FICTION

Weyman was, as his entry in the Oxford DNB states, ?one of the most popular and skilled of the historical romance novelists of the cloak and dagger school?. Oscar Wilde recommended (in all seriousness) Weyman's novels as reading for convicts. 1p, 16mo. In fair condition, lightly creased and worn. Folded for postage. From the collection of Rosemary Barron, autograph collector. Reads: 'Dear Miss Barron / I am sorry that your letter has remained unanswered so long but I have been laid aside by illness.

Mason was, according to E. V. Lucas, ‘famous in both hemispheres’. His entry in the Oxford DNB ends with this assessment: ‘His books were best-sellers for fifty years, and the films made from them, notably The Drum (1938), for which he wrote his own scenario, and The Four Feathers (1939), were among the most popular in their time.’ 1p, 12mo. In good condition, lightly aged. Folded twice for postage. The valediction is in Mason's autograph: 'Yours sincerely / A. E. W. Mason'.

In a letter to ‘John O’London’s’ in 1921, Fletcher boasted of having ‘written (and published) seventy-three novels, twelve volumes of collected short stories, and fifteen historical and topographical works, the last-named mostly of considerable length’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded once for postage. Annotated by recipient with date of response. Addressed to ‘Mr D. Webster.’ and signed ‘J. S. Fletcher.’ He thanks him for ‘the two Chichester pamphlets duly to hand’, noting that one was ‘The Accompt Cleared’ by Roger L’Estrange.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

See her entry in the Oxford DNB. 2pp, 12mo. On grey paper. In fair condition, with blocks of discoloration. Addressed to 'Dear Madam' and signed ' M Yonge'. She cannot tell her 'how late the final proof must be, as it depends on the printers, and the Christmas week so disturbs arrangements that they generally wish to have all finished earlier than usual'. She suggests sending he a card 'when the proofs come in to me', as there will be a few days to spare, 'while the other ladies are correcting them'.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

An excellent letter to enthusiastic autograph collector Eileen Margaret Cond (1911-1984). It shows Cond’s ability to draw a more than perfunctory response from her targets. 1p, 8vo. In fair condition, lightly aged and folded for postage. Signed ‘Francis Vivian’. He is ‘very grateful’ for her ‘appeciation of my book, The Three Short Men. I have to confess that I thoroughly enjoyed writing it, even though both Pam and Hathersage at times refused to obey my orders, and went their own sweet way.

Good letters, the second with biographical content about a prolific yet elusive author. The recipient Eileen Margaret Cond (1911-1984) was an enthusiastic collector of autographs, with the ability to draw a more than perfunctory response from her targets. Both letters in good condition, on lightly aged paper folded for postage. Each bearing large stylized signature ‘Francis Gerard’ and addressed to ‘Dear Miss Cond’. ONE (12 March 1950). 1p, 4to.

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

For such a prolific author, it is odd that so little is to be gleaned about Dorothy Jarman (1902-1978; Fellow of the Institute of Arts and Letters, widow of Roy H. Jarman), who claims in this letter, written as ‘Dorothy Desana’, that ‘Ann Trent’ is her pseudonym, while in the 1971 edition of ‘The Author’s and Writer’s Who’s Who’, ‘Ann Trent’ is given as her real name, while ‘Dorothy Desana’ is one of four pseudonyms. Whatever the case, twenty-six books were published under the name ‘Davide Sernicoli’ between 1936 and 1953, with twenty more books published by her under other names.

See her entry in the Oxford DNB. She published around two hundred books under seven pseudonyms, and these are said to have sold a hundred million copies and been translated into twenty languages. The recipient Eileen Cond was an enthusiastic collector of autographs, and had the ability to draw a more than perfunctory response from her targets. 1p, 4to. In fair condition, lightly aged and creased. Folded for postage. Good bold signature: ‘Victoria Holt.’ Addressed to ‘Miss Cond, / Stream Cottage, / Sidbury, / Sidmouth, Devon.’ She has signed Cond’s bookplate and is sending it back.

