Manuscripts

1p, 12mo. In fair condition, on discoloured and lightly-creased paper. Beneath letterhead: ‘to J D Hughes Esq’. Around middle of page: ‘Pen & Ink Sketch / Stokesay 15/-’. On lower part of page: ‘Recd with thanks / Frank Greenwood’. Beneath the signature is a simple stylized cartoon depicting the head and shoulders of a smiling walrus-faced figure (Greenwood?) in a trilby, with stiff-colour shirt and black bow tie.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

See his entry in the Oxford DNB (‘He had the reputation of being the most learned man in England’). 1p, 16mo. On aged, worn and discoloured paper, with minor damage to the four corners (at bottom-left affecting the date) from previous mounting. Reads: ‘Notice / Any Scholar, elected for classics, who does not obtain at least a Second Class in classical Moderations, will forfeit his Scholarship. / by order of / a College meeting / Mark Pattison / Rector’. Date ‘4 June 1874.’ at bottom left.

See his entry in the Oxford DNB. The present item is clearly part of a draft of an intended biographical entry, penned by Romanes himself in his close and distinctive hand. On one side of a cm piece of laid paper with the reverse blank. Reads: ‘His extensive treatise entitled “Darwin and after Darwin,” which is now being published in successive volumes, is an outgrowth of the lectures delivered in both capacities.

See Christian's entry in the Oxford DNB. (He was the newly-created Downing Professor of the Laws of England at Cambridge from 1788 to his death.) 1p, landscape 8vo. On one half of a 4to leaf that has been torn in two. In fair condition, lightly aged, with thin strip of tape at the right-hand edge, and two punch holes at the left-hand edge of Manington's side. ONE (Christian): Conclusion of autograph draft legal document, numbered '(9)' and signed at bottom left 'Ed. Christian'. With several deletions. Relates to 'Jno Hutchings & Son', who deny 'Combin[ation] & Confederacy &c'.

Although there is no clear connection, the present unpublished poem dates from around the same time as Edward Lear was drawing watercolours in the place referred to in it. Vidya Dehejia’s‘Impossible Picturesqueness / Edward Lear’s Indian Watercolours, 1873-1875’ (1989) describes how Lear visited ‘The two small hill-stations of Matheran and Mahabaleshwar near Bombay’. Of the former Lear wrote: ‘Matheran by the bye, has most probably been the original Eden - I don’t mean the first Lord Auckland, - but Paradise -’.

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

See the entry for Sir Charles Brooke in the Oxford DNB. On one side of an 18 x 9 cm piece of paper, the upper part torn from a larger sheet, with neatly-torn bottom edge resulting in a little loss to the flourish beneath the signature and the tip of the downstroke of the ‘y’ in ‘Harry’. In fair condition, lightly aged, with a central vertical fold. The text, in a bold hand, reads: ‘ “Though obstacles beset you - struggle still!” / Even a worm may climb this highest hill! / Yrs Sly / Harry de Windt’ See Image.

See his entry in the Oxford DNB. On the front cover of a 12 x 7 cm envelope, from which the seal has been torn away on the reverse. Otherwise in very good condition. A pleasing piece of calligraphy, with the word ‘Private’ centred and underlined at the head, and the address to ‘The Honble. Spencer Ponsonby. / Foreign Office’ across the central band, with the signature at bottom left: ‘Alaric Watts.’ See Image.

Tarleton has become a quasi-mythical figure in the early history of the United States, his actions misrepresented and his character traduced. See his entry in the Oxford DNB, and the magnificent portrait by Sir Joshua Reynolds, in the National Portrait Gallery, London. The present item is 1p, landscape 12mo, on one side of an 18 x 10.5 cm piece of gilt-edged watermarked laid paper. In fair condition, aged, worn and lightly creased, with central horizontal and vertical folds, and evidence of mount on the blank reverse.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

On a 16.5 x 20 cm piece of faded and lightly-worn light-green paper, with small diagonal cuts at corners where the item was mounted in an album. The players’ names are neatly presented in a column (there is no other text on either side): ‘OUCC | Greville Stevens | R. L. H. Holdsworth | J. D. Percival | V. R. Price | R C Robertson Glasgow | P E Lawrie | M Patten | R H Bettington | T B Raikes | L. P. Hedges | R R P Barbour’. This is the same eleven which won a match at Oxford against the Free Foresters on 20 May 1922.

2pp, foolscap 8vo. In good condition, lightly aged, with thin strip of paper from mount adhering to one edge. Folded twice. Large heavily-smudged signature of the king ('George R.') at head of first page, which has the royal seal under paper in the left-hand margin. Signed at end of document ('By His Majesty's Command') by the Home Secretary and future Prime Minister: 'R Peel'.

