PAINTING

See his entry, and that of Lawrence, in the Oxford DNB. 2pp, 8vo. In fair condition, lightly aged and worn, with slight nicking and damage at edges. Folded for postage. Signed ‘D. Y. C/’. Begins: ‘My dear Lawrence. / You are often in my thoughts & many a wondering I have as to you & what your life & work is in these grim and sinister days for each & all.’ He asks if his work is printed and his ‘two studios untouched’. ‘Here I am & my sister Katherine and I have much to do & many things to help & try to keep going when so many are away.

A successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn (who nursed John Keats in Rome in his final illness) and sister Mary Newton. 1p, 12mo. In good condition, lightly aged, with thin strip of glue from mount to inner margin, and details typed at head. Folded once. Reads: ‘Dear Mrs FitzSimon / I have much pleasure in sending an autograph of my dear friend Sir F. Leighton. I send also the portrait of Keats. It is photogravure by Hollyer from one of my father’s pictures / Yours sincerely / Walter Severn’.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded once. Addressed to ‘A. [?]. King Esqr.’ and signed ‘Gambier Parry’. After thanking him for his note he assures him that he ‘had no thought one way or other about the immediate pub[licatio]n: or delay of the Pamphlet or Spirit Fresco.’ He thinks ‘it might be well to give one last look at it before it is actually published -’ (last two words both underlined twice).

See his entry in the Oxford DNB. All four items are signed ‘Edward J. Poynter’. The first is somewhat discoloured, with cut corners (not affecting text), the others are in good condition, lightly aged. ONE: ALS to ‘My dear Robin’, 11 July 1874. 1p, 12mo. He has received ‘the four £10 notes’ and reports ‘the most tremendous thunderstorms’. TWO: ACS to ‘Mr. Gilkes’, 30 July 1890. He apologises for being unable to ‘attend the distributions of the School prizes’ that day. THREE: ALS to ‘Waterlow’, 5 November 1905. 1p, 12mo. ‘Your letter gives me the key to the memorial.

See his entry in the Oxford DNB, along with that of E. D. Morel, a campaigner like Roger Casement against abuses in the Belgian Congo. (Morel had been given a 'testimonial luncheon' two days before the writing of this letter.) 1p, 4to. In good condition, lightly aged, creased and worn. Folded for postage. Ten lines of stylishly-written text. Signed ‘W. Rothenstein’. After thanking her for writing he states: ‘Nothing could please me more than to feel that you care for something I have put into the painting of your noble husband.

See his entry in the Oxford DNB. 1p, 16mo. In good condition, lightly aged. Folded once for postage. Signed ‘W. L. Wyllie.’ He is sorry that he will be unable to avail himself of ‘the kind invitation to dinner sent me by the Master of the Salters Company’. He is starting for Norway on the last day of the month, and will not return until the end of July.

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in the Oxford Dictionary of Art. 1p, 16mo. On a leaf, with curved corners, extracted neatly from an address book or diary. In good condition. A n oddly attractive item. Apart from the word 'MEMO' printed at the head of the page above a thick-thin rule, the only writing on the leaf is the name 'PETER BLAKE', with his address and phone number (both withheld), written in black ink a neat and childlike hand. See Image (onitting address and phone number).

See his entry in the Oxford DNB. All three items signed 'Linley Sambourne'. All three in good condition, lightly aged and worn, and all folded for postage. ONE: 10 April 1889. 2pp, 12mo. Bifolium. Begins 'Dear Sir / Mr Furniss [Harry Furniss, Punch illustrator] has kindly written enclosed & I am sending a boy to you at / 5, Clarendon Place / Hyde Park'.

See his entry in the Oxford DNB. The ‘Old Empire Club’, presided over by Field-Marshal Lord Roberts of Kandahar, was part of Imre Kiralfy’s ‘Empire of India’ exhibition. The voucher, printed in red, is an attractive item, 13 x 7.5 cm, with perforated edge. In good condition, laid down on leaf carrying typed biographical details. Signed ‘Fredk. Sandys.’ with stamped number 732. Reads: ‘Name and Address of the Holder must be filled in / OLD WELCOME CLUB, / EARL’S COURT. / FRIDAY, 27th AUGUST, 1897. / Gentlemen’s Voucher, No. [732] / Admit ... / of ... / Signed [Fredk.

LETTER ONE (to Wolfestan): 4pp, 12mo. Bifolium. Damage to text (including signature 'E. A. Storey') along inner edge of last page by clumsy removal from mount, repaired with archival tape. Otherwise in good condition, lightly aged. Folded. Wolfestan's letter is 'capital' and he hopes he will send it 'as it exactly backs up my own statement'.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf damaged on removal from mount. Addressed to an unnamed woman (‘Chère Madame’) and boldly signed ‘A. Legros’. He accepts her dinner invitation with ‘le plus grand plasir’.

A successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn, brother Walter Severn and sister Mary Newton. 3pp, 12mo. Bifolium on grey wove paper. In good condition, lightly aged, with traces of paper from mount adhering to the blank verso of the second leaf, and details typed at head. Folded once.

4pp., 8vo. Bifolium. In very good condition, lightly-aged. Neatly placed with a windowpane mount onto a leaf of cream paper. Writing within a year of his demise, D'Orsay begins by defending himself to his attorney: 'My Dear Du Pasquier | You received my letter yesterday about Mousley. I could not act otherwise, and even I have no right to complain when a man is losing more than 5000 by me, to find fault that he did not send me £1300. I am astonished that you are so severe. I am sorry that you will not give your assistance in this affair. Do as you like.

