PAINTING

[Alfred Parsons, landscape painter and garden designer.] Autograph Letter Signed to 'Miss Lewis'

Author: 
Alfred Parsons [Alfred William Parsons] (1847-1920), landscape painter, illustrator, and garden designer
Publication details: 
24 January [no year]. On letterhead of 54 Bedford Gardens, Kensington, W. [London]
£35.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once.Addressed to 'Dear Miss Lewis' and with good firm signature 'Alfred Parsons'. He will be very pleased to dine with her the following Friday, '& dance one set of Lancers after; I feel much complimented at being asked with the young people'.

[Frederick Spencer Gore] Anonymous pencil drawing of him painting at an easel.

Author: 
Frederick Spencer Gore [(26 May 1878 – 27 March 1914) was a British painter of landscapes, music-hall scenes and interiors, usually with single figures.]
Frederick Spencer Gore
Publication details: 
Without date or place.
£250.00
Frederick Spencer Gore

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

[Stanhope Forbes, RA, English painter of the Newlyn School, Cornwall.] Autograph Signature with compliments.

Author: 
Stanhope Forbes [Stanhope Alexander Forbes] (1857-1947), RA, English painter of the Newlyn School, Cornwall
Publication details: 
5 March 1935. On embossed letterhead of Higher Faugan, Newlyn, Cornwall.
£28.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. Clearly responding to a request for an autograph. Boldly written, with the merest smudging to the surname: 'with compliments / of Stanhope A. Forbes / 5th March 1935'.

[Stanhope Forbes, RA, English painter of the Newlyn School, Cornwall.] Autograph Letter Signed thanking the recipient for complimenting his work and providing a signature.

Author: 
Stanhope Forbes [Stanhope Alexander Forbes] (1857-1947), RA, English painter of the Newlyn School, Cornwall
Publication details: 
17 September 1937. On embossed letterhead of Higher Faugan, Newlyn, Cornwall.
£45.00

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once for postage. The male recipient is not named, and the letter is signed ‘Stanhope A. Forbes’, with slight smudging to the ‘o’ of ‘Forbes’. As he is obliged to him for his letter ‘& the kind things you are good enough to say about my work’, he is happy ‘to accede to your request to append my signature’.

[Sir John Gilbert, RA, painter and illustrator.] Autograph Letter Signed to the composer and antiquary Doyne Courtenay Bell, providing information regarding a painting of 'the Queen holding a drawing Room at St James's Palace'.

Author: 
Sir John Gilbert (1817-1897), RA, painter and illustrator [Doyne Courtenay Bell (c.1830-1888), court official, omposer and antiquary]
Sir John Gilbert
Publication details: 
'Blackheath 4th April' [no year].
£85.00
Sir John Gilbert

See his entry in the Oxford DNB. A protege of Prince Albert, Bell worked for the Privy Purse from the time of the Great Exhibition, and served as Permanent Secretary to the Keeper of the Privy Purse from 1876 to his death. Signed ‘John Gilbert’ and addressed to ‘Doyne C. Bell Esquire / &c &c.’ 1p, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ‘Dear Sir, / I remember the small picture painted in 1851. H M The Queen holding a drawing Room at St James’s Palace. / I did not intend to paint a larger picture and never did’. See Image.

[Peter Cunningham, author and London topographer.] Autograph Letter in the third person to Lady Theresa Lewis, praising 'the Duchess of Newcastle's Life of her husband' and discussing some questions regarding English art.

Author: 
Peter Cunningham [Peter Nicholas Cunningham] (1816-1869), author and London topographer, son of the Scottish poet Allan Cunningham [Lady Theresa Lewis (1803-1865)]
Publication details: 
‘Victoria Road Kensington / 24th. September 1850.’
£90.00

2pp, 12mo. Nineteen lines. Closely written in a neat hand. In fair condition, lightly aged, with strip of dried adhesive from mount along one edge. Folded for postage. Begins: ‘Mr Cunningham presents his Compliments to Lady Theresa Lewis and forwards to Kent House [her Knightsbridge home] the Copy of the Duchess of Newcastle’s Life of her Husband. If lady Theresa derives half the pleasure from its perusal which Mr C.

