FINE

See his entry in the Oxford DNB. 1p, 12mo. In good condition. The letterhead describes the firm (‘formerly Walker and Cockerell’) as being ‘Process and General Engravers, Draughtsmen, Map Constructors Copper-plate Printers Collotypers and Photographers of Works of Art’. Signed ‘Emery Walker’. He is sending Wright ‘proofs of the plan from Coutts’ Bank’, and is sending a duplicate to ‘Mr. Fayle’, asking him ‘to let me have the lettering, that is, if he wishes on seeing the plan to vary it’. He is having ‘proofs of the title page from Messrs.

Two good substantial letters, filled with personal and professional content. See the entries for Thorp and Wrench in the Oxford DNB. Both letters in brown ink in Thorps calligraphic hand. ONE (to Sir Evelyn Wrench): 2pp, 8vo. On cream paper with brown italic letterhead. In good condition, lightly aged and worn. Folded twice. Signed ‘Peter’. Begins: ‘My dear Evelyn / We are going to make a great change in our way of life. For a long time I have felt that both physically & financially this house is beyond our strength.

Two attractive pieces of Curwen Press ephemera. 'Cornucopia' is scarce: no copy at the British Library, and the only two copies on JISC at Lancaster and Aberystwyth. The 'Short History' is better represented. ONE: 'Cornucopia'. 12pp, landscape 12mo. Stapled into illustrated wraps. Printed in brown on cream paper. Booklet designed by James Shurmer, with text by Basil Harley. Many illustrations of unicorns arranged in eight 'plates'. Internally in good condition, but front cover grubby, and blank back cover stained. TWO: 'The Curwen Press / A Short History'. 39pp, small 4to.

See his entry in the Oxford DNB. On 13 x 8 cm piece of paper, cut from the end of a letter. The valediction, firmly written in Angerstein’s hand, reading: ‘I am / D. Sir / Your Mt Obt Sert / J J. Angerstein’. First initial of the signature lightly inked. In good condition, lightly aged.

A nice piece of OUP ephemera, and a memorial to the lost art of letterpress printing. Stitched pamphlet of 24pp, 12mo. Wraps not called for. In good condition, lightly aged, with outer pages a little grubby. A couple of sources help establish the date: on p.13 it is announced that ‘the most recent discoveries, especially in Egypt, have been inserted, down to March, 1893’, and the second of the ‘Extracts from Opinions’, pp.21-23, from ‘Nature’, dates from 5 October 1893.

See his entry in the Oxford DNB. He published two dozen works on calligraphy, and Pepys described him as ‘the famous writing-master’, and employed him to engrave his slide rule, but it is as an arithmetician that he is remembered: two works published shortly after his death, purportedly from his manuscript, gave rise to the expression ‘according to Cocker’. It has not been established which one of Cocker’s works the present item comes from (his earliest, ‘Pen’s Experience’, is lost). In black ink on one side of a 17 x 11 cm piece of laid paper.

Material which, by its very nature, is extremely uncommon. Five items, three of them beautifully printed with the Fell Types. From the papers of King George V’s doctor Lord Dawson of Penn (see his entry in the Oxford DNB). Among those to whom degrees are conferred (all of whom receive the customary praise in florid Latin) are J. M. Barrie, Sir Henry Newbold, Dame Ethel Smity, Sir Austen Chamberlain and the Speaker of the Commons John Henry Whitley. The first three are printed with the Fell Types, and the first two and the fifth carry Johnson’s slug.

Material which, by its very nature, is extremely uncommon. Three items, two of which are beautifully printed with the Fell Types. Duplicates from the papers of King George V’s doctor Lord Dawson of Penn (see his entry in the Oxford DNB). Among those to whom degrees are conferred (all of whom receive the customary praise in florid Latin) are J. M. Barrie, Sir Henry Newbold, Dame Ethel Smythe, Sir Austen Chamberlain and the Speaker of the Commons John Henry Whitley. The first three are printed with the Fell Types, and the first two and the fifth carry Johnson’s slug.

See Nicolas Barker’s typically-elegant obituary of Williamson in the Independent. 2pp, 4to. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. On aged and worn paper; folded three times. Signed ‘Hugh Williamson:’ and addressed to ‘Mr Block’. Thirty-one lines in a close, calligraphic hand.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

A very nice artefact relating to a beautiful Rampant Lions production, published in 1975. Printers' dummy, produced to indicate the intended layout of the book, consisting of duplicated typed leaves, with emendations and printing instructions in manuscript, showing the intended arrangement of the 125 pages of letterpress (and including an alternative version of p.78), with eleven illustrations loosely interleaved. In good condition, lightly aged and worn.

[12]pp, 16mo. Tastefully printed in brown and black, and stitched into grey-green wraps, on the cover of which is the word 'If' in large gold print, enclosed in a brown rectangle. In good condition, lightly aged. Colophon on reverse of title, and on facing page a note with facsimile signatures of 'Robert S.

Pamphlet: 4pp, 8vo. Bifolium of thick wove paper. In red wraps, with title printed in black on front cover, with words: 'Printed by permission.' The full phrase is printed at the end of the article on p.4. Drophead title on p.1 same as title on cover. In fair condition, lightly aged and worn. The bifolium of text was formerly glued into the wraps, but the glue has become brittle, and the wraps and contents are now detached from one another. There was a report of the meeting, and of Kipling's speech, in The Times, 10 May 1907; and the speech was later collected in 'A Book of Words' (1928).

