PAINTING

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. The year of writing is supplied in a contemporary hand. Beside his address at the head if the ketter Tayler writes: 'This will sound tarnation rural in the catalogue.' He begins the letter by explaining that he is 'dating from my little Cottage here', and that he has let his house in town, 'reducing my Rent to less than half and I can paint to more purpose and without interruption of idle Callers here'. The delay in replying has been occasioned by 'so much of bustle and packing'.

According to one source: 'Known as Daisy, American-born Rosalie Gill arrived in St Ives in 1887. She spent much time in Newlyn, where she enjoyed the theatrical productions of the Newlyn artists, contributing an oil painting to the West Cornwall Art Union exhibition in Penzance in September that year. She eventually returned to St Ives in 1890, and exhibited a St Ives title at the 1893 Chicago World Columbian Exposition. She died in Paris in 1898.' 2pp., 12mo. Oddly laid out on one side of a folded 4to leaf. In good condition, lightly aged and creased.

2pp., 12mo. In good condition, lightly aged. Craft and his wife have 'just heard with surprise of the great loss' Forbes has 'so suddenly sustained', and send their 'sincere sympathy for you in so sudden a bereavement'. They extend their condolences to Forbes's mother, and Craft explains that his wife has not written to her personally, as she did not wish 'to add to the burden that unfortunately she is now compelled to bear'. From the Forbes papers, from which other Newlyn items are offered separately.

2pp., 12mo. Bifolium. In good condition. Addressed to 'Dear Mrs Forbes', and expressing his 'sincerest sympathy' in her 'present affliction'. Her sorrow will be 'shared by all who knew your late husband & appreciated his genial disposition'. From the Forbes papers, from which other Newlyn items are offered separately.

3pp., 12mo. Bifolium. In good condition, lightly aged. The letter begins: 'My dear Forbes | It is impossible to tell you how shocked and grieved I was at receiving such sad news this morning. | It came to me as the greatest surprise and I can hardly realize that it is true that this terrible blow has come upon you all.' He had wanted to write to Forbes's mother, but could only 'say again what I have already said'. He continues: 'My thoughts go back to Newlyn and I think of the many pleasant hours I spent with your Mother and Father and I can hardly believe that one is gone.

4pp., 12mo. Bifolium. In good condition, lightly aged. A splendid long letter in a close hand, revealing and informative, written a year after Fletcher had completed his masterpiece 'Evicted', painted at Steventon, and the first painting acquired by Queensland Art Gallery in 1895. Addressed to 'My dear Forbes', the letter begins: 'Your letter reached me yesterday having been sent on from home to the above address | Yes! Indeed you have my deepest sympathy.

For information about Forbes, see Elizabeth Knowles's 2017 biography. A total of 27pp., on seven 12mo bifoliums, each with a mourning border. The collection in good condition, lightly aged and worn. Seven letters, six of them addressed to 'Dearest Mother' and the other to 'My dearest Mother'. The seven letters are all written around the end of 1888 and beginning of 1889, and reflect Forbes's concern at his mother's low spirits following the death of his father. There are two letters from 30 December [1888].

3pp., 12mo. Bifolium with mourning border. In good condition, lightly aged. A spirited and characteristic letter. He begins by explaining that he has been 'exceedingly tormented with neuralgia for the last week' and is 'still very ill at ease'. He has not been 'out of doors for some time - & tis quite impossible just now'. He regrets 'missing Dear Old Mozart - & seeing you all', but hopes to 'make up for the loss by being most dreadfully pleasant'.

2pp., 12mo. On bifolium with mourning border. In good condition, lightly aged. He writes that he has only just received Allchin's letter on his return from the country. 'Please ask Sir George Burrows to call at any hour in the day most convenient to himself.'

2pp., 12mo. Bifolium. In good condition, lightly aged. The recipient is an unnamed man and the subject is Queen Victoria's Golden Jubilee Procession, London, 21 June 1887. Asking for tickets, if there are 'any good places left', 'to view the procession of the 21st.'

3pp., 12mo. Bifolium. In good condition, lightly aged. She apologises for having missed Mrs Allchin's 'party at the Prince's Hall', as she had to meet her husband 'in Paris on his way home from Italy, and we were detained there longer than we had expected'. She had hoped that they both could have attended the party, but they were 'detained there longer than we had expected'. Louisa Starr married the civil engineer and industrialist Enrico Canziani (1848-1931) in Dover in 1882.

1p., 12mo. In good condition, lightly aged. Reads: 'Dear Sir William | Many thanks for your letter | We will be with you tomorrow Tuesday by 11. o'c'.

2pp., 12mo. Bifolium. In fair condition, lightly aged and worn. The letter begins: 'My dear Johnnie - | I saw you in Marlow Church the Sunday before last & recognised you although when I saw you last you had long curls falling on your shoulders 10 years ago!' He hopes to meet with him if he is still at Marlow when he goes there again. 'Edward stayed here for a week a short time ago.' The letter concludes: 'I often think of my Whitbourne days & Barkie & the good times we had.' From the papers of the Harington baronets of Whitbourne Court. Batson was a student of theology at Oxford in 1881.

