PAINTING

British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

English artist (1840-1920). Two pages, 12mo. Good, but with closed tear at head unobtrusively repaired with archival tape, and some spotting. In stamped envelope addressed in autograph and with postmark. 'I shall be pleased to come & see your pupils work on Wednesday June the 1st but shall not be able to reach there before 2.45 I regret to say. | With kind regards | Yours very truly | [signed] Briton Riviere'.

English sculptor (1799-1872), Professor of Sculpture at the Royal Academy and son of Sir Richard Westmacott. Two pages, 12mo. Good, but on grubby, foxed paper, and with remains of stubs from previous mounting still adhering. A formal letter in the third person. Reads 'Mr Westmacott presents his Compliments, and thanks Mrs Morgan very much for her kind proposal for Friday - Malheureusement Mr. W. is engaged that day - & must therefore give up the pleasure that Mr & Mrs. <?>'s kindness offers him.'

Hardwick (1792-1870), English architect; Behnes (1791-1864), English sculptor; Angell (1800-66), English artist. On piece of paper roughly four inches square. In good condition. Reads '<...> | Philip Hardwick | Russell Square | William Behnes | Thos: Bellamy | Saml Angell'.

English painter (1880-1952) and member of the International Socialist Organization. All items in good condition, though variously grubby or discoloured with age, lightly creased or with pin holes to corners. All items signed either 'T C Dugdale' or 'T. C. Dugdale'. Several items docketed and/or bearing the Society's stamp. LETTER ONE (typed, 23 June 1925, one page, 12mo, on letterhead '9 AVENUE STUDIOS, 76 FULHAM ROAD, LONDON, S.W.3.'): He hopes to 'be able to accept your invitation to act as Judge in the same section as last year'. Asks for the date.

Minor English artist who (according to docketed note) exhibited between 1838 and 1859. One page, 12mo. Very good, though somewhat grubby. Reads '226 I have the honour to send 1 picture for the ensuing exhibition at the Manchester Royal Institution, entitled "The new acquaintance" vide The Vicar of Wakefield | Price with frame 34 gs. | [Price] without [frame] 30 [gs.] | Signed 'Jno. G Hankes'. Second leaf of bifoliate addressed, and with top corner cut away and present beneath black wax seal, which bears the smudged impression of a crest.

British art historian (1866-1939) whose papers are now in the Courtauld Institute, London; Turner specialist and founder of the Walpole Society. Both items one page, quarto, very good. Both docketed and bearing the Society's stamp, and signed 'A. J. Finberg'. First letter enquires whether 'a full list of the recipients of [the Society's awards] has been published, or whether the materials for the compilation of such a list are in existence & are accessible to research'.

Artist and art historian (1835-1906), President of the Royal Society of British Artists. Both items very good, if somewhat grubby, and both stamped and docketed, and signed 'Wyke Bayliss'. Both postcards with postmark over printed stamp. POSTCARD ONE: 'I was dining last night with Dr Richardson and he said he should be glad if you could let him have some more cards of invitation for my lecture on the 25th. May I ask you (if you think proper) to send them a dozen, in addition to htose you have already sent.' POSTCARD TWO: 'I send by this post the MS of my paper, for the printer.

English mediaeval and art historian (1898-1974), Director of the Courtauld Institute of Art. One page, landscape octavo. Good, but with one corner creased and grubby, and with staple holes in another. 'I should be much honoured to be nominated as a Fellow of the Royal Society of Arts and should much appreciate association with that body and all the work it does.' Signed 'T. S. R. Boase.'

Painter and art historian (1918-91). The two items are both very good, attached to one another by a staple in a corner. The copy of Samson's letter (one page quarto, very good, on yellow paper) explains that the Society is 'endeavouring to arrange a course of three Cantor Lectures next Spring on modern philosophies - art, architecture and music', and invites him to deliver the first of these. Gives details of the fee, dates, etc. Gowing's letter: one page, octavo. 'I am honoured by your invitation to give the first of the Cantor Lectures next year. But I must refuse it - I'm very sorry.

Dimensions. Paper stained, discoloured and ruckled. Trimmed and mounted on a piece of brown paper. Reads 'Shall feel extreemly [sic] obliged if you will have the goodness to allow the Landscape on Copper sent to be placed on the Walls for the ensuing Exhibition at the Royal Academy has [sic] it will confer an obligation on | Sir/ | Your Most Obedient | Servant | G Kirkley | Landscape on Copper | George Kirkley | No. 3 Gilhams Fields | Worship Street'.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

English illustrator (1876-1953), best-known for his work in 'Punch'. One page, 12mo. Very good. Folded once, and with one closed tear in crease. 'Many thanks for the good wishes and the horse shoe'. Signed 'Frank Reynolds'. Docketed in ink on reverse.

English engraver (1789-1843). Two pages, 12mo. Edges trimmed (with some loss to text), lightly creased and with some damage to head. Asks if the recipient has in his collection a print of Horace Walpole. 'If you have will you let me see it for , with price marked, will either return it or send the Money, Business preventing my <?> out <?> [...] Impressions of the Vandicke, should you have any grand Heads after that Master I should listen to see soon'. Signed 'W. F. Fry'. Docketed at head 'Mr Fry Engraver'.