This document, signed by George IV as Prince Regent, and by the former Prime Minister Lord Sidmouth as Home Secretary, relates to Matthias Maher (1798-1865), a Royal Navy officer who was twice tried at the Old Bailey on a charge of forgery. On the first occasion, 6 May 1818, he was found not guilty by reason of insanity; and removed to the criminal asylum in St George's Fields. Maher was found sound of mind – as the present document reveals by Sir George Leman Tuthill (1772–1835) and Edward Wright (c.1788-1859), the latter to die of disgrace in Australia.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

From the papers of John Campbell, 4th Earl and 1st Marquess of Breadalbane. Without place or date [Lorn, Agyllshire? Circa 1817.] On paper watermarked 'C WILMOTT | 1817'. 3pp., foolscap 8vo. Bifolium. 69 lines of neatly-written text, with three minor corrections. In very good condition, on lightly-aged paper. No clue to the identity of the author, or time and place of writing, but from the papers of the 1st Marquess of Breadalbane. Headed 'Dft.

Contemporary copies (all in same hand);original letters untraced. Good condition but rough edge on left indicates removed perhaps from a collection.

See her entry, with those of the recipient, her husband, stepdaughter and the other members of the Knox family, in the Oxford DNB. The material is in good condition, lightly aged. All three items addressed to 'My dear Wilfred' and signed 'Mary'. ONE (18 March [1945]): 2pp, 12mo. Begins: 'I am afraid we are allowing Mrs. W. to stay on at the Cottage during the School Easter Vacation, because it seems rather difficult to turn her out at this time of year in view of the weather & the fact that she obviously has Mrs. Moses on her side'.

See Hudsons's entry in the Oxford DNB. 3pp, foolscap 8vo, on three leaves, with fourth covering leaf ('23rd Oct. 1846. / Copy / Railway Minutes / Thorp & Dickson / &c &c'). Attached at one corner with red ribbon. Headed: 'Alnwick October 23 - 1846 / Minutes on projected Railways / in the Manor of Tynemouth - / Read to Mr. Hudson, of which he requested a copy.' There are five minutes, the last covering two pages. The first three read: '1.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See the two men’s entries in the Oxford DNB and History of Parliament. Howard was Auditor of Receipt from 1673 to his death. The document is damaged, with the lower part torn away, leaving an area 23cm high and the same wide, but with part of one lower corner torn away. The paper is aged, and there are chipping and closed tears to edges. Howard’s two signatures (both ‘Ro: Howard’) are both undamaged, and the item is of some interest. On the front is the printed form, completed in manuscript, with ‘Sr. Thomas Player in repaymt. of Loane./’ in manuscript in right-hand margin.

A nice item, suitable for framing, relating to one of the best generals of the First World War. (He commanded one and a half million troops in the 1918 Battle of Vittorio Veneto, defeating the Austrians - a third of a million of whom surrendered - and closing the Italian Front.) Clearly given in response to a request for an autograph. The good bold signature ‘Generale A. Diaz’ sits slightly over the centre of an otherwise-plain 15 x 10 cm piece of wove paper, laid down on paper backing. In good condition, lightly aged, with two unobtrusive vertical fold lines. See Image.

An attractive and highly-finished production, in black ink, on 17.5 x 20.5 cm piece of wove paper, glued on the reverse at the four corners to a leaf extracted from the autograph album of the novelist George Meredith and his daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Parsons' monogram signature 'AP. in its two-bordered square is at the bottom left of the drawing, and there is an additional autograph signature with date to the right of the drawing on the leaf of the Meredith album: 'Alfred Parsons.

A very nice print in grey tones. Landscape: 7.5 x 13 cm. With the words ‘POST CARD’ printed on the reverse. Image in very good condition; traces of black paper mount adhering to the reverse. A head and shoulders shot of the future king, taken from the left, with right shoulder slightly forwards, face turned to the right and eyes staring vacantly ahead over the viewer’s right shoulder. Clean-shaven with parting on left; arms folded across chest, smartly attired in double-breasted check lounge suit with white shirt and ‘oriental-knot’ tie.

An amusing piece of Victorian memorabilia. Written in pencil on one side of a slip of paper, roughly 14 x 7 cm, torn from the bottom of a leaf. Both sides of the paper are ruled, with the ruling on the reverse wider spaced. Confirming the fact that the item is a telegram is the fact that the word ‘Clerk.’ is printed at bottom right of the reverse, with the word ‘Railway’ in pencil at top right.

An interesting indicator of the economic impact of the continental blockade in the year of the Battle of Trafalgar. Roger Knight provides an excellent overview of the background to the present document in his ‘Convoys: The British Struggle against Napoleonic Europe and America’ (2022), and in particular the fifth chapter, which deals with North Sea Convoys between 1804 and 1812.

Both items in fair condition, with age and wear. ONE: Letters of Administration, 15 November 1825. Printed on square of parchment, with embossed seal appended and usual tax stamps. Completed in manuscript with regard to ‘Hugh O’Ferrall the natural and lawful Father of James Peter O’Ferrall late a Lieutenant belonging to His Majesty’s Ship Revenge at Sea Bachelor deceased’, whose estate is ‘Sworn Under One Hundred Pounds.’ Signed by three deputy registrars.

TSS Transylvania (the prefix stands for ‘Twin Screw Steamship’) was built in Glasgow for the Anchor Line and launched in 1925. She had three funnels, but two were redundant, only serving to render the ship more attractive to prospective passengers. In 1940 she requisitioned by the Royal Navy, and the following year she was torpedoed by the Germans, sinking with the loss of 36 lives. The letter is 13pp, 12mo; with neat single-space typing, on thirteen leaves.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?