1p., 12mo. In good condition, lightly aged. Reads: 'My dear Sir | I have great pleasure in accepting your invitation to dinner on Tuesday next. | Yours very faithfully | C. L. Eastlake'.

The three items in good condition, lightly aged. ONE: ALS. 'Saturday' [no date]. Burlington House. 1p., 12mo. On grey paper with mourning border. Addressed to 'Dear Doctor'. Allchin arranged to go to see him on the following Monday or Tuesday. 'I find I shall be receiving new students from 9.30 to 11 on Monday - Can you therefore keep your visit for Tuesday?' TWO: ANS. Addressed to 'Dear Dr Allchin'. Monday, 23 April [ no year ]. On Athenaeum letterhead, and clearly concerning Allchin's election as a member.

2pp., 12mo. In good condition, lightly aged. Mourning border. The recipient's 'most entertaining note' finds Tayler 'just starting off to Highgate'. He only has time 'for a line in reply', and he ventures 'at the risk of being thought impertinent' to advise the recipient's mother not to 'put too Fanciful a price on the Sketches, but let them go to the advancement of the Charity with all their imperfections on their heads'. Tayler considers himself 'the obliged party', and ends with his best respects.

1p., 12mo. In good condition, lightly aged. He begins: 'Any time after Jany 7th will suit me perfectly for making the drawing, before Xmas day I am afraid I could not begin it.' He has 'too great fellowship with those who labor, not to respect all holy days as very sacred things'.

8pp., 12mo. On two bifololiums with mourning borders. In good condition, lightly aged and worn. Addressed to 'monsieur Townsend'. From the papers of Captain Cecil William Townsend of the Warwickshire Yeomanry, Dunsterforce and Norperforce, and the British Military Mission to South Russia. Gampert is still at college as he writes, and the reference to the 'boches' dates the letter to the First World War. Gampert begins by explaining the reason for the delay in writing, with reference to 'Mlle Trithen'.

1p., 16mo. With mourning border. In good condition, lightly aged. Begins: 'Dear Lady Wynn | I thank you from the depths of my heart for your kind letter. I enclose you a word portrait of my splendid wife. More I dare not write or I shall not regain the strength I need to carry out her wishes in life.' As the Oxford DNB explains, after the death of his first wife in 1883 'Herkomer married, on 14 August 1884, a Welsh nurse, Lulu Griffiths (b. 1849), who had been a member of his household since 1874. He was devastated by her sudden death a year later.'

2pp., 12mo. On bifolium. In fair condition, lightly aged, with minor damage in margin at the gutter of the second leaf caused by removal from stub. Addressed to 'Sir Edwin Landseer RA | &c &c'. A week from the writing of the letter Frith is expecting 'a few artists & others to tea-supper smoke-whist &c'. He explains that the group usually meets 'about eight supper at ten or half past. We should all be pleased if you can be induced to give us the pleasure of your company.

12 pp., 8vo. Modern marbled bds. In good condition, lightly aged and worn. This interesting item is of significance to Ruskin scholars, containing a whole page describing 24 drawings and engravings by him, as well as a number of interesting books from the library of a close associate. The item was previously bound by Rossetti in a volume with two, unrelated, others. It then passed into the collection of the art historian Rose Sketchley, whose sister C. J. Sketchley presented it to Fulham Public Libraries in 1949. It is scarce: no copy has been traced on either OCLC WorldCat or COPAC.

1p., 4to. In good condition, on lightly-aged paper. The letter reads: 'Dear Sir/ | I am very pleased to hear you like my pictures and seem so well acquainted with them - | I hope you will go on taking an interest in Art. | I am | Yours Sincerely | Arthur Hacker'.

Both items in fair condition, on lightly aged and worn paper. ONE: 8 December 1929. 4pp., 12mo. Bifolium. He begins by stating that he has read Walters' 'Charm of Lancashire' with great enjoyment, and considers it one 'of which every Lancashire family and lover of the county should possess a copy'. He continues: 'I myself was born between Pendle and Boulsworth. My Father's stock farmed around Trawden and the Boulsworth side, and my mother's around Blacko and the Pendle slopes, so your section devoted to this locality has an especial attraction for me.

2pp., 4to. In fair condition, on aged, worn and creased paper. Written in a hurried, difficult hand. He begins by saying he was 'just thinking' of him, 'and wondering!' He then invites him to dine the following Sunday in the 'usual way'. He continues: 'No, I didn't write about H. H. . There was a <?> ordinary notices in the D[aily]. T[elegraph]., but by whom written I can't say. I didn't really know enough about him.' He is 'going with Mr. Crawshay to the Elgar performance: it appears the new things are wonderful.

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

Printed in black on one side of a 10 x 13 cm piece of grey-blue paper. In good condition, lightly aged, laid down on part of a leaf from an album. A tastefully-presented piece of London artistic ephemera, reading (with manuscript text in square brackets): 'THE NEW SOCIETY OF PAINTERS IN WATER COLOURS. | The Committee solicit the honor of | [The Editor of the Gentleman's Magazine and friend] Company at their Gallery 53, Pall Mall, on Wednesday the 17th. of May, to an Evening View of their 14th. Annual Exhibition. | from 8 o'Clock to 11. | 1848 | [James Fahey] Secy. | NOT TRANSERABLE'.

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.