GRAPHIC

See Hofer's obituary in the New York Times, 12 October 1984, in which it is stated that 'Mr. Hofer, who was secretary of the Fogg Museum at Harvard for 12 years, was a recognized book collector focusing on 18th-century German, Iberian and Italian publications. Mr. Hofer put together an Italian book collection considered the finest outside Italy. | Konrad Oberhuber, professor of fine arts at Harvard, said of Mr. Hofer: ''He was one of the most farsighted collectors that Harvard ever had. [...]”'. Two airmail letters, both in good condition.

1p., 12mo. In good condition, lightly aged. Addressed to 'My dear Richard'. In the first paragraph he explains that he will not be able to accept his inviation as he is 'obliged to go into the country'. In the second he writes: 'Arthur Locker will succeed me here after the first of May; and he will attend at the office, with me, for about a week before his engagement begins. If you don't know him and if you will look in I will introduce you.' The Graphic was first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited.

1p., 12mo. On grey paper. Aged and with light discoloration and chipping along one edge. A somewhat barbed missive, reading: 'Sir, | I thank you for your offer, but I have so many subjects on hand just now that I fear I could not find room for your article even if I approved of it.' The Graphic was first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited, with Henry Sutherland Edwards (1828-1906) as editor. Locker had taken over the editorship only a few days before the writing of this note, on 1 May 1870.

On 8 x 10.5 cm piece of paper. In good condition, with minor traces of mount. A good firm signature reading: 'Frederic Villiers | 6 - 3 - 13'.

8pp., 12mo. Stitched into grey printed wraps. Aged and worn. On reverse of title: 'This booklet is produced in accordance with Paper Control regulations and is therefore limited in size and scope | It is publication number one of the Imprint Society and was first issued in August 1944'. The pamphlet begins: 'The idea that led to the Imprint Society being formed was conceived when two compositors, working in Johannesburg in 1939, realized that most of the printed matter produced in South Africa was ugly and uninspired, and that nothing was being done to remedy this.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

16mo, 1 p. Bifolium. Eight lines. Text clear and complete. On stained, aged paper. An uncommon autograph, written in a distinctive stylised hand in purple ink. Reluctantly announcing his inability to go on 'the Barge trip', which he had looked upon 'as the pleasantest excursion of the year, & alas & alas (not that a lass has any thing to do with my engagement) I shall be unable to be with you'.

Printed on one side of a piece of cream wove paper, roughly 41.5 x 60 cm. Central vertical crease. Fair, on lightly-aged paper. A little grubby, with a few closed tears and slight creasing to extremities. Consists of two rectangles (each 29 x 22.5 cm) in black ink, each containing four illustrations, surrounded by an ornate thick blue decorative border of intertwined mermarids, rowers, children in boats, swans, fishes and other aquatic motifs.

12mo (18 x 11 cm): 1 p. 15 lines of text. On aged paper with one light stain at centre. Corner on reverse tipped in onto card mount. No signature. Introducing 'Miss Napier who has just returned from the Cape of Good Hope - She has one or two M.SS which she wishes to submit to your notice [...] you will kindly assist the lady in her literary efforts'. Miss Napier's address is given as '4 Beech View Villas, South Penge Park | Penge Surrey SE.' It is perhaps significant that Sir George Thomas Napier (1784-1855) was Governor of the Cape of Good Hope from 1837 to 1843.

The cutting consists of the two outer columns of pp.11 and 12, measuring 42 x 15.5 cm, with the article on Marie Lloyd, consisting of forty-four lines of text, covering roughly 12 x 6 cm of the inner column. Good, though a little aged and frayed at extremities, with the article with one small spot covering a word, but with the text entirely legible. First sentence reads 'Percy Courtenay, of 196, Wickham-terrace, Lewisham High-road, was brought up on a warrant before Mr.

The collection is in very good condition, with a few staple and pin holes. Gray's letters are signed 'Milner Gray' and occasionally 'Milner'. All but the first two, which are on Society of Industrial Artists letterheads, are on Design Research Unit letterheads. An early letter (5 April 1949), to Kenneth Luckhurst, Secretary, Royal Society of Arts, apologises for and explains a 'difficulty' which has arisen 'over the fees we estimated for completing the necessary working drawings and supervising construction of the permanent display screens for the Society's headquarters'.

Mayor of Westminster (1858-1938), and prominent member of the Goldsmiths' Company, for whom he established an annual competition for craftsmen and schools in London. All items very good. Both manuscript items bearing the Society's stamp and the note also docketed. THE LETTER (one page, 12mo): 'I shall certainly try to be at the meeting on Feby 27th & will speak if opportunity arises - also will call upon you someday either this or next week.' Signed 'G. Booth Heming'. THE NOTE (one page, 12mo): 'With G.