SCOTLAND

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, wtih two small nicks at edges of folds, a tiny piece of one corner worn away, and repair with tape on blank reverse. A hurried message. Reads: 'Dear Mrs. Tofield / I am here on my way to the Station. I don't suppose you are up; if so, [more kind?]. If not, will Friday before dinner suit you? I shan't be in London Monday aftn. / Your's sinly / Edmund Yates.'

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), who does not have the entry he deserves in the same work, had been involved in homosexual scandals in India, in 1872, and in England (‘The Cleveland Street Affair’), in 1889. LETTER: 3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of tape from mount adhering to the blank reverse of the second leaf. Folded once. Addressed to ‘A. M.

1p, landscape 12mo. On ruled paper. In fair condition, but with traces of glue from mount from reverse, a strip of which shows through along the outer edge, not affecting text. Good firm signature, underlined: ‘Robert Leighton’. Clearly a response to a request for an autograph: ‘Dear Scout Sibson, / I have much pleasure in acceding to your wish. / Very truly yours / Robert Leighton’.

See his entry in the Oxford DNB. Slip of paper, roughly 18 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘James Copland’, followed by the lithographed word ‘Professor.’ in gothic script, which is followed by ‘pro temp.’ in Copland’s autograph. See Image.

See his entry in the Oxford DNB, with that of the presumed recipient, the Manchester bookseller William Ford. 1p, 4to. On recto of first leaf of bifolium, the verso of the second addressed, with two postmarks, to ‘Mr. Wm. Ford / 11 Strangates / Lambeth.’ In good condition, lightly aged, with spots of paper from mount at corners on address page. Folded for postage. Signed ‘Geo: Chalmers’. He begins by thanking him for his ‘obliging Note’ of the previous day, before stating that he has ‘the curious Tract, which was printed, by Raban of Aberdeen’.

See the entry on his son Horatio Ross (1801-1886) – named after his father’s friend Lord Nelson who was the boys godfather and died the year after the writing of this letter - in the Oxford DNB. 1p, 4to. Twenty-two lines of closely and neatly written text. In good condition, lightly aged and creased, with strip of paper from mount to one edge. With fold lines. The recipient is addressed as ‘My dear Sir’ and not named, and the letter signed ‘H. Ross’. Written in a spirited style.

It was around the time of this autograph that Donovan travelled with the Beatles to India to see the Maharishi, during which he gave Lennon and McCartney tips on guitar playing. A couple of months later he would release one of his biggest hits, ‘Hurdy Gurdy Man’. On 14 x 10.5 cm piece of grey paper, extracted from an album. In good condition, lightly aged. Large flowing inscription in red ink, diagonally down from top left: ‘love / To Clare / from / Donovan’. Also in red ink, in another hand at top left: ‘ROYAL ALBERT / HALL / MARCH ’68’.

Sprawling but not unattractive signature, with curled flourish, on piece of wove paper which has been cut into an irregular 9.5 x 6 cm oval to match the curve of the signature. In good condition, lightly aged. The recipient has noted the singer's name on the reverse, which carries traces of glue and brown paper from mount. See Image.

See his entry, and that of Lawrence, in the Oxford DNB. 2pp, 8vo. In fair condition, lightly aged and worn, with slight nicking and damage at edges. Folded for postage. Signed ‘D. Y. C/’. Begins: ‘My dear Lawrence. / You are often in my thoughts & many a wondering I have as to you & what your life & work is in these grim and sinister days for each & all.’ He asks if his work is printed and his ‘two studios untouched’. ‘Here I am & my sister Katherine and I have much to do & many things to help & try to keep going when so many are away.

The three items are in good condition, lightly aged and discoloured. Slight traces of glue from mount to the blank last page of the second item. Each with neat creases from folding. ONE: ‘St Giles’ Cathedral / Solemn Thanksgiving to Almighty God / for / Victory in Europe / WEDNESDAY, 16th MAY 1945 / This is the Lord’s doing; it is marvellous in our eyes.’ (‘ORDER OF DIVINE SERVICE’.) [4]pp, 12mo. Bifolium.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded for postage. Smiles names the recipient as ‘P. V. de Montgomery Esq’ and signs the letter ‘S Smiles’. He thanks him for ‘the shawl, which has duly come to hand’, continuing, ‘We reached town last night, after a very pleasant ten days trip, not the least pleasant part of which was our very delightful visit to Rydal Mount’. He is sending a copy of ‘the last Edition of Stephenson [his biography of Robert Stephenson] for Mrs Montgomery. It is not a lady’s book, yet she may possibly be interested by it’.

See his entry, and that of George Doo, engraver, in the Oxford DNB. The four items are in good condition, lightly aged and worn The items of 1832 and 1838 are in the third person; those of 1837 and 1839 are signed, 'D. Wilkie' and 'David Wilkie' respectively. The 1832 letter, accepting a dinner invitation from 'Dr and Mrs Baillie', is 1p, 16mo; the other three items are each 1p, 12mo. In 1838 he writes to 'Capt Seymour' to ask for 'the present address of Sir William Knighton'.