[James Baillie Fraser, Scottish artist and traveller in India.] Autograph Letter in the third person to Lady Theresa Lewis (as ‘Mrs Lister’), regarding ‘the Persian Princes’, Sir Gore Ousely and his future plans.

Author: 
James Baillie Fraser (1792-1856), Scottish artist and traveller in India [Lady Theresa Lewis (1803-1865), author]
James Baillie Fraser
Publication details: 
‘Athenaeum [London] / July 29th 1837’.
£350.00
James Baillie Fraser

See his entry and hers in the Oxford DNB. From the papers of Lady Theresa Lewis, and written while she was married to her first husband, the novelist Thomas Henry Lister (1800-1842). 2pp, 12mo. In good condition, lightly aged, and folded once for postage.

['Death has taken a heavy toll': Sir Frank Dicksee, Victorian artist, President of the Royal Academy.] Autograph Letter Signed to the widow of fellow-Royal Academician John Macallan Swan, accepting on behalf of the RA committee the gift of a bust.

Author: 
Frank Dicksee [Sir Francis Bernard Dicksee] (1853-1928), Victorian artist, President of the Royal Academy [Mary Anne Swan (née Rankin), wife of John Macallan Swan (1847-1910), RA, painter and sculptor
Publication details: 
10 May 1926; on letterhead of Greville House, 3 Greville Place, Maida Vale, NW6 [London].
£60.00

See his entry, and Swan's, in the Oxford DNB. 2pp, 12mo. Seventeen stylish lines with bold signature. On first leaf of a bifolium. In good condition, lightly aged. Folded once for postage. Addressed to 'Dear Mrs Swan' and signed 'Frank Dicksee'. Her letter gave him great pleasure and he has just had the opportunity of placing her 'very kind offer before the Council [of the Royal Academy]'. 'I need hardly tell you they are delighted to accept this valuable gift.

[W. L. Wyllie [William Lionel Wyllie], distinguished English maritime painter.] Autograph Note Signed to Douglas A. Wenslow, supplying an autograph.

Author: 
W. L. Wyllie [William Lionel Wyllie] (1851-1931), distinguished English maritime painter
Publication details: 
26 July 1899. On letterhead of Hoo Lodge, Hoo Saint Werburgh, Nr. Rochester.
£35.00

See his entry in the Oxford DNB. 1p, 16mo, on the first leaf of a bifolium. In good condition. Folded once for postage. Addressed to 'Douglas A. Wenslow Esq'. Reads: 'Dear Sir / Many thanks for your kind letter. / Here is the Autograph / yours truly / W L Wyllie'.

[W. L. Wyllie [William Lionel Wyllie], distinguished English maritime painter.] Autograph Card Signed to 'Miss Swan' (daughter of artist John Macallan Swan) regarding 'the copy of Cape St Vincent' and a roll that is unsuitable for a panorama.

Author: 
W. L. Wyllie [William Lionel Wyllie] (1851-1931), distinguished English maritime painter [John Macallan Swan (1847-1910), RA, painter and sculptor]
Publication details: 
24 March 1931. Letterhead: 'From / W. L. Wyllie, / Tower House, Portsmouth / Tel. 2598.'
£45.00

See his entry, and that of Swan, in the Oxford DNB. From the Swan papers. On both sides of an 11.5 x 9 cm card. In good condition, lightly aged, and with faint ink line at foot. Signed 'W L Wyllie'. Begins: 'Dear Miss Swan / Very many thanks for sending me the copy of Cape St Vincent. It is quite fine I will try if I cannot steal a bit for my big picture.' He turns to a 'roll' which is 'not long enough to make a panorama', but which he hopes to be able to 'drive round and look at' when the weather is warmer.

[Frank Spenlove-Spenlove [John Francis Spenlove-Spenlove], Scottish landscape and figure painter.] Autograph Letter Signed, as principal of ‘ “The Yellow Door” school of modern art’, to ‘Miss Lalonde’, regarding a post card of one of his paintings.

