INK

An attractive and highly-finished production, in black ink, on 17.5 x 20.5 cm piece of wove paper, glued on the reverse at the four corners to a leaf extracted from the autograph album of the novelist George Meredith and his daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Parsons' monogram signature 'AP. in its two-bordered square is at the bottom left of the drawing, and there is an additional autograph signature with date to the right of the drawing on the leaf of the Meredith album: 'Alfred Parsons.

Two attractive small original hand-coloured copperplate engravings. Both in good condition, lightly aged, and each with slight traces of previous mount on blank reverse. ONE: Captioned at foot ‘A Freschi sculpsit | MONKEYS GATHERING TEA. | Pubd. 25 April 1812 by H. Stockdale, 41 Pall Mall’. Portrait: 10.5 x 17.5 cm. Depicts a Chinese man beneath a tree taking leaves from a monkey on the ground, whilst three other monkeys in the tree collect more leaves. TWO: Captioned at foot ‘A Freschi sculpsit | INDIAN INK.’ No place or date. Landscape: 17.5 x 10.5 cm. Depicts three men preparing the ink.

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

4to album of 33 leaves, with the 112 illustrations each on a separate piece of paper, and all laid down on 59 of the album's 66 leaves (the blank leaves of the album bearing traces of other illustrations having been removed). The illustrations range in size from 19 x 15.5 cm to 6 x 3 cm, with the average around 15 x 11 cm. The album's brown cloth covers are faded and worn, but internally the album is sound, with the illustrations themselves in good condition, on lightly-aged paper. Around twenty are signed, half with the spelling 'Duchene' and the other half 'Du Chene'.

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

Each drawing 22 x 16 cm, and each neatly mounted on card 31.5 x 22 cm. In good condition, in slightly discoloured mounts and folder. The mounts numbered in pencil in top left-hand corner. In cream folder, with blue cloth spine. Title in blue pencil on front of folder, together with image of hand holding glasses. Illustration of hand painting with brush, surrounded by ink pots, on back of folder. First illustration signed 'GZ | 5.3.66' and last 'GZ 7.4.66' Folder dated 'GZ. | 20.7.66'. Pleasant compositions, with something of an Edward Ardizzone feel about them.

Paper, c.6.5 x 4.5", fold mark, some foxing, but image bold and clear of people on the sea-front pulling and pushing an invalid chair against a fierce gale which has caught an umbrella, a fish, a handbill, etc. The sub-title reads "I [underlined] got a nice little airing! / Yours ever / GAB."