MEAD

[Lillah McCarthy [Lady Keeble], actress.] Typescript, with a few autograph emendations, of commencement of a radio talk [given in Argentina?], telling stories about George Moore and George Bernard Shaw from her autobiography 'Myself and My Friends'.

Author: 
Lillah McCarthy [Lady Keeble] (1875-1960), actress associated with Bernard Shaw and her husband Harley Granville-Barker [Leslie Mead, Director, Argentine Association of British Culture, Buenos Aires]
Publication details: 
[After the publication of her autobiography in 1933. Argentina?]
£80.00

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

Engraving titled 'A Curious Piece of Antiquity, On the Crucifixion of Our Saviour and the Two Thieves.' Consisting of a piece of pattern poetry around three crucifixes.

Author: 
John Fenley, Bristol bookseller [pattern poetry]
Publication details: 
'Bristol: Printed for and Sold by J. Fenley, 20, Broad-Mead. (Typ. Brookman.)' No date.
£85.00

Printed on one side of a piece of unwatermarked wove paper, 18 x 20cm. Aged and worn, with a number of closed tears. The poem crosses horizontally and verically through three crucifxes, beginning: 'Behold, O God! INRI vers of my Tears'. The poem was first published around 1765 by W. Bailey, 28 Great Tower-street, London, and was reprinted by several other publishers, with an American version as late as the 1850s. No copy of this edition is present on COPAC. According to BBTI John Fenley was active in Bristol from around 1785 to 1811.

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