THE

See her entry in the Oxford DNB. ONE: ALS to Bagnall. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Bagnall. / How very kind of you to write me such a charming letter. I did appreciate all you said – thank you very much / Sincerely yrs / Sybil Thorndike’. TWO: ACS addressed to ‘Victor Jones Esq. / 83. Ravenhurst Road. / Harborne. / Birmingham.’ Signed ‘Sybil Thorndike.’ Aged and discoloured, with address side lightly stained. She is not sure whether she thanked him for his ‘sweet letter & card for Xmas -it was such a very kind thought & I must seem ungracious!

See his entry in the Oxford DNB. On 11 x 7 cm piece of grey paper, presumably cut from an album. In good condition, lightly aged, with traces of glue from mount on reverse. Reads: ‘Try & trust will move mountains - / J. M. de Robeck / 1919’. See Image.

See his entry in the Oxford DNB. The recipient Philip Dosse (Hoggart addresses him as Dosse) was the proprietor of Hansom Books, which operated a stable of seven London arts magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In fair condition, slightly aged, worn and creased. Folded twice. Signed ‘Richard Hoggart’ (‘Assistant Director-General (Social Sciences, Human Sciences and Culture)’. He presumes that the letter with the copies of ‘Books and Bookmen’ was delayed by the French customs.

The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 2pp, small 4to. Addressed to ‘Dear Philip Dossé’ [sic] and signed ‘Richard Ingrams’. He is enclosing ‘a rather rude review of the Clive James book for the June B & B’, and sends renewed apologies for missing the May issue. He will ‘do Thurber next’ and reminds Dosse that he still has ‘the biography of Thurber which you sent me many moons ago’: ‘Would it be too late to embrace that as well?’ He thanks him for ‘continuing to print the P.

See his entry in the Oxford DNB. The two items in good condition, lightly discoloured, and each folded twice. Both addressed to ‘Doyne . C . Bell’. ONE (17 December 1886): 2pp, 12mo. On first leaf of bifolium. Signed ‘J. Callcott Horsley. He explains the reason for not writing sooner: ‘I waited to see how our wants were likely to be as to small pictures’. The picture that Bell describes ‘must be a very interesting one’, and Horsley would ‘much like to see it’.

See her entry and his in the Oxford DNB. 2pp, 8vo. In fair condition, on aged and lightly creased paper. Folded for postage. Addressed to ‘Dear Mr Robey’ and signed ‘E Londonderry.’ Begins: ‘We are holding a gigantic Jumble Sale on the 10th. of July – to help the Legion funds – We are calling it the Jazz Jumble Sale as there is a the dansant as well – A kind of fair we intend to make it & a member of the Royal family is going to open it in the afternoon. Will you be very kind and come and auction some of the things for us at four oclock.

See her entry in the Oxford DNB. On 15.5 x 5.5 cm slip of paper, cut from an autograph album. In good condition, lightly aged, with some show-through from the writing on the reverse. Reads ‘To Minna May / With my love / “Auntie” Gladys / Gladys Cooper / 1935’. See Image.The writing rises slightly across the page, and a small section at the bottom of the initial ‘G’ and the ‘y’ of ‘Gladys’ have been trimmed away. On the reverse is the following, in an unidentified hand: ‘Philatelic Minna May / Came to lunch with me today: / took my box of stamps away, / Says she’ll bring ’em back – some day!

From the Henry Williamson papers. The present text does not feature in Williamson’s 1941 memoir of Lawrence ‘Genius of Friendship’, and appears to be unpublished. (According to Williamson’s entry in the Oxford DNB, the publication in 1927 of ‘Tarka the Otter’ ‘attracted the attention of T. E. Lawrence, whose letter of praise started a correspondence and friendship between the two.

See the entry on his son Horatio Ross (1801-1886) – named after his father’s friend Lord Nelson who was the boys godfather and died the year after the writing of this letter - in the Oxford DNB. 1p, 4to. Twenty-two lines of closely and neatly written text. In good condition, lightly aged and creased, with strip of paper from mount to one edge. With fold lines. The recipient is addressed as ‘My dear Sir’ and not named, and the letter signed ‘H. Ross’. Written in a spirited style.