Author: 
Frank Spenlove-Spenlove [John Francis Spenlove-Spenlove] (1864-1933), Scottish landscape and figure painter, founder and principal of ‘The Yellow Door’ school of art in Beckenham, Kent
Frank Spenlove-Spenlove
Publication details: 
‘The Corner House / 69. Addison Rd. W. / 14.12.10’ [14 December 1910], on his letterhead as principal of ‘ “The Yellow Door” School of Modern Art, Beckenham.
£60.00
Frank Spenlove-Spenlove

He styles himslef on the letterhead as ‘Principal - Mr. Frank Spenlove-Spenlove / R.I. R.O.I. R.B.A. R.C.A. R.B.C. F.R.C.S. M.J.S. F.R.S.A.’ Large bold stylized signature. 1p, 8vo. In good condition, lightly aged. Folded twice. Reads: ‘Dear Miss Lalonde / It gives me pleasure to know you appreciate the picture, & I have put my name to your post card as you desire. I only wish the reproduction was more satisfactory! / Yours Sincerely. / Frank . Spenlove . Spenlove’. See Image.

[Sir Frank Dicksee, Victorian artist, President of the Royal Academy.] Autograph Letter Signed to Lady Orchardson, regarding a meeting by the committee for the Royal Academy summer exhibition, with reference to Onslow Ford.

Author: 
Frank Dicksee [Sir Francis Bernard Dicksee] (1853-1928), Victorian artist, President of the Royal Academy [Lady Orchardson [Ellen Orchardson, née Moxon] , wife of Sir William Quiller Orchardson, RA]
Publication details: 
14 December [no year, but before 1901]. On letterhead of Greville House, 3 Greville Place, St John's Wood, N.W. [London]
£65.00

See the entries for Dicksee and Lady Orchardson’s husband Sir William Quiller Orchardson (1832-1910), RA, in the Oxford DNB. Lady Orchardson (1853-1917) was the daughter of the London publisher Charles Moxon. The Orchardsons married in 1873. Among their four children was the painter Charles Moxon Quiller Orchardson (1873-1917), who studied in the Royal Academy Schools and was killed in action during World War One. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once for postage. Signed ‘Frank Dicksee’.

[Edmund Gill [Edmund Marriner Gill], English landscape painter.] Signed Autograph ‘List of Principal Works Exhibited by E. Gill’, with covering Autograph Letter Signed to the publishers George Routledge & Sons’.

Author: 
Edmund Gill [Edmund Marriner Gill] (1820-1894), English landscape painter [George Routledge & Sons, London publishers; the Royal Academy of Arts]
Publication details: 
No date, but no earlier than 1882, and no later than 1884. ‘Linn Villa / Sutton / Surrey’.
£150.00

An interesting item, providing valuable biographical information. The Gills were a prominent family of English painters, all puzzingly absent from the Oxford DNB. Edmund Gill’s father was the portrait painter Edmund Ward Gill (1794–1854) and among his brothers were the painters William Ward Gill (1823–1894) and George Reynolds Gill (1827–1904). After studying at the Royal Academy he fell under the influence of David Cox. The present item relates to Gill’s entry in the 1884 eleventh edition of the Routledge reference work by Thompson Cooper, ‘Men of the Time: A Dictionary of Contemporaries’.

[Sir E. A. Waterlow [Sir Ernest Albert Waterlow], RA, English artist.] Autograph Letter Signed, responding to congratulations on his election to the Royal Academy from ‘Mr. Haynes King’, with two signed reproductions of his paintings.

Author: 
Sir E. A. Waterlow [Sir Ernest Albert Waterlow] (1850-1919), English artist [The Royal Academy of Arts, London]
Sir E. A. Waterlow
Publication details: 
Letter of 22 January 1903; on letterhead of 1 Maresfield Gardens, Fitzjohns Avenue, N.W. [London].
£220.00
Sir E. A. Waterlow

See his entry in the Oxford DNB. The letter is 1p, 16mo. In good condition, lightly aged, with slight discoloration to margin at head and light rust spot. Reads: ‘Dear Mr. Haynes King, / It was extremely kind of you to write & congratulate me on my election as R.A. & I appreciate the attention very much.

[Alfred Parsons, landscape painter and garden designer.] Original pen and ink drawing of a clump of daffodils growing in front of mass of other foliage. Monogram signature on the drawing ‘AP.’, and with second full signature and date on mount.