Two pages, 12mo, marking and residue of tipping in (sellotape), mainly good. My dear Bright, | I have been waiting for the result of your operation, and was delighted that things are now going well. | Your many friends here were greatly distressed to know that it was necessary; but we knew, too, that you would face it with that cheerful courage you so often showed when we did not know from day to day what would be the fate of the Library you and we love so well.

1p, 4to. Twenty-three lines. Large sprawling signature ‘Lawrence G. Blochman’. In fair condition, worn and creased on lightly-discoloured paper. The recipient, an enthusiastic autograph collector, has evidently asked him to sign a bookplate to be stuck in his latest book ‘’Recipe for Homicide’. Her note has finally reached him ‘through channels (via my English publisher through my London agent to my New York agent)’. He is glad she finds the book entertaining, ‘even though you had not yet, at the time of writing, discovered the culprit’.

Jane Aiken Hodge was author of many works, mainly romantic fiction. Her most popular book was a study of Georgette Heyer, and she was also responsible for a biography of Jane Austen. 1p, landscape 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed in type ‘Jane Hodge’, with the following in type: ‘Mrs. Alan Hodge’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

On one side of a 12.5 x 8.5 cm piece of thin white card. Clearly given in response to a request for an autograph. Written in a large somewhat old-fashioned hand, with ‘Edith Pargeter.’ centred towards the head of the page, and ‘‘Ellis Peters’.’ at bottom right. See image.

The book collector Percival M. Stone (1886-1965) of Waltham, Massachusetts, was a Harvard alumnus. He was an expert in the field of crime fiction, and in particular the 'Dr Thorndyke' stories of R. Austin Freeman. Stone edited an American collection of Freeman's stories, titled 'Dr Thorndyke's Crime File' (1941), to which he contributed the essay '5a King's Walk'. The eight long and informative letters in this collection reveal Stone's association with the Harvard Theatre Collection (whose curator William B.

1p, 12mo. On laid paper, folded once. Informing her that ‘Fanny’ will be returning in a few days, and that ‘we shall be very happy to come to your Garden Party on Thursday 10th. which is one of my chief pleasures of the Season’.

Pp.1, 2, 4 [missing 3] with additional unnumbered page entitled bibliography of [...] the Detective Story, folio, connected with stud creating hole which only marginally affects the text, good condition. Lightly corrected MS. An early, pioneering study of the genre as it developed, as a phenomenon similar to literary predecessors (Elizabethan drama). He associates the craze for the detective story with the (post) First World War, but (obviously) finds topoi in Sherlcok Holmes and Murders in the Rue Morgue, citing R.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 4to. In fair condition, creased and lightly aged. Folded twice. Letterhead printed in red, with illustration of quill pen, inkstand and lighted candle. Written in purple ink. The recipient is not named and the letter begins: 'My dear, | I am horrified to find I have made some awful mistake in my diary & am at the Foyle lunch on Wednesday to stand in for someone else who may not turn up, so I can't break with it. I could cry, for I feel that I have let you down & so wanted to see you to hear how you really are'. She is 'worried to death' about the recipient's sight.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. Her letter has been forwarded to him and he has 'much pleasure in sending you my autograph. In order to make it a little more personal, I am sending it on one of my own private book-plates.'

1p, 4to. In fair condition, lightly aged and creased. Folded three times. After thanking Wynn for his letter he continues: 'It is a curious coincidence that in looking through a file of old correspondence yesterday I came across your letter of the 20th November 1915, which I read again with great pleasure'. Postscript: 'With good wishes to you & yours. J F.'

4pp, 12mo. Bifolium. In good condition, lightly aged, with the conclusion and signature ('Juliana Horatia Ewing. | (Not an elegant signature!)') of the letter cross-written at the head of the first page. Drawing of a 'round chess board', with explanation, on second page. An excellent intimate letter, to a family member or friend whose name is not clearly written (Marion? Marnie?). She begins by acknowledging her 'very delightful' letter, and expressing pleasure at 'the prospect of our "play" in town'.