HALL

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

See her entry in the Oxford DNB. Good bold signature ‘Gracie Fields’, underlined and rising upwards. On 11.5 x 9 cm piece of thin light-grey card. In good condition, lightly aged, but with border of discoloration created by tape, a tiny part of which has encroached on the initial ‘G’ of the signature.

8.5 x 14 cm glossy publicity photograph on post card. In good condition, lightly aged. Inscribed across the bottom of the image: ‘Souvenirs / Alice Delysia’. A soft-toned head and shoulders image in black and white, of a smiling Delysia, eyebrows plucked, lips made up, and short hair Marcell-waved. See Image.

The second of these ballads, 'Silver Threads Among the Gold', by the American Eben Eugene Rextord (1848-1916), was immensely popular on its release in 1873 with music by Hart Peas Danks (1834-1903). The earliest reference to the first ballad, 'Could you lend my mother a saucepan?' is in an 1885 number of 'All the Year Round'. The song is an absolute hoot, but its text is not to be found anywhere on the internet.

See his entry in the Oxford DNB. 1p, 4to. Fourteen lines. The recipient is not named. Written in a large loose hand, rendering the following reading tentative. In fair condition, lighty aged and worn, with minor traces of grey paper mount on reverse. Reads: ‘Dear Sir.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and worn. Folded three times for postage. The letter concerns the Hackney Choral Association. Begins: ‘My dear Sir, / I am much obliged by the kind note just received, though I am sorry we shall not have the pleasure of your company on Monday.

See the entries for Prout and Cummings in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The second leaf of a bifolum, the first presumably carrying the commencement of the letter. The present fragment, in a good firm hand, reads: 'in the way he desires but if you can do so, you will not only be assisting a most deserving young man, but I shall regard it as a personal kindness. / I am, my dear Cummings, / Yours very cordially, / Ebenezer Prout. / Dr. W. H. Cummings.'

Dodd’s entry in the Oxford DNB by Michael Billington concludes with the assessment that he was ‘the greatest theatrical comic of his age and the last link with the hallowed days of music hall’. The two items are in good condition, lightly aged. ONE: TLS, 9 October 1957. 1p, 4to. Good large signature ‘Ken Dodd’. The male recipient is not named. He apologises for the late reply to the recipient’s letter. ‘May I also thank you for the compliments paid to my performance on Television. / I am a Liverpudlian, residing in Knotty Ash Liverpool.

See Berlin's entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Both items 1p, landscape 8vo. In good condition, lightly aged.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See his entry in the Oxford DNB. The ‘settlement’ movement was the result of growing unease among the educated classes regarding the condition of the poor. The two most celebrated settlements, both still active, are Toynbee Hall in Whitechapel and Oxford House in Bethnal Green. From the papers of Sir William David Ross (1877-1971), Vice-Chancellor of Oxford. The present printed circular is 1p, 12mo. Printed on wove watermarked paper. In good condition, lightly aged and folded once. Asquith’s signature is genuine. Reads: ‘October, 1911.

See the entries for Milner and Ross in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Addressed to 'Dear Mr Ross' and with good bold signature 'Milner'. The subject of the letter is the philanthropic ‘settlement’ Toynbee Hall in Whitechapel, founded in 1884 by Canon Barnett and Henrietta (DBE), his wife.

The material is in fair condition, lightly aged and worn. Items Two and Three are addressed to ‘Cher ami’. De Cottens’ handwriting is somewhat opaque. ONE: ANS, 14 May [no year]. The letterhead includes an engraved illustration of the Queen’s Hotel in Leicester Square. 1p, 12mo. ‘Cher Monsieur Clarkson / tous mes bien vifs remerciements pour votre aimable envoi de tickets. / Bien votre / Victor de Cottens.’ TWO: ALS, 26 [March? 1910?]. 1p, 12mo. He wonders whether the recipient might put his ‘experience à la disposition’ of a named colleague from Brussels. THREE: ALS, 1p, 16mo.

A nice item linking one of late Victorian England’s most popular novelists with its most critically admired. See the entries for Caine and Meredith in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from the autograph album of Meredith’s daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Reads: ‘To / George Meredith / With much admiration / Hall Caine / 23/Sept/91.’ See image.

A nice piece of Ealing ephemera, and scarce: no other copy traced, either on WorldCat or JISC. 48pp, 12mo. Stapled into grey wraps, with heavily-inked cover illustration by Joan Murrell, depicting six figures from various nations (Japanese geisha in the middle), beneath bunting of five flags with Union Flag in centre, and with 'BAZAAR OF NATIONS' at head. Title page reads: ?Book of the Bazaar / held at the / Ealing Town Hall, / Tuesday, Wednesday, Thursday, / June 8th, 9th, 10th / 1920.