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

See his entry in the Oxford DNB. The three items are in good condition, each with his firm signature ‘Compton Mackenzie’. Each is 1p, 4to, in good condition, folded for postage.Despite being scored through, one can see that the first and last salutation are addressed to ‘Mrs Raymont’, and the second to ‘Mr Raymond’. ONE: 23 November 1961. He is pleased that she enjoyed his book ‘Mezzotint’: ‘The setting is really the Seychelles but of course I had to lay it in the South Atlantic instead of the Indian Ocean.’ He agrees with her ‘about these efforts at modernity by some of my contemporaries.

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

A good letter, not the least of whose interest lies in the fact that it provides first-hand information about the Duke of Wellington. See Martin’s entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Mrs. Thomas, / Your variant of the King Lear story will, I am sure, delight Mr. Furness. Unfortunately King Lear has already been dealt with by him. It forms one volume of his magnificent Edition. But he loves every thing that concerns old England.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

See his entry in the Oxford DNB. Both items are in good condition, and each folded once. The second carries the merest trace of grey paper from a mount at one corner. ONE: To E. B. Nicholson, 3 November 1881. 2pp, 12mo. On first leaf of bifolium. Nicholson’s letter has been forwarded to him ‘here in my country house, where I am for a few days’. It is out of his power ‘to promise any assistance to your proposed Magazine.

See his entry in the Oxford DNB. 3pp, 4to. Bifolium. Fifty-eight lines of text. In good condition, lightly aged and worn. Folded three times. Minor traces of grey-paper mount adhering to the blank reverse of the second leaf. Addressed to ‘George Anderson Esq / M.P. / House of Commons’, and signed ‘W. G. Dickson’. Two annotations in a contemporary hand, one beneath the signature. The first paragraph reads: ‘My dear Sir / I have to thank you for the copy of your bill “to extend the jurisdiction of Sheriff Courts in Scotland,” which I received this morning.

See his entry in the Oxford DNB. It was in October of 1806 that a sixteen year-old Sinclair was arrested as a spy near Jena, and brought before Napoleon, who examined him and ordered his release. 1p, 16mo. On heavily aged, creased and worn paper with light staining above the signature, and strip torn away at bottom left. Addressed on reverse to 'The Editor of the / Mirror of Parliament.' Signed ‘George Sin Clair [sic]’. He thanks him for his kindness ‘in sending yesterday for a copy of the remarks which I made as to the [Prussian?] loan’.

3pp, 12mo. Bifolium. Thirty-six lines of text, signed ‘Atholl’. Text complete (except for address of recipient), on grubby and worn paper. Folded three times. The letter has been trimmed at the foot, resulting in some loss to the address of the recipient, which appears to read ‘Captn Ross R. N. / 160 New Bond Street’. This is presumably the ‘Rayley, [sic] Captain, R.N. 160, Bond-street’, who in 1832 was listed among the proprietors of shares in London University. The Duke’s handwriting is execrable.

See his entry in the Oxford DNB. Autograph Signature and valediction to letter on 11 x 4.5 cm slip of paper: 'My dear Sir / Yours most truly / David Welsh'. In good condition on lightly-aged laid paper, with neat vertical fold. Tiny slip of paper with pencil note in contemporary hand laid down on blank space at left of slip.

See his entry in the Oxford DNB. 1p, folio. Text clear and entire, on worn and grubby paper, with chipping to edges and slight loss to one corner, with one closed tear repaired with archival tape. Embossed tax stamps at head. Good firm signature at bottom right ‘David Dundas.’, beside small seal in red wax, with crumbling impression. At bottom left: ‘Signed Sealed and Delivered (being first duly stampt) in the Presence of us / John Landon / M King’. Downwards in left-hand margin: 'Entered in the Office for Auditing the Public Accounts the 9th of February 1797 / Thos Gibbes’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Fifty-eight lines of text. In good condition, lightly aged. Folded twice for postage. Begins: Dear M. Van de Weyer / Altho' I had been prudent enough to preserve the appeal of M. Derôme to the Times in its original form, not the less welcome was the glorified text which I found on my table yesterday on our return from a short visit to Brighton. That charming appeal acted as a mental Conserve alimentaire to me, when it first appeared, and it shall be placed with certain other valued opuscules, where I can offen turn it to the like account.

See the two men's entries, with that of Helena Faucit, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Shirley Brooks Esq' and signed 'Theodore Martin'. Brooks has evidently asked for autographs and photographs of Martin and his wife, the celebrated actres Helena Faucit (1817-1898). The letter begins: 'My dear Brooks / Here are the autographs you wish. There is not in all The Lady of Lyons one line to which any reasonable being could wish to attach his name. It is only the situations which are good for anything.

See his entry in Grove’s, and Percy A. Scholes’s obituary in the Musical Times, June 1941. 2pp, 12mo. Addressed to ‘Messrs. T. Seeley Clark & Co:’ and signed ‘Stewart Macpherson’. On bifolium of grey paper. In good condition, lightly aged. Folded once. They have led him to understand that he would have a revised proof of his ‘biography for Modern Makers of Music’ in time for the publication of the work in the autumn would be published that autumn, and is writing to remind them that he has ‘not yet received the revise’.

See his entry in the Oxford DNB. 1p, 4to. In his expansive hand, with a good bold signature. On worn and aged leaf of laid paper, with two small punch holes to inner edge, affecting one word of text. Reads: ‘Dear Sirs / I feel quite at a loss to express my sense of this mark of your attention. I can only assure you that my best exertions shall not be wanting to promote your views & interests. / Meantime / I am Dear Sirs / Yours faithfully / John Graham Dalyell’.