Author: 
Alfred Parsons [Alfred William Parsons] (1847-1920), landscape painter, illustrator, and garden designer
Alfred Parsons
Publication details: 
‘Alfred Parsons. / Loseley Park. May 26th. 1893.’
£1,000.00
Alfred Parsons

An attractive and highly-finished production, in black ink, on 17.5 x 20.5 cm piece of wove paper, glued on the reverse at the four corners to a leaf extracted from the autograph album of the novelist George Meredith and his daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Parsons' monogram signature 'AP. in its two-bordered square is at the bottom left of the drawing, and there is an additional autograph signature with date to the right of the drawing on the leaf of the Meredith album: 'Alfred Parsons.

[Sir William Agnew, leading London art dealer and Liberal politician.] Autograph Note Signed inviting artist and sculptor John Macallan Swan to dine with ‘Mr Leslie and some few artists’.

Author: 
Sir William Agnew (1825-1910), proprietor of the leading London art gallery Thomas Agnew & Sons and Liberal politician [John Macallan Swan (1847-1910), RA, painter and sculptor]
Publication details: 
22 August 1905. On letterhead of 11 Great Stanhope Street, W. [London]
£50.00

See his entry in the Oxford DNB. 1p, 16mo. In good condition, lightly aged, with thin band of discoloration beneath the last line. Addressed to ‘J M Swan Esq R.A’. Reads: ‘My dear Mr Swan / Will you dine with me on Thursday June 1st. to meet Mr Leslie and some few artists? / I should be glad if you will. / Yours faithfully / Wm. Agnew’.

[Charles Napier Hemy, RA, painter based in Falmouth, Cornwall, regarded as the leading marine artist of his generation.] Autograph Letter Signed dealing with the disposal of unsold pictures.

Author: 
Charles Napier Hemy (1841-1917), RA, painter based in Falmouth, Cornwall, regarded as the foremost marine artist of his generation
Publication details: 
No date or place.
£150.00

An interesting letter, dealings with the practicalities of the artist’s profession in late Victorian/Edwardian England. Hemy was regarded as the leading English marine artist of his generation, with his paintings often selling for in excess of a thousand pounds. With the proceeds he built a grand house which he named Churchfield in Falmouth. 2pp, 16mo. In fair condition, lightly aged and worn. Folded twice. The recipient - presumably his agent - is not named and there is no salutation. Signed ‘C. Napier Hemy.’ Begins: ‘Thanks for cheque enclosed. for which I send over page formal receipt.

[Matthew Ridley Corbet, ARA, neoclassical English painter.] Three Autograph Letters Signed (‘M. R. Corbet’) to John Macallan Swan, with regard to Giovanni Costa in Italy, Alfred Gilbert, William Cosmo Monkhouse and Edwin Freshfield.

Author: 
M. R. Corbet [Matthew Ridley Corbet] (1850-1902), ARA, neoclassical painter [John Macallan Swan (1847-1910), RA, painter and sculptor; William Cosmo Monkhouse; Alfred Gilbert; Edwin Freshfield]
Publication details: 
ONE: 28 October 1896; Casa Costa, Marina di Pisa, Italy. TWO: 4 December 1898. THREE: 18 March 1902. Items Two and Three on letterhead of Crow’s-nest, 54, Circus Road, St. John’s Wood, N.W.
£120.00

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

[John Nash, prominent English painter.] Autograph Signature.

Author: 
John Nash [John Northcote Nash, RA] (1893-1977), prominent English painter
John Nash
Publication details: 
No place or date.
£35.00
John Nash

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

[Frank Dicksee, R.A. [Sir Francis Bernard Dicksee, artist and illustrator.]] Autograph Letter Signed to ‘Mrs Sturgis’ (George Meredith’s daughter), commiserating with her over her illness, and accepting an invitation.

Author: 
Frank Dicksee, R.A. [Sir Francis Bernard Dicksee (1853-1928), artist and illustrator] [George Meredith and his daughter Marie Eveleen 'Mariette' Sturgis]
Publication details: 
5 April [no year]. On letterhead of Greville House, 3 Greville Place, St John’s Wood, N.W. [London]
£65.00

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium with mourning border. In good condition, lightly aged, and folded once for postage. The recipient is the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to ‘Mrs Sturgis’ and signed ‘Frank Dicksee’. He is sorry to hear of her illness, but ‘fortunately the summer is coming & long before it is here I trust you will be yourself again’.