It was around the time of this autograph that Donovan travelled with the Beatles to India to see the Maharishi, during which he gave Lennon and McCartney tips on guitar playing. A couple of months later he would release one of his biggest hits, ‘Hurdy Gurdy Man’. On 14 x 10.5 cm piece of grey paper, extracted from an album. In good condition, lightly aged. Large flowing inscription in red ink, diagonally down from top left: ‘love / To Clare / from / Donovan’. Also in red ink, in another hand at top left: ‘ROYAL ALBERT / HALL / MARCH ’68’.

Sprawling but not unattractive signature, with curled flourish, on piece of wove paper which has been cut into an irregular 9.5 x 6 cm oval to match the curve of the signature. In good condition, lightly aged. The recipient has noted the singer's name on the reverse, which carries traces of glue and brown paper from mount. See Image.

See her entry, and her husband’s, in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. Postcard of 14 x 9 cm, with letterhead and no illustration. Monogram signature ‘RK’. In good condition, lightly aged, with slight smudging to a couple of words in one corner. Addressed to ‘Mr Philip Dossé. [sic] / Hansom Books. / Artillery Mansions. / 75, Victoria Street. / LONDON.

Humphris wrote a number of books, including biographies of Fred Archer, Mathew Dawson, Adam Lindsay Gordon. See Power’s entry in the Oxford DNB. From Power’s library. The material is in good condition, lightly aged, in good tight green cloth binding made for Power, with ‘BOB POTT’ in gilt on spine. The printed article is 36pp, 4to, paginated 69-104, with two plates: black and white photographs of George Romney’s portraits of Pott and his wife Emily. A couple of minor manuscript emendations by the author at the start, and a few pencil annotations by Power.

Despite criticism for his supposedly sexist humour, Hill’s work was admired by men from the novelist Anthony Burgess to Michael Jackson and Burt Reynolds. See his entry in the Oxford DNB. In good condition, lightly aged, with light traces of glue from mount on reverse. An 8.5 x 14 cm photographic print, carrying an 8.5 x 10.5 cm black and white head and shoulders shot of a smirking Hill, staring fixedly at the viewer in black top. Inscribed in light ink in the blank patch beneath the image: ‘To Eric / Cheers! / Benny Hill’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. Both items 1p, 4to. ONE (11 July 1972): Signed 'A. Wesker'. In good condition, with short closed tear at one edge of central postage fold. He begins by explaining how to apply for permission to print his play 'The Old Ones', adding: 'But as for writing an introduction to it, I am afraid I would prefer not to. It is a very simple, straight-forward play and doesn't need a great deal said about it.

See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. 1p, 12mo. In good condition, lightly aged. She thanks him for his note, adding 'Would this do?', and stating 'I will write my piece definitely by March 15th.' Signed 'Nora Beloff / NORA BELOFF'.

See his entry in the Oxford DNB. With regard to the subject of the letter, the 'penny banks' that were established in mid-Victorian England to encourage thrift among the working classes, see J. W. Dirring's thesis 'The Organization and Practice of Banking in Cornwall, 1771-1922', which states that ' the Penryn Penny Bank (founded in 1861), [...] was forced to stop payment in February [1879] with its funds inaccessible in the failed Cornish Bank'. 2pp, 12mo. In good condition, lightly aged and creased, with postage folds, one of which has as short closed tear at edge.

See his entry in the Oxford DNB. On a 17.5 x 12 cm piece of ruled paper, laid down on a piece of card. The high-acidity paper is browned, otherwise in good condition, with small nick to one edge. The signature ‘W. H. Hudson / June 27. ’20’ is beneath two lines written in a foreign language, a tentative reading of which is ‘Te semiron mulei moy / To dariau tis viden’. See Image.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded for postage. Addressed to 'Dear old Lee' and signed 'W A Spooner -'. He explains that he and his colleagues thought Lee's 'testimonials & references very good, as you may gather from our having put you on our list of selected candidates, but you did not quite reach the very highest place in our judgment'.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, torn along the inner edge on removal from mount. Addressed to ‘Chas. Fowler Esqr:’ (a vice-president of the Artists’ General Benevolent Institution) and signed ‘Rob. Smirke.’ Reads: ‘Dear Sir / May I request you will have the goodness to add the amount of the enclosed cheque for me to the collection recently made for the Artists Genl. Benevolent Institution.’

