SHAW

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. Twenty-two lines of text. In good condition, lightly discoloured and worn. Folded for postatge. The addressee’s name is unclear. Signed ‘Clement Scott’.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

See his entry in the Oxford DNB. The postcards are bromide prints, and 9 x 14 cm. The two identical images of Scott, dressed for the theatre, with curled moustache and flower in his buttonhole, are both inscribed. In the bottom margin of one he has written ‘late of the D. T.’; in the same position on the other, and rather poignantly considering his later history, ‘Remember me / Clement Scott / 1902’. The former card is addressed by Scott on the reverse, with Ingatestone postmark dated 27 February 1904, to ‘Mr S. Le Sage / Maisonette / Ingatestone / Essex’.

3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once for postage. Signed ‘Lauriston . E . Shaw / Dean of the Medical School & Asst Physician to Guy’s Hospital’. Begins: ‘Mr A. K. Matthews M.R.C.S LRCP has been known to me as a student at Guy’s Hospital during the last five years.

See her entry in the Oxford DNB, and in particular the section headed ‘A great actress’. 1p, 12mo. In good condition, lightly aged. Folded twice. Very nice letterhead with engraving of the imposing hotel. In her large, bold hand, the note reads: ‘I have found it! / & am so glad - / Hoping you are much better / Yrs. sincerely / Ellen Terry: / 7 December . 97:’.

4pp, 12mo. Bifolium with mourning border (for President Garfield). 3pp, 12mo. Bifolium. In fair condition, a little worn and creased. Folded once. Signed ‘Albert D Shaw / U.S. Consul’, and addressed to ‘J. Rawlinson Esq. / Hon. Sec. / Old Trafford.’ He is in receipt of ‘the Resolution passed by the Board of Congregational Ministers of Manchester and neighbourhood, expressing their heartfelt sympathy, and that of the Churches they represent with the American people in the Calamity which has befallen them in he death of President Garfield’.

1p, 8vo. Fifteen lines of text, in green ink. In fair condition, lightly aged, folded twice, with short closed tear to edge of one crease. Signed 'Sybil Thorndike'. Although 'deeply gratified', her 'present duties' will detain her 'at the Theatre every evening until 11 o/c', so that she will not be able to 'act as a Steward at the Anniversary of the Royal Literary Fund at the Guildhall, next Wednesday'.

Both items in good condition, lightly aged. PAMPHLET: 12pp, 8vo. Stapled in green wraps, printed on both sides of covers, and with drawing of Shaw by Hadfield, dated 1974, on front cover. Containing a few autograph emendations. Inscribed on front cover: 'To Christopher Fry, | from | Alan Hadfield, | Greetings! | Feby 1975'. A quirky and highly personal response to Shaw, combining anecdote, reminiscence and original poetry.

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

Three postcards, good condition with postal marks. Text: "I must thank you with all my heart of the splendid review in The New Statesman including the delightful little allusion to my Selected Passages [ Selected passages from the works of Bernard Shaw ; Chosen by Charlotte F. Shaw. ... Published: London : Constable, 1912]. It was more than satisfactory that you should specially have picked out the dissection of [Ibsen's] 'When we dead awaken - as that is my [underlined] particular hobb7y! It is a good play - but you have to get it in focus. It was 8 years before I could get GBS to do that!

A fascinating and revealing collection of material, touching on questions of censorship and sexual morality in twentieth-century Britain, as well as the problems of publication during the Second World War. From the papers of Sir John Pollock (1872-1963), and relating to the 1943 revival of his 'Damaged Goods', a translation of Eugène Brieux's scandalous play 'Les Avariés'. Written in 1901, Brieux's play concerns the effects of a diagnosis of syphilis on a respectable family, and was met with outrage on its first appearance in Paris in 1902.

Three items from the papers of Sir John Pollock, relating to his translation of Eugène Brieux's scandalous play 'Les Avariés'.

Marion Shaw, daughter of Charles Shaw of Ayr, married Charles Bell in 1811. Following the death of her husband in 1842, she lived with her brother the surgeon Alexander Shaw (1804-1890), and their house became a centre of artistic and literary society. The recipient is a former pupil of Bell's at the Hunterian School of Medicine in Great Windmill Street, London, the surgeon Henry William Robert Davey (1798-1870), son of surgeon Henry Sallows Davey (1781-1855) of Beccles. The letter is written on the publication of 'The Letters of Sir Charles Bell, K.H., F.R.S.L.

A satisfying association: a copy of the typescript of a play set in 'Mid-Rhondda', for a production by an amateur dramatic company from Mid-Rhondda. [1] + 80pp, 4to. Duplicated typescript. In fair condition, on aged and worn paper. Each page is on the recto of a separate leaf. Stapled into a dark-blue card binding, with cloth spine, the front cover of which carries: '”RHONDDA ROUNDABOUT” | A Play in 3 Acts by | JACK JONES | GARRICK DRAMATIC SOCIETY | Mid – Rhondda'. Preceding the text of the play is a page carrying a list of characters and their ages, and a 'Scene-Sequence'.