[?The Bachelor Duke?: William George Spencer Cavendish, 6th Duke of Devonshire.] Two Autograph Letters Signed to Sir Charles Eastlake, regarding his painting ?The Spartan Isadas?, one on payment, delivery and repair by Sir Thomas Lawrence.

Author: 
William George Spencer Cavendish (1790-1858), 6th Duke of Devonshire, ?the Bachelor Duke? [Sir Thomas Lawrence (1769-1830) and Sir Charles Eastlake (1793-1865), Presidents, Royal Academy of Arts]
Publication details: 
ONE: 7 October 1827; Chatsworth House [Chesterfield, Derbyshire]. TWO: 25 July 1852; Brighton.
£180.00

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke?s entry, and Eastlake?s, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991).

[Solomon J. Solomon, RA, English artist.] Signed Autograph Inscription for an autograph hunter.

Author: 
Solomon J. Solomon [Solomon Joseph Solomon] (1860-1927), English painter of Jewish extraction, Fellow of the Royal Society, President of the Royal Society of British Artists
Solomon
Publication details: 
14 October 1894; on letterhead of 60 Finchley Road, N.W. [London]
£45.00
Solomon

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

[R. J. Burn [Rodney Joseph Burn], English painter.] Three Autograph Letters Signed and one unsigned, to ‘Mr Lawrence’, regarding his work, his studio and ‘Mr Daniel’ [Sir Augustus Moore Daniel], the new Director of the National Gallery.

Author: 
R. J. Burn [Rodney Joseph Burn] (1899-1984), English painter, Member of the Royal Academy, senior tutor at the Royal College of Art [Sir Augustus Moore Daniel (1866-1950)]
Publication details: 
One dated 10 September 1928, the others without year, but around the same time. All from 2 Hill Way, Highgate N.6. [London]. One also with ‘Studio address / 7 Park Hill studios / Park Hill road / Hampstead’.
£150.00

After serving in the Great War, Burn (son of Sir Joseph Burn) studied at the Slade between 1918 and 1922, winning six prizes. After teaching in London at the Royal College, and in Boston, he offered his services to the war effort. After the war he went back to the Royal College, as a senior tutor. The four ot the items here are in fair condition, lightly worn and discoloured. Each is folded once for postage. Although only one is dated, the others appear to date from around the same time. ONE (‘Monday’): 1p, 4to. Unsigned.

[Henry Jutsum, landscape painter.] Autograph Note Signed, directing ?Mr. Vaughan? [Thomas Vaughan, Clerk of the Royal Academy] to ?deliver to Mr Green? his ?picture not received for the Exhibition?.

Author: 
Henry Jutsum (1816-1869), landscape painter [Thomas Vaughan, Clerk of the Royal Academy, London]
Jutsum
Publication details: 
?174 Edgware Road / Maida Hill / 27 April 1832?. [London]
£80.00
Jutsum

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

[Frank Holl, RA, painter and illustrator.] Autograph Letter Signed, to ?Mrs. Calkin?, regarding the borrowing of her son George's rifle, bayonet and sheath for a painting, and the health of his father the engraver Francis Holl.

Author: 
Frank Holl [Francis Montague Holl], (1845-1888), RA, painter and illustrator [his father Francis Holl, engraver]
Publication details: 
17 November 1879. 4 Camden Square, N.W. [London]
£45.00

See his entry in the Oxford DNB. The letter is addressed from the house of Frederick Goodall (also see ODNB), which at other times was occupied by Laurence Alma Tadema and James Murray. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Addressed to ?My dear Mrs. Calkin? and signed ?Frank Holl?. Twenty-six lines of text in a hurried hand. He thanks her for her ?kind trouble - & for the rifle which my model called for and brought with him this morning?. He is sorry that her son George has been injured.

[Alfred Edward Chalon, Portrait Painter in Water Colour to Queen Victoria, and John James Chalon, Swiss-born British artists, both Royal Academicians.] Autograph Signatures to part of an application for assistance from the daughter of Henry Bone, RA.