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium, the verso of the second leaf addressed, with two postmarks, to 'Mrs. William Smith / Park Street / Westminster'. In fair condition, lightly aged and worn. Annotations in pencil in a modern hand. He begins by apologising for not being able to 'come to your party on Monday', as he was 'forced to go to Bed[.] I always knock up the 2d or 3d Week of London - There is nothing in this World so fatiguing, and horrible as pleasure -'.

See his entry in the Oxford DNB. On 9 x 11 cm piece of Whatman wove paper. Somewhat worn and creased, with a small nick to one edge, and slight damage from erasure of note on reverse. Folded. Reads ‘Dear Sr / many thanks / yours truly / Sydney Smith / May 11 1844.’

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded once. Addressed to ‘A. [?]. King Esqr.’ and signed ‘Gambier Parry’. After thanking him for his note he assures him that he ‘had no thought one way or other about the immediate pub[licatio]n: or delay of the Pamphlet or Spirit Fresco.’ He thinks ‘it might be well to give one last look at it before it is actually published -’ (last two words both underlined twice).

See his entry in the Oxford DNB. 1p, 16mo. In good condition, lightly aged. Folded once for postage. Signed ‘W. L. Wyllie.’ He is sorry that he will be unable to avail himself of ‘the kind invitation to dinner sent me by the Master of the Salters Company’. He is starting for Norway on the last day of the month, and will not return until the end of July.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in Encyclopaedia Britannica. Both items are in good condition, lightly aged. TLS: 1p, 4to. Addressed to 'Rosalyn Sacks / YMHA - YWHA / Congregation of Mishkan Israel-Linas Hazedek of Jamaica, Inc. / 153-14 90th Avenue / Jamaica, New York 11432'. Signed 'Norman Mailer'. Reads: 'Dear Rosalyn Sacks, / I don't have any pictures at the moment, but I'll try to get ahold of one and autograph it and send it to you and the members of the Congregation of Mishkan Israel-Linas Hazedek in Jamaica.

See his entry in the Oxford Dictionary of Art. 1p, 16mo. On a leaf, with curved corners, extracted neatly from an address book or diary. In good condition. A n oddly attractive item. Apart from the word 'MEMO' printed at the head of the page above a thick-thin rule, the only writing on the leaf is the name 'PETER BLAKE', with his address and phone number (both withheld), written in black ink a neat and childlike hand. See Image (onitting address and phone number).

See her entry, and that of Whittaker, in the Oxford DNB. 1p, landscape 12mo. A corner of the letter carrying a few words of text has been torn away on opening; it is still attached, beneath a red wax seal, so that the entire document is present in two parts. Otherwise in fair condition, lightly aged and worn. Addressed by Mitford 'To / Messrs. Baynes & Son / 23 Paternoster Row'. Begins: 'Miss Mitford presents her Compts. to Mr.

1p, foolscap 8vo. On the recto of the first leaf of a bifolium of laid watermarked paper. Docketted on reverse of second leaf. In good condition, lightly aged. Folded twice into a packet. Neatly written out by a secretary, and signed by Scott (‘Dad. Scott Lieut. / Artillery.’). Headed ‘Return of the Men of the Royl. Regiment of Artillery Horses & Drivers under the Command of Lieutent. Davd. Scott at the Camp near Winchester - June 28th 1762.’ Begins with numbers of ‘Mattross’s’, ‘Drivers the Conductor included’, ‘Horses’.

See her entry, and his, in the Oxford DNB. On the reverse of a colour postcard of the Radcliffe Camera in Oxford from the Old Bodleian. In fair condition, lightly aged and with slight creasing to one corner and at the head (not affecting text). To the right, in the section reserved for the address, she writes: ‘Hardy / with all very / best wishes & love / from / Iris !’. Beneath this is a pencil note identifying Amies as the recipient. At top left, in another hand (her husband John Bayley’s?) is written ‘Born before all time: / a dispute over Christ’s origin / Karl Joseph Kuschel’.