GUSTAV

[Sir David Wilkie, Scottish genre painter.] Autograph Letter in the third person to 'the Director Waagen' [Gustav Friedrich Waagen], arranging a visit to 'the house of the Duke of Wellington.

Author: 
Sir David Wilkie (1785-1841), Scottish painter noted for genre pieces such as 'The Chelsea Pensioners' [Gustav Friedrich Waagen (1797-1868), Director of the Berlin Gemäldegalerie; Duke of Wellington]
Publication details: 
'7 Terrace Kensington / July 19th 1835'.
£120.00

See his entry in the Oxford DNB. Wilkie was in a good position to assist Waagen, who was touring England making notes on significant art collections, for use in his ‘Kunstwerke und Künstler in England und Paris’ (3 vols, Berlin, 1837–39), which formed the basis for his influential ‘The Treasures of Art in Great Britain’ (translated by Lady Eastlake, 4 vols, London, 1854 and 1857). Wilkie had strong connections with Wellington. His 1822 painting ‘The Chelsea Pensioners reading the Waterloo Dispatch’ had been commissioned by the Duke, and was sold to him for the unheard-of sum of 1,200 guineas.

[Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingfürs.] Autograph Letter Signed (‘G Card d’Hohenhohe’) in Italian, enclosing a book by ‘Signora Costanza’, and 3 letters of recommendation for a voyage [neither book not letters present!]

Author: 
Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingfürst (1823-1896), German aristocrat and Roman Catholic cleric and friend of Franz Liszt
Hohenhohe
Publication details: 
5 May 1891; Rome.
£90.00
Hohenhohe

In fair condition, on lightly aged paper. Folded once. Signed ‘G Card d’Hohenhohe’, and with his embossed monogram. He is enclosing ‘il libro per la Signora Costanza’, together with the three letters of recommendation, which she may read before sealing. He ends with good wishes for the voyage. See image.

[ 'Smith Payne & Co.' [John Moyr Smith and James Bertrand Payne].] The Anglican Mysteries of Paris, Revealed in the Stirring Adventures of Captain Mars and his two friends Messieurs Scribbley & Daubiton.

Author: 
'Smith Payne & Co.' [John Moyr Smith (1839-1912), Scottish Arts and Crafts artist; James Bertrand Payne (1833-1898), author; Edward Moxon (English, 1801-1858), London publisher; Gustav Doré]
Publication details: 
London: E. Moxon, Son & Co., 1870.
£220.00

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.

[ H. Irene Champernowne, pioneer in the field of art therapy. ] Typescript of her Jungian paper 'Woman and the Community', with a personal reminiscence of the Jung circle.

Author: 
H. Irene Champernowne, pioneer in the field of art therapy, founder with her husband Gilbert Champernowne of the Withymead Therapeutic Centre, Oxfordshire [ Karl Gustav Jung; Toni Wolff ]
Publication details: 
Undated. 'A paper read to the Analytical Psychology Club, London, on 26th September, 1955.'
£350.00

Much of Tessa Adams's paper on Toni Wolff in 'The Feminine Case: Jung, Aesthetics and Creative Process', ed. Adams and Duncan (2003), concerns the 'remarkable woman' Irene Champernowne and her relations with Wolff and Jung, with a discussion of Champernowne's Withymead Therapeutic Centre in Oxfordshire, which operated from 1942 to the late 1960s.

[ H.M. Patent Office, London. ] Manuscript document containing 'Searches' into the 'Novelty' and 'Validity' of around 150 patent applications, with diagrams and index.

Author: 
H.M. Patent Office, London (now the Intellectual Property Office) [ Sir Henry Bessemer; Sir John Coode; Gusttav Overbeck; Crosse & Blackwell; Wedgwood; Bryant & May ]
Publication details: 
H.M. Patent Office, 25 Southampton Buildings, London, WC. 13 March 1878 to 19 December 1882.
£450.00

The Patent Office - now the Intellectual Property Office - was established by the Patent Law Amendment Act of 1852, which simplified the procedure for obtaining patents of invention and reduced costs. In 1883 another Act of Parliament brought into being the office of Comptroller General of Patents, with, according to the National Archives, 'a staff of patent examiners to carry out a limited form of examination; mainly to ensure that the specification described the invention properly, but without any investigation into novelty'.

[The Hallé Orchestra, Manchester.] Typewritten 'Memoranda re Hallé Concerts', with signature of one of the three founding guarantors of the Hallé Concerts Society, Gustav Behrens, including a chronology (1857-1912) and section on the 'Pension Fund'.

Author: 
Gustav Behrens, close friend of Sir Charles Hallé, and one of the three founding guarantors, after Hallé's death, of the Hallé Concerts Society [The Hallé Orchestra, Manchester]
Publication details: 
Without place or date. [The Hallé Orchestra, Manchester. Circa 1912.]
£220.00

4pp., 4to, on four leaves held together with a brass stud. Typewritten in purple, with underlining in red. In good condition, on lightly-aged and folded paper. The first two entries read: '1857 During the famous Art Treasures Exhibition held in Manchester in 1857, the late Sir Charles Hallé formed and conducted a Band which played at the Exhibition. | 1858 On Saturday January 30th, Hallé commenced his own Concerts under the title: | [First Season] MR. CHARLES HALLÉ'S GRAND ORCHESTRAL CONCERTS.

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