The Campden Hill Club was founded in 1907, 'in affectionate memory of Byam Shaw, and as a tribute to his teaching', and comprised, according to the Studio magazine in 1922, 'mainly of past and present students of the Byam Shaw and Vicat Cole School of Art, with which it keeps closely and stimulatingly in touch'. The three items are in good condition, on lightly-aged paper, in worn bindings. ONE (Visitors Book, 1958-1976): 190pp., 4to. Ruled notebook bound in red cloth, with 'Visitors' stamped in gilt on the front cover.

4pp., 12mo. Bifolium on grey paper. In good condition, lightly aged. The letter would appear to concern both of the books which Shaw published with Routledge in 1913: 'The Encyclopaedia of the Poultry Yard' and 'The Encyclopaedia of the Kennel'. He begins by explaining that he is finally sending in 'title page, & dedication, which I should have sent in earlier had I not been awaiting Mr T[?]s permission to dedicate the book to him.

4pp., 16mo. In good condition, lightly aged and worn. Achurch's entry in the Oxford DNB explains the context: 'In 1889, when she was still only twenty-three, she undertook the management of the Novelty Theatre, London, where on 7 June she appeared as Nora in the first English production of Ibsen's A Doll's House.

Unbound, 4-16pp, 8vo and 4to, minor damage to two, mainly good condition. Articles, reviews, programmes, information, advertisements. In the first number, for example, there is an introductory, anticipations of Gorki's "Lower Depths", a Brieuz, and Shaw's "Caesar and Cleopatra", "New Members Elected" (inc. Mrs Pethwick-Lawrence), events, former productions, "Managing Committee", "Rules for 1903-1904", "Bye_law (e.g. removal of hats by Ladies), and advertisements.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

The front and back covers of the newspaper are present, forming a bifolium. A frail and scarce survival. Heavily-aged newsprint, chipped and worn, with the top and bottom halves of the front page separated along a horizontal fold line. The article on Synge's play covers the first two of the six columns on the front page, with a further quarter-column on the back page.

1p., 4to. In good condition, lightly aged. He is enclosing 'Squeaker Toys', which are 'a few of a large series which I designed for a toy Firm'. He thinks they may assist Adams 'to get interesting "expressions" on the faces of some of your less sophisticated sitters!' He concludes: 'They would be a variation of the old request to "Watch for the dickey bird."' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys.

4pp., 12mo. Bifolium on pink paper. In fair condition, lightly-aged, with minor evidence of removal from stub. A poem of 13 irregular stanzas. Begins: 'When some great warrior returns | Triumphant to his native land, | The heart of all the nation burns | To welcome him.

8pp., 8vo. Unpaginated. Stapled and unbound. In fair condition, aged and worn. Foreword on 'The Raymond Mander and Joe Mitchenson Theatre Collection', and 'Introduction to the Exhibition by Raymond Mander & Joe Mitchenson'. The body of the pamphlet is taken up by a list (52 items) of 'The Plays of George Bernard Shaw in order of writing'. The final page lists the five films of plays by Shaw, with a photograph of Mander and Michenson. In manuscript at head of front cover: 'With Compliments | Raymond Mander & Joe Michenson'.

12pp., 8vo. In fair condition, aged and worn, no wraps, disbound, with pencil annotations to title-page. Copies listed on COPAC etc

The full title reads: 'Speeches of The Right Hon. Russell Gurney, M.P., George Jessel, Esq., M.P., G. Shaw Lefevre, Esq., M.P., Sir Francis Goldsmid, Bart., M.P., and the Solicitor-General, in the Debate on the Second Reading of the Married Women's Property Bill, in the House of Commons, Wednesday, April 14th, 1869. Printed, by permission, for the Committee in support of the Married Women's Property Bill.' 24pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Three copies on COPAC.

22pp., 8vo. Disbound, and with title-leaf loose, otherwise in good condition, lightly-aged. J. G. Shaw Lefevre, as well as Gregory, Lopez, O. Morgan, Staveley Hill, W. Fowler, W. S. J. Wheelhouse, P. H. Muntz, H. C. Raikes, and the Attorney General. Three copies on COPAC, and three on OCLC WorldCat. No copy currently on the market.

1p., 12mo. Cheaply printed in small print. A frail survival: aged and worn. In the 1885 General Election Brown was soundly defeated in the North Down constituency by the Conservative candidate Thomas Waring. The present item is headed 'The Burial of the Radical Cause in the Glassmoss. (By Robert Todd, Comber.)' The poem is 32 lines long, divided into eight four-line stanzas.

4pp., 12mo. Bifolium. In fair condition, lightly aged and worn. 72 lines of text. For more about Palmer, see his entry in the Australian Dictionary of Biography. The start of the letter indicates its tone: 'Dear old man, | I was exceedingly glad to get your interesting newsy letter last week - more glad than I can say. The "New Age" did not turn up, for which I was sorry as I was looking forward to seeing the good old paper again, but this writing of Bernard Shaw for the "Pall Mall Gazette" delighted me. What a splendid dialectician he is!

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.