Author: 
Alfred Edward Chalon (1780-1860), Portrait Painter in Water Colour to Queen Victoria, and John James Chalon (1778-1854), Swiss-born British artists, both Royal Academicians [Henry Bone (1755-1834)]
Chalon
Publication details: 
8 November 1849.
£75.00
Chalon

See their separate entries in the Oxford DNB. On 12.5 x 9.5 cm piece of light-grey paper, cut from. The large signatures are written one on top of the other on one side of the paper, with the only other writing the date at the head: ‘Alfd. Edwd. Chalon / Jno. Jas Chalon’. On the reverse is the beginning of an application to the Artists’ General Benevolent Institution: ‘Gentlemen, Your Petitioner Elizth. Debh. Bone, only Daughter of the late Mr Bone R.A.

[‘A very nice little collection’: the 2nd Marquis of Hastings boasts about his picture collection.] Autograph Letter Signed regarding ‘the entry in the Leicester registry’ and a picture sent to him by the recipient.

Author: 
Marquis of Hastings [George Rawdon Hastings (1808-1844), 2nd Marquess of Hastings, 3rd Earl of Moira, 3rd Baron Rawdon], British peer and courtier [Donnington Park, Leicestershire]
Publication details: 
‘Donnington Park / Novr. 5th / 1836.’
£56.00

See the entry in the Oxford DNB for his father the 1st Marquis. 2pp, 12mo. On the first leaf of a bifolium. In fair condition, lightly aged and discoloured, with thin strip of glue from previous mount on reverse of second leaf. The recipient is not named, and he signs ‘Hastings’. The letter begins: ‘Dear Sir, / I made the necessary enquiries as to the entry in the Leicester registry (through a friend of our clergyman) & enclose his reply [not present] - I fear it is not what you wished for.’ He might get ‘more satisfactory information’ if the recipient can give a ‘better clue to go by’.

[John Julius Angerstein, connoisseur of the arts whose collection formed the basis of the National Gallery, London, and the rumoured son of Empress Anne of Russia.] Autograph Signature to valediction of a letter.

Author: 
John Julius Angerstein (1732-1823), rumoured son of Empress Anne of Russia, connoisseur of the arts whose collection formed the basis of the National Gallery, London
Publication details: 
No place or date.
£38.00

See his entry in the Oxford DNB. On 13 x 8 cm piece of paper, cut from the end of a letter. The valediction, firmly written in Angerstein’s hand, reading: ‘I am / D. Sir / Your Mt Obt Sert / J J. Angerstein’. First initial of the signature lightly inked. In good condition, lightly aged.

[Lady Burne-Jones [Georgina Burne-Jones, née Macdonald], wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones.] Her calling card (‘Lady Burne-Jones’) with autograph addition.

Author: 
Georgina Burne-Jones [née Macdonald, known as ‘Georgie’], Lady Burne-Jones (1840–1920), wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones
Publication details: 
Without date or place.
£220.00

See her entry by Jan Marsh in the Oxford DNB, added in 2022 after the publication of Marsh’s ‘Pre-Raphaelite Sisters’ (2019). 9 x 5.5 calling card, engraved in copperplate. In fair condition, lightly aged. Laid out in the customary fashion, with centred ‘Lady Burne-Jones.’, and at bottom left: ‘The Grange, / 49, North End Road, / West Kensington, W.’ In her autograph at head: ‘with sincere thanks / from’, and beneath her engraved name ‘& family’. See image.

[G. C. Williamson [George Charles Williamson] (1858-1942), art historian ‘Rowley Cleeve’, who advised J. Pierpont Morgan on purchases.] Two Typed Letters Signed to social historian Amy Cruse, praising her books and discussing a Milton portraits.

Author: 
G. C. Williamson [George Charles Williamson] (1858-1942), art historian and ‘Rowley Cleeve’, who advised J. Pierpont Morgan on purchases [Amy Cruse (1870-1951; née Barter), social historian]
Publication details: 
16 October and 5 December 1941; each on letterhead ‘From Doctor Williamson / Mount Manor House, / The Mount, / Guildford, Surrey.’
£120.00

Some of Williamson’s papers are held by Boston College. These two items are each 1p, 4to, on aged and worn paper, the first letter with blotting to signature. The two are held together by strip of paper mount. Written little more than a year before Williamson’s death. ONE: 16 October 1941. Begins: ‘Dear Miss Cruse, / I am delighted to have your letter of October 9th, and so glad that my epistle to you gave you any pleasure.’ He finds her books ‘very delightful’, and names ‘the other two’, of whose existence he was ignorant.

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