wear. Professionally presented, with the text typed out in columns and the sums and running totals written out in manuscript. An estimate, with costings for a large number of itemised elements, ranging from 'temporary lavatory accommodation for the workmen for all trades' to 'the removal of trees or shrubs as required, and grub up the roots - The timber will belong to the Contractor - and he must here allow for same'.

Each document with a substantial number of typed itemised entries, with each item costed in manuscript, and manuscript totals. ONE: Headed 'WINDEREMERE POLICE STATION. | Bills of Quantities for Scheme | Submitted by W. L. Dolman F.R.I.B.A. Winderemere. | May 1925. | Excavator, Drainlayer, Waller & Slater.' 5pp., crown 8vo. In fair condition, aged and worn, with rust-spotting from staple. Entries range from '24" wall next Lake Road of Langdale Rag Stone with selected stones for facing in mortar & including footings' to 'In stone walls girth of Main Quoins included.

Founded in 1818, the Ipswich firm of W. S. Cowell Ltd ('The Press in the Butter Market') grew into one of the leading British printers, known for its high-quality catalogue work. The firm's papers are in the Suffolk Record Office at Ipswich, whose catalogue entry provides a good summary of its history.

2pp., 4to. In good condition, on lightly-aged paper. In the letter the Duke of Edinburgh is referred to as 'the Sailing Master'. Addressed to 'The Director of the Operations Division, Ministry of Defence (Navy)', and beginning 'Dear Director of Operations Division (if indeed you are still called that!), | The Sailing Master (and I) are interested in whether we caused you any concern during Bloodhound's passage back from Brunsbuttel to this country.

24pp., 8vo. Stapled and unbound. On aged and worn paper, with rusting staples. Two indexes in small print on title-page: 'Titles' and 'Places of printing other than London'. 101 items, ranging from the 1645 Mercurius Academicus to the Fleuron, 1923-1930, the last entry ending 'We take this opportunity of expressing our appreciation of the generous review of our TYPE SPECIMEN CATALOGUE [copies of which are still available at 3/6] which occurs on pp. 211-2 of vol. VII.' Those interested in the forger Thomas J.

1p., landscape 12mo. In fair condition, on aged and lightly-creased paper. He begins: 'This is just a line to say how very good I thought your answer to Quintin Hogg.' He next turns to his desire for a meeting and 'walk in the afternoon', although he knows 'this is a long way off and you are very busy'. He ends with transport information and the news: 'However I am going away on Monday for 3 weeks.' The valediction is in Murray's autograph: 'Yours sincerely, | G. M.'

[1] + 23pp., foolscap 8vo. On 24 leaves attached in one corner by a metal stud. The title page carries the reference TM144D, and states that the producer was Cleverdon, and gives times of transmission, rehearsal and recording, with 'R.P. REF. NO.' and the details of the secretary who typed out the document. The piece was narrated by Barker, with the 'Speakers' are named as Burns, Carter, Crook, Crutchley, Meynell, Pollard, the Stones and Warde.

The six items in good condition, on lightly-aged paper. ONE: Typed Letter Signed to Carter, in English, from Miss Dr. D. van Velden, curator. On letterhead of the Rijksmuseum Meermanno-Westreenianum. 22 March 1966. 1p., 12mo. Giving details of the opening hours. TWO: Typed Letter Signed to Carter from E. A. Lowe. On letterhead of the Institute for Advanced Study, Princeton, New Jersey. 25 January 1969. 'If there are any new developments re Stanley Morison, I hope you will keep me posted. Some one sent me Brooke Crutchley's Two Men. There was no card so I do not know to whom I am indebted.

4pp., 12mo. 210 lines. The first bifolium of a letter only, and hence lacking a signature. In fair condition, on lightly-aged paper, with closed tears along fold lines. George Burwell, who had inherited Carter Hall in 1814 (see below) had died three years before the writing of this letter, and the identity of its author is unknown, although he does claim to be a 'Scotchman'. The letter begins: 'Dear Sir | Your letter of Jany 31 is received. I am glad to answer any questions, but I must not be supposed to advise you in any thing regarding a change of residence.