An interesting item occupying the zone in which French connoisseurship and literature overlap. In 1880 - three years before the present item - Maurice Mauris (Marchese di Calenzano) described a visit to Dumas fils’s Paris house in Rue de Villers. ‘The walls above the library are enriched with a priceless collection of paintings, modern and antique. Diaz, Fortuny, Marchal, Vernet, Delacroix are there seen at their best. Dumas generally presents himself with a new painting after he has presented a new book to the public.

The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower (1830-1892), after whose death its management was taken over by his brother Edgar Flower (1833-1903), also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower (1865-1950), several times mayor of Stratford-upon-Avon. The present correspondence concerns a gift to Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy.

These five items are part of a collection of correspondence (the rest is offered separately) relating to a supposed portrait of a young Percy Bysshe Shelley by George Romney, which was in a group of paintings donated to the Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy. (The Shelley portrait is reproduced in ‘The Magazine of Art’, 1901, with the caption ‘Reputed portrait of Shelley as a boy, by Romney. In the Shakespeare memorial, Stratford-on-Avon.’, in an article on ‘Portraits of Shelley at the National Portrait Gallery’, p.

A jaunty missive. Lady Eastlake and her husband have separate entries in the Oxford DNB. 1p, 16mo. Eighteen lines. In good condition, lightly aged. Folded twice. Addressed to 'Dear Mrs Ford' and signed 'Eliz Eastlake'. A 'kind friend in the country' is insisting on sending her 'early strawberries & grapes' and she asks Mrs Ford not to 'commit the extravagance of orderg any yourself, but trust to me to have the offering transferred to 123 Park Street'. She will be sending for the fruit at Euston Station around 2 o'clock on the Saturday, '& they shall be shortly after that with you'.

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

See his entry in the Oxford DNB. The recipient would appear to have been an impudent autograph collector. Addressed to ‘Grant Reid / Esq’ and signed ‘Herbert Maxwell’. Begins: ‘Dear Sir / I have directed a copy of Post Meridiana to be sent to you according to your desire.’ He cannot however comply with Reid’s other request. ‘I have no time to give to drawing now, and my family have possessed themselves of all my old drawings.’

1p, 12mo. In fair condition, on discoloured and lightly-creased paper. Beneath letterhead: ‘to J D Hughes Esq’. Around middle of page: ‘Pen & Ink Sketch / Stokesay 15/-’. On lower part of page: ‘Recd with thanks / Frank Greenwood’. Beneath the signature is a simple stylized cartoon depicting the head and shoulders of a smiling walrus-faced figure (Greenwood?) in a trilby, with stiff-colour shirt and black bow tie.

A nice set of documents relating to the London émigré art scene. A copy of the engraved portrait to which these two items refer, titled ‘Louis Joseph de Bourbon, prince de Condé, prince du sang’, is BM P&D 1850,0211.17, and carries the information M.de de Tott pinx., F. Bartolozzi RA sculp., and her details, as publisher: London Publish'd by M.de de Tott Octo. 1 1802. De Tott’s original painting is in the Musée Condé in Paris. See Bartolozzi’s entry in the Oxford DNB and the second (1885) edition of Tuer’s monograph on him. The two items are attached with a wafer at top inner corner.

See his entry in the Oxford DNB. 1p, 4to. Fourteen lines. The recipient is not named. Written in a large loose hand, rendering the following reading tentative. In fair condition, lighty aged and worn, with minor traces of grey paper mount on reverse. Reads: ‘Dear Sir.

See Fairholt’s entry in the Oxford DNB. The letters on either side of a 12mo leaf. In good condition, neatly placed in windowpane mount. On one side is the response: ‘Wednesday / Dear Mr Keet / I find I must not go out at night for a week to come. I ventured last night & am worse to day in consequence / You must excuse me with many thanks for your intentions / Yours very try / F. W. Fairholt’. On the reverse is a hurried and smudged ALS signed ‘Edwin Keet’ and addressed to ‘Dr. Bell F R. S. / F. S.

See Fairholt’s entry in the Oxford DNB. ONE: Receipt by Fairholt. 1p, landscape 12mo. In good condition, in windowpane mount. Good firm signature. Reads: 'Received of Mr Clements the sum of fifteen shillings for a drawing in wood of a Candelabra. / F. W. Fairholt / £- 15s . 0d'. TWO: IOU by Rimbault. 1p, 16mo. In good condition, in windowpane mount. Reads: 'I. O. U. / Thirty pounds / Oct 20 . 1883 / C. Rimbault / to F. W. Fairholt'. Rimbault's identity (a relation of the musicologist Edward Francis Rimbault?) has not been established. See Image.

Berggruen was awarded the French Legion of Honour and the German Order of Merit. Among those attending his funeral were German Chancellor Angela Merkel and President Horst Köhler. One of his sons is the US billionaire investor and philanthropist Nicholas Berggruen. In the year this letter was sent Erskine opened his influential St Georges Gallery Prints off Cork Street. 1p, 12mo. In fair condition, but with slight damage and creasing at the centre of the right-hand margin. Highly stylized signature, ‘Heinz Berggruen’. Folded once for postage. Reads: ‘Dear Mr.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once.Addressed to 'Dear Miss Lewis' and with good firm signature 'Alfred Parsons'. He will be very pleased to dine with her the following Friday, '& dance one set of Lancers after; I feel much complimented at being asked with the young people'.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.