See his entry in the Canterbury Dictionary of Hymnology, and Conder’s entry in the Oxford DNB. 2pp, 4to. On the first leaf of a bifolium, the second addressed on the reverse, with postmark, to ‘Mr. Josh. Conder, / Bookseller, / Bucklersbury, / London.’ In fair condition, lightly aged and worn, spiked, folded for postage, and with damage and slight loss to the second leaf from the breaking of the wafer. Begins: ‘Learning lately from my friend Mr. Williams of Shrewsbury, [the future Sir John Bickerton Williams (1792-1855)] that you had engaged with him for his MS.

See Cook?s entry in the Oxford DNB. His temperance hall and hotel illustrated here, were built in 1853. The hall was demolished in the 1960s, to be replaced by a building typical of those that blight Leicester in 2011; the council gave permission for the hotel to be demolished to make way for another monstrosity. Sepia lithograph printed in landscape on 20 x 13 cm leaf of laid paper, extracted from a book or pamphlet. Attractive illustration of an imposing structure, with those that flank it, and people and coaches in the foreground.

An indication of how slavers spent the fruits of their slaves’ labours. With the advent of slavery studies William Atherton has been the subject of a deal of interest, reflected on his Wikipedia page. Thorpe and Lee are listed as coachmakers at 210 Holborn in 1791; in 1803 the firm is named as Thorpe and Co at the same address. The two items are written out in a secretarial hand, each on a long strip made by cutting a folio leaf in half vertically. Both in fair condition, lightly aged and worn. Each with slight damage from the breaking open of the wafer.

See his entry in the Oxford DNB. The correspondence dates from the year 1901, Bligh having acceded to the earldom on the death of his elder brother Edward on 31 October 1900, and the material consists of what is probably the first set of banking instructions, mainly relating to his ‘accession account’, with recipients of payments ranging from the Dowager Countess to Rochester Golf Club. 10pp, foolscap 8vo; 2pp, 4to; 10pp, 12mo. The fifteen items range in size from foolscap 8vo to 12mo. Four items (letters to Coutts from Wadeson & Malleson) are typed and the rest are in manuscript.

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

The present item is rare, and its interest is heightened by the fact that it is accompanied by a press release and has the covers covered in what are clearly notes on how to film the ceremony by a press cameraman. Only three copies on COPAC: at the British Library, Sheffield Hallam and the Bishopsgate Institute. An 8vo stitched pamphlet of twenty unpaginated pages in printed card wraps. Internally very good.

As the Great Depression hit Gibbons found himself over-extended, and was forced into bankruptcy. The present item is scarce. The only copy on JISC is at the Paul Mellon Centre Library. 68pp, 8vo. In grey printed wraps, and with purchase slip tipped in. In fair condition, lightly aged and worn. At head of title-page: ‘By Direction of Lieut.-Col. SIR WALTER GIBBONS, K.B.E., D.L. Following the Sale of the Freehold, and the proposed conversion of the Property into high-class Residential Flats.’ ‘Conditions of Sale’ on reverse of title. 974 lots.

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author, but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published, but it was probably the London magazine ‘Everybody’s’, for which MP contributed a weekly column. ONE: 4pp, 4to, double-spaced, on four leaves.

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Letter: 1p, 4to. On cream paper. In good condition, lightly aged and creased. Folded twice for postage. The letterhead, headed ‘”The Meaning of Versatility” / Fred Lewis / Creating a good impression.’, has an illustration of a series of footprints up the left margin, some with faces in them, and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. On light-blue paper, with letterhead in dark-blue and red. Signed ‘Ralom’, with ‘RALOM & ROSA’ typed beneath. In good condition, lightly aged. Writing to MP at the Evening News, London. ‘There has [sic] been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, foolscap 8vo. In fair condition, lightly aged and creased. Begins: ‘Dear Mac, Im going great and I dont use THE MIKE. I enclose Bill of Last Week / I first Worked 60 Years ago. Mac I want to get. to Broadcast. THIS. IS. Your. LIFE / I Started when I was 9 Year Old. Im now 82. Can anyone beat my Record.’ He gives details of booking at the ‘Metropoliton [sic] Music Hall Edgware Rd. I was first there. 1901. NOVEMBER 4 Weeks / Of cours [sic] I was There many Times. Mac you ought to try and get me on Television. or. Radio.

From the Macqueen-Pope papers, and evidently received by him. (See his entry in the Oxford DNB.) Of Dunn an online source states: ‘On the 10th of November 1917, the Stage Gossip feature in the Yorkshire Evening Post recounted the career of Finlay Dunn, a stage actor. According to the report, Dunn performed as what he refers to as a stand-up comedian.