HAND

See his entry in the Oxford DNB. The recipient is presumably the lyricist Peter Claremont Parsons. Plain postcard, apart from letterhead. In good condition, lightly aged. Image on request.Postmarked (from Paddington), stamped and addressed to ‘Geoffrey Parsons esq. / 22 Westbourne Park Road / W.2’. Small signature: ‘C. D. L.’ Reads: ‘Many thanks for Peter’s Progress. [Parson’s poetry book, published that year by Hand & Flower] I’ve read it with great pleasure & amusement, & fallen foul of little except ‘legacies’ rhyming with exegesis. My memory of those H. & S.

Two attractive small original hand-coloured copperplate engravings. Both in good condition, lightly aged, and each with slight traces of previous mount on blank reverse. ONE: Captioned at foot ‘A Freschi sculpsit | MONKEYS GATHERING TEA. | Pubd. 25 April 1812 by H. Stockdale, 41 Pall Mall’. Portrait: 10.5 x 17.5 cm. Depicts a Chinese man beneath a tree taking leaves from a monkey on the ground, whilst three other monkeys in the tree collect more leaves. TWO: Captioned at foot ‘A Freschi sculpsit | INDIAN INK.’ No place or date. Landscape: 17.5 x 10.5 cm. Depicts three men preparing the ink.

29pp., small 4to. Stitched into card covers. Internally in fair condition, in aged and worn covers repaired along the spine with brown tape. There are eleven hand-coloured engravings: one on the cover, a frontispiece, two vignettes (at the beginning and end of the poem) and seven full-page illustrations in the body of the poem (six of them with blank reverses). The cover illustration, frontispiece, and all but two of the full-page engravings are attributed to Chandler and Duran.

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.

31 + [1] pp., small 4to. With frontispiece engraved portrait of Hand. In original cream printed wraps, with 'DANIEL HAND.' printed on front cover in brown ink. In good condition, lightly-aged and worn. Presentation inscription at head of front cover: 'for Mrs. Evans - | with Compliments of G. A. Wilcox | Detroit.' Eight copies at American libraries on OCLC WorldCat, and the only copy on COPAC at the British Library. The manuscript, in Wilcox's hand, is 3pp., 12mo, on bifolium 1880s letterhead of the Hotel Metropole, London.

Landscape 12mo (leaf dimensions 12 x 16 cm): 27 pp. Stitched with no jacket as issued. Covers a little grubby, but a good copy of a scarce item. Title page and twelve delightful full-page pochoir illustrations by Arnoux, all hand-coloured: 'En temps de Paix', 'Premier contact', 'Le sous-lieutenant', 'Les Indiens', 'Black-Watch', 'Le capitaine et l'infirmiere', 'Les Irlandais', 'Le Major', 'La Mascotte', 'Ship ahoy!!', 'Le bon Ecossais' and 'God save the King'.

4to, 1 p. Good, on lightly aged and creased paper with minor rust stain from paperclip at head. Letterhead, in light and dark blue, featuring globe and the mottos 'BOOKSELLERS TO THE WORLD' and 'STOCK OF NEARLY THREE MILLION VOLUMES'. Thirteen lines of text. Bradshaw is clearly unhappy at the price asked for a copy of Cox's 'Memorials of Old Derbyshire'. 'The writer would point out that we received six reports regarding this book from various clients, but in no case at a price allowing us to quote below 15/-.

Printed on one side of a piece of wove paper, dimensions roughly 65 x 41.5 cm. Within a ruled border. On lightly aged paper, with chipping and slight loss to extremities. Three closed tears (two of them affecting the portrait) have been repaired on the reverse with archival tape. Text entirely legible and portrait clear, bright and without loss. The full-length portrait (31 x 25 cm), crudely coloured in yellow, red and blue, depicts the Emperor, in full regalia, standing in a sumptuous throne room. Sixty-six line biography, arranged in two columns.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

8vo: 2 pp. Good, on lightly-aged laid paper with slight chipping and glue stain at head (not affecting text). A formal letter written in English in the third person. He asks them to send 'another form [for him to write his entry in 'Who's Who'] to be filled up [...] The first one sent was mislaid on leaving London'. Deichman was the subject of a 'Spy' cartoon ('Vanity Fair', 14 May 1903: 'He wears curious hats'), in which he is shown driving a coach.