An attractive and unusual item, tastefully printed in green and red on both sides of a 30.5 x 60 cm strip, entirely covered in cream satin, and edged in silk ribbon, folding into a triptych each panel of which is 30.5 x 20 cm. In extremely good condition, all the more remarkable considering the ephemeral nature of the item. As folded into itself, the item has a front cover carrying the title in green ink, with a photograph of Kipling printed in red; and the back cover carries the royal crest of the Queen's printers Eyre and Spottiswoode.

[4] + 78 + [1]pp, 8vo. In printed wraps. Internally in fair condition, on lightly discoloured paper, in worn and stained wraps. Verse translation of the French source of Shakespeare's Richard II, 'Histoire du Roy Angleterre Richard'.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

The only copy of this item on OCLC WorldCat is in the Canadian National Archives. An attractive and characteristic piece of late nineteenth-century French printing. The present copy is 14 + [1] pp, 16mo. With frontispiece and eight illustrations and vignettes. Stitched booklet (13 x 7.5 cm). In wraps printed in black and red. In fair condition, lightly aged, in grubby wraps.

2pp, folio. In good condition, lightly aged. Folded twice.

See Harling's entry in the Oxford DNB. 2pp, 4to. In fair condition, lightly aged and worn. Folded twice. The salutation ('My dear Percy'), valediction ('Luv Robert'), and one additional word in autograph; the rest typed. He begins by thanking Muir for a copy of 'PHM 80', the volume celebrating Muir's eightieth birthday.

See Hofer's obituary in the New York Times, 12 October 1984, in which it is stated that 'Mr. Hofer, who was secretary of the Fogg Museum at Harvard for 12 years, was a recognized book collector focusing on 18th-century German, Iberian and Italian publications. Mr. Hofer put together an Italian book collection considered the finest outside Italy. | Konrad Oberhuber, professor of fine arts at Harvard, said of Mr. Hofer: ''He was one of the most farsighted collectors that Harvard ever had. [...]”'. Two airmail letters, both in good condition.

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.

xii + 187pp., 8vo. A handsome example of Whittingham's handiwork, printed on good thick laid paper, with title page in black and red. In original grey paper wraps. Small vignette of a tree within a decorative circular border printed in brown on the front cover and in black on title page. Uncut edges. Internally in good condition, loose in frayed and worn wraps. Author's presentation inscription on flyleaf: 'Sophia Cunliffe Rodger | Given at Nice | to her by | Sir John Kingston James'. Printed 8vo presentation leaf loosely inserted, reading: Château Denis, | Hyères, Var, | France.

1p., 16mo. In good condition, lightly aged. He has been called away at the last moment, and asks him to 'tell Mr. Brown anything that you may have to arrange respecting the Phiz Exhibition'. From the papers of Arthur Allchin. The Athenaeum reported in 1883 that 'Mr. Arthur Allchin, who was an intimate friend of the late Hablot K. Browne, has written an article on his life and work which will appear shortly in the Century Magazine, and will be copiously illustrated from original drawings by " Phiz."'

38pp., 16mo. Internally in very good condition, in red paper boards printed in gilt, with bubbling at front and back, and in chipped and aged glassine wrapper. The number of the meeting has been added to the title in manuscript ('511'), and the signatures of 'Frederick Keel | Singer' and 'Walter Braithwaite' are written in pencil beneath the limitation (no 24 of 133 copies). Scarce.

Elegantly printed in black and grey-blue. [28] + [1]pp., 4to. On loose leaves, on eight bifoliums, arranged in four pairs. In very good condition, lightly aged, wrapped in brown paper.

124pp., 4to. Unbound (awaiting binding): with marbled endpapers and all edges gilt. Profusely illustrated with facsimile pages from the original. Edition limited to 265 copies. This copy out of series. In good condition, lightly-aged, on cream paper, with slight wear to endpapers. Craig's sprawling signature on title-page. Uncommon. Both OCLC WorldCat and COPAC conflate their entries for this edition with the trade edition published by Macdonald and Jane's in 1975. The only copy of the 1974 edition certainly thrown up by OCLC WorldCat at Oxford.

8pp., 12mo. Stitched into grey printed wraps. Aged and worn. On reverse of title: 'This booklet is produced in accordance with Paper Control regulations and is therefore limited in size and scope | It is publication number one of the Imprint Society and was first issued in August 1944'. The pamphlet begins: 'The idea that led to the Imprint Society being formed was conceived when two compositors, working in Johannesburg in 1939, realized that most of the printed matter produced in South Africa was ugly and uninspired, and that nothing was being done to remedy this.

24pp., 12mo. Paginated 1-24. Disbound printed item. In fair condition, on aged and spotted paper. Drophead title, followed by: 'This Catalogue consists of three parts. In the first part is given a list of our early printed books in chronological order; in the second, a typographical index, showing at what presses the works were produced; in the third, an alphabetical index of the authors' names.' Originally published in the first issue of the Downside Review, July 1880, pp.72-90. This offprint is scarce: the only copy on OCLC WorldCat at Cambridge, whose catalogue dates it to 1880.

55 + [3]pp., 12mo. Frontispiece engraving of Quaritch, with facsimile of his signature. Bound in card boards covered in pink fake vellum paper printed in gold. In good condition, lightly aged, in lightly worn covers. Limitation leaf completed in manuscript, with this copy no. 134 of 255, with pencil signature of 'Ed. Heron Allen', presenting the book to ' Gottschalk'. Introduction by George Clulow, President. Note at end by 'B.