MODERNISM

Accomplished and attractive bookplates, in an impressive range of styles from modernist to traditional (several with mystical or masonic overtones), produced using various printing processes. The bookplates range in size from 6.5 x 7 cm (Herrmann’s own) to 11.5 x 17.5 cm. Each is dated with Herrmann’s tiny monogram design, adapted to suit its style of composition. The eighteen items are in very good condition, each laid down on a 16 x 25 cm piece of textured grey card.

Several James Joyce scholars have turned their attention to Schwartz, an early dealer in his books and manuscripts, as well as publisher of a couple of pirated editions. See William S. Brockman, 'Jacob Schwartz - The Fly in the Honey' in Joyce Studies Annual, Summer 1998. 1p, 4to. On the Ulysses Bookshop letterhead, printed on green paper. Addressed to 'Dear Sir:' and with valediction 'Au Revoir / Dr J Schwartz / prop / Ulysses Books'.

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

Gallup C552. 4to (leaf dimensions 28 x 22.5 cm), 40 pp. Stapled. In original blue printed wraps. Worn and dogeard on aged paper, with minor staining at foot of front wrap and first leaf. The signature "T S Eliot" (possibly his but more words would have helped) appears top front wrap. The 'Calendar' at the front lists, on 4 July [1950], the 'Lecture by Mr. T. S. Eliot, O.M.: "What Dante Means to Me," with H.E. the Italian Ambassador in the Chair.' The printed version, titled 'TALK ON DANTE | by T. S.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

Written on one side of a 10 x 14.5 cm card, beneath a stylish 'modern' letterhead. Somewhat aged and worn. The message reads: '1/6/65 | Dear Basil, | Very many thanks indeed for your letter - believe me your appreciation is tremendously valued. | All good wishes | Victor'. The recipient is identified in another hand on the reverse, with an address and directions.

George James Firmage was born in New York; attended Massachusetts Institute of Technology (1947-48) and College of the City of New York (1949); BA, New York University, 1952; pursued graduate study, University of Massachusetts, 1952-54; publications supervisor in advertising and marketing services department, First National City Bank, New York, 1954; wrote several books, including E.E. Cummings: a Miscellany (1958) and E.E. Cummings: a Bibliography; editor of A Garland for Dylan Thomas (1963) and of E.E. Cummings' Three Plays and a Ballet (1967).

Two stitched pamphlets of uniform design. 15pp., 12mo, and 19pp., 12mo. Tastefully printed, with covers in red and black. Both items in good condition, lightly aged and worn. The first volume - 'A First List' - has a full-page 'Advertisement' by 'D. H.', in which he aspires to 'offer a fair proportion of what is alive in modern writing - a hope which is my raison d'etre as a publisher [...] nothing, if not lack of sense, or lack of the desire, need stop one from printing whatever is available, and has intrinsic vitality or permanence'.

4pp., 4to. In fair condition, on lightly-aged paper, with short closed tears at heads of both leaves. The recipient is not named, but the letter is from the Lynd family papers. Robert Lynd was in St Ives at the time of writing, and the letter begins: 'I'm so glad you are in such a nice place & that the children can join you there. They will love it. London gets so odious by the 15th of July. I came her e last week as I was very tired, & sick of the stuffy feeling of everything.

2pp., 4to. In fair condition, on lightly aged and worn paper. The first page consists of a typescript in two columns, with names scored through and a few added in pencil. The second page has a few typewritten names, together with dozens added in pencil, clearly at different times. From 1919 the London Mercury's original editor J. C. Squire promoted the traditional verse of the Georgian Poets and their prose counterparts; on taking over in October 1934 Scott-James embraced the more fashionable modernist writing, and that change is reflected in the present list.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

8vo: paginated 3-38. Four full-page reproductions of Miller's paintings. In original yellow printed wraps. On brittle, aged paper, with the body of the book detached from the wraps, which are worn and with one corner at front creased. Title taken from front wrap. One of 950 numbered copies, signed by the publisher on the final page (beneath 'Publisher's Addendum') 'Bern Porter | 25 South St | Houlton Maine | Copy # 296'. Shifreen &Jackson A37a. Uncommon. Apart from the British Library, COPAC only lists copies at Cambridge, Manchester, Oxford and Bristol.

The magazine consists of 48 pages, octavo, in original yellow printed wraps. Dogeared, and on aged paper, and with the grubby wraps quite heavily worn. 12mo publicity handbill loosely inserted. Rilke's contribution, dated 'Soglio, am Tage Mariae Himmelfahrt 1919', is on pp 14-20.

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.