LETTERPRESS

[Printed handbill.] Description (By Mr. Tom Taylor, M.A.) of the "Triumph of Christianity" painted by M. Gustave Doré

Author: 
Tom Taylor, M.A.; Gustave Doré
Publication details: 
Bradbury, Evans, and Co., Printers, Whitefriars. [Circa 1867.]
£125.00

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

Collection of 25 items relating to the letter-cutter and typographer David Kindersley, collected by his biographer Montague Shaw, including pamphlets, keepsakes, brochure (some Eric Gill items), Autograph Letters Signed from Kindersley and his wife.

Author: 
David Kindersley [David Guy Barnabas Kindersley] (1915-1995), letter cutter and alphabet designer; his third wife Lida Kindersley (b. 1955) [Cardozo Kindersley; Montague Shaw; Helen Annis; Eric Gill]
Publication details: 
1985-1997; most items sent from 152 Victoria Road, Cambridge [David Kindersley's Workshop; Cambridge Supervision; Cardozo Kindersley Editions].
£450.00

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

Prospectus for an edition of Johnson's 'THE VANITY OF HUMAN WISHES', with sample illustration by Tegetmeier.

Author: 
Rampant Lions Press [Denis Tegetmeier; Samuel Johnson]
Publication details: 
To be published this summer 1984 by the | RAMPANT LIONS PRESS | 12 Chesterton Road, Cambridge, England'.
£23.00

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

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