Collins (1788-1847) and Ward (1769-1859) were all artists. Finden (1791-1857) was an engraver. Paper dimensions roughly five inches by four and a half inches. Folded once and with slight discoloration, but in good condition overall. Reads 'James Ward RA. | Edwd. F. Finden | William Collins. | Geo Hyde | Upper Norton St | Philip Hill | 6. Greek Street'.

Konody (1872-1933) was a well known art critic, and Art Director of the Canadian War Memorials from 1916 to 1919. He was also connected with the British Pavillon at the Venice Biennale. One page, 12mo, on grey paper. In good condition. Verso of blank second leaf of bifoliate attached to piece of paper. Now that he knows he will be in town the following weekend he can accept her invitation to lunch at the Whitefriars Club at 1.45. Signed 'P. G. Konody'.

Behnes (died 1864) was a sculptor of high renown. Ross (1794-1860) was a miniature painter whose work includes portraits of Queen Victoria and Prince Albert. Paper dimensions roughly 4 1/2 inches by 2 inches. In good condition. Reads 'William Behnes | W. C. Ross'. On verso 'my Apartments, should <...> | to the utmost of my hop <...> | be inadequate to extricat <...>'.

Beechey (1753-1839) was a member of the Royal Academy, and portrait painter to Queen Charlotte. Young (1755-1825) was a mezzotint engraver. Paper dimensions roughly four inches square. Folded twice. In good condition on paper somewhat grubby at edges. Good clear signatures: 'W. Beechey R. A. - | Jno. Young.' Beechey was knighted and elected to the Royal Academy in 1798.

Dimensions roughly 5 1/2 inches by 4 inches. Must predate 1887, when the prefix 'Royal' was added. Amusing modern-looking cartoon-style illustration by 'F C' of furious pipe-smoking pianist jumping up to hammer the keys, with his hair forming into the 'S' of 'Society', with moustachioed cigar-smoking tweedy individual in front of piano being hit in face by whisky tumbler.

English portrait-painter (1803-81; DNB). Piece of paper approximately three inches by five. Slightly discoloured but in good condition, and attached to piece of brown card. Reads 'Remember me very kindly to the Ladies, and after to your Sons, and believe me | Every yours most sincerely | John P. Knight'

Antony Vandyke Copley Fielding. Watercolour artist (1787-1855). One page, 12mo. "My dear Miss Coates, / Pray be so good as to give my kind Compliments to your mama, & say that I shall have great pleasure in coming to Bedford Place on Tuesday eveg. & with my best remembrance to your Aunt Julia, & many thanks to you for your obliging note, / I remain / very sincerely yours / Copley Fielding". One very small hole at head and slight creasing, but in good overall condition.

English artist. 'Life has been one continual rush since we returned from the States. I have been hoping for a chance to get down to see you. When you are in Town & this way do call in & see us.' Describes a window memorial in a church, dedicated to 'your dear Father'. 'How lovely to think of the two dear souls their memories yet more precious as the years advance'.

Victorian landscape and genre painter. The conclusion of a letter cut away for the signature: 'the Silk covering with the Red but I believe they could be changed for blue if preferred | I have the honour to be | Madam | Your obedient Servent | J. J. Chalon'. Slightly discoloured by the glue with which it was stuck to the album.

English sculptor (1799-1872; DNB). On piece of paper 4 inches by 3 1/2. Somewhat grubby, and with remains of glue on blank reverse. Difficult hand. 'Dear Sir Martin | I am just returned from & shall have much pleasure in dining with You tomorrow. | believe me | very sincerely Yours | Richd Westmacott | '. The foot of the note has been cropped but this does not affect the signature.

English artist (1842-1921). 2 pages, 16mo, on the rectos of the two leaves of a bifoliate, the first leaf bearing a mourning border. In good condition, but with remains of mount adhering to blank verso of second leaf. 'Re candlesticks. | The dean does not want candlesticks for the Altar. | But, in the place of those hideous bronze things in fornt of the Altar I have designend, and Pegram the sculptor has modelled a sketch, a really fine thing.

English sculptor (1788-1867)(DNB), responsible for the Nelson on Nelson's Column. Both letters are discoloured by age, but otherwise in good condition. The first letter is 1 page, 16mo, cropped and mounted on a larger piece of paper. 'My Dear Sir Martin | Absence from Town will I hope be a sufficient apology for my not sooner acknowledging the receipt of your card of invitation for Wednesday next - and to state that I shall have great pleasure dining with you that day.' The second letter is 2 pages, 16mo, heavily discoloured and with remains of four wax mounts in corners and elsewhere.

English portrait painter (1782-1875). In good condition. Dimensions approximately 4 1/2 inches square, cropped and with some loss of text after signature. Attached to larger piece of grey paper. Reads 'My dear Sir Martin | I accept with great pleasure your kind invitation for Wednesday the 29 Inst. | Ever yours faithfully | H. W. Pickersgill'.

Art dealer (1825-1910; DNB). 2 pages. 16mo biofoliate. In good condition. The recipients name is spelt 'Bewick' at the beginning of the letter and 'Bewicke' at the end. 'Dear Mrs Bewick | I came up from Southampton on Saturday. I am starting for Lancashire in a few minutes | I shall be back on Wednesday and off the following day | I can see you here if you can call about 5.30 | Yours sincerely | Wm Agnew'.