SINGER

See her entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Edmund Yates?s ?World?. 3pp, 16mo. Bifolium. In good condition, lightly aged, with slight sunning to first page, and traces of mount on blank final page. Folded once. Signed ?Genevi?ve Ward? (note the accent). The letter relates to the 1889 revival at the London Opera Comique of the role which made her famous, Stephanie, Marquise de Mohrivar, in Merivale and Grove?s 1879 play ?Forget Me Not?.

See her entries in Encyclopaedia Britannica and the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. On patterned grey paper, with the first page with a thin white border. In good condition, lightly aged, with minor evidence of mount on blank reverse of second leaf. Folded for postage. Signed ?Adelina Patti Cederstr?m?.

2pp, 12mo. The five signatures in pencil on a single Festival letterhead. In good condition, slightly discoloured, with two unobtrusive dabs of glue from mount at head of reverse. The three signatures on the recto are headed by Noni’s large bold one: ‘Alda Noni / Edinburgh 1953’. Beneath this is that of ‘[Raul Herrman?] / (beardless) / Aug. 28, ’53’. At the foot is an indecipherable Easter European signature, with small pencil illustration: ‘[Woftniltuntz?]’. On the reverse: ‘Malcolm Sargent’ above ‘Michael Hordern’. Image on request.

See her entry in the Oxford DNB. LETTER: 3pp, 12mo. Thirty-one lines. Bifolium. In fair condition, with slight staining at foot of first leaf, and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher, until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’.

It was around the time of this autograph that Donovan travelled with the Beatles to India to see the Maharishi, during which he gave Lennon and McCartney tips on guitar playing. A couple of months later he would release one of his biggest hits, ‘Hurdy Gurdy Man’. On 14 x 10.5 cm piece of grey paper, extracted from an album. In good condition, lightly aged. Large flowing inscription in red ink, diagonally down from top left: ‘love / To Clare / from / Donovan’. Also in red ink, in another hand at top left: ‘ROYAL ALBERT / HALL / MARCH ’68’.

Sprawling but not unattractive signature, with curled flourish, on piece of wove paper which has been cut into an irregular 9.5 x 6 cm oval to match the curve of the signature. In good condition, lightly aged. The recipient has noted the singer's name on the reverse, which carries traces of glue and brown paper from mount. See Image.

14 x 10.5 postcard with 7 x 10 cm matte black and white metallic photographic portrait print by Studio Virgine of Paris to the right, and blank space to the left, in which Chevalier has written in blue ink, ‘Thanks to you both. Everything went fine. / Maurice’. The phtograph shows an urbane Chevalier in evening dress, hands in pockets, smiling. Somewhat aged and worn, with crease to top right corner going through Chevalier's head. See IMage.

See her entry in Grove. The letter can be dated by the reference to Sir William Mitchell (see Oxford DNB) and the operetta 'The Rival Beauties', which he produced in London and then Plymouth. The letter is on one side of the paper, has been cut down to 11 x 9 cm, and laid down on a piece of card. Aged and worn, with slight loss at top right, affecting one word of text. Thirteen lines of close and neatly-written text, addressed to ‘Dearest Mrs. Sprague’ and signed ‘Yours affectionately, / Erminia Rudersdorff’, with a little of the flourish beneath the signature cut away.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

On piece of pink paper roughly 13.5 x 9.5 cm. Reads: ‘Every good wish / Paul Robeson.’ No other writing, and the good firm signature with plenty of space around it. In good condition lightly aged, with thin strip of discoloration running through the ‘E’ of ‘Every’. Scan on application.

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

See her entry in the Oxford DNB. Good bold signature ‘Gracie Fields’, underlined and rising upwards. On 11.5 x 9 cm piece of thin light-grey card. In good condition, lightly aged, but with border of discoloration created by tape, a tiny part of which has encroached on the initial ‘G’ of the signature.

A brown-tinged print (not sepia), on 16 x 21 cm matt card, with 0.75 cm border. In fair condition, very lightly creased and worn. A full length shot of a smiling and clean-shaven Keel, in cowboy getup with ponyskin chaps and his cowboy hat in his left hand, opening what is clearly a stage-prop wicket gate, with backdrop of farm behind him. In Keel's autograph in light blue ink to the left of his torso: 'To Mary, / Best of Everything / Sincerely / Harold Keel'. See Image.

See his entry in Grove’s. A good large firm signature, 'John Goss'. On irregularly-shaped piece of laid paper cut from a printed programme, a 9.5 x 8 cm rectangle with one large triangle cut from a corner. Written over part of the words to the song 'I am a brisk and sprightly lad'. The printing on the back headed ' Once I loved a maiden fair Anon., 1600 / I am a brisk and sprightly lad Anon., 1750 / MR. JOHN GOSS.'

See his entry in Grove’s. Each with his firm signature 'John Goss'. The two letters in fair condition, on aged and creased paper, folded for postage, the first of the two with a short closed tear to one edge. The card in good condition, lightly aged. ONE: TLS to ‘Mr. Cameron’, 21 December 1938. 1p, 4to. Cameron’s letter ‘to the convener of the Musician’s Group of the Left Book Club’ has been passed to him.

See her entry in the Oxford DNB. 9 x 6 cm calling card, with 'Mlle. Emma Albani' printed in copperplate in the centre. Above this, at the head of the card, she has written 'J. Bennett Esq.' And around the printed signature she has written the unsigned inscription: 'With [Mlle. Emma Albani]'s compliments & heartfelt thanks -'. Date by her at bottom left: '1876'. See IMage.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘H. P. Greene’. Truly atrocious handwriting. Apparently addressed to ‘Dear Miss Salt’, and beginning: ‘I’ll be proud.’ He gives a date which will ‘suit me best’, and asks to be informed ‘if there is anything special [?] like [?]’.

Dodd’s entry in the Oxford DNB by Michael Billington concludes with the assessment that he was ‘the greatest theatrical comic of his age and the last link with the hallowed days of music hall’. The two items are in good condition, lightly aged. ONE: TLS, 9 October 1957. 1p, 4to. Good large signature ‘Ken Dodd’. The male recipient is not named. He apologises for the late reply to the recipient’s letter. ‘May I also thank you for the compliments paid to my performance on Television. / I am a Liverpudlian, residing in Knotty Ash Liverpool.

Both letters are addressed to ‘Dear Bonnie and John’. Both in good condition, lightly aged. ONE: TLS from Dolores Hope. Signed ‘Dolores’ in red ink (the letterhead is also red). 1p, 12mo. Reads: ‘The black peppered ham was a big hit at our house and Bob and I can’t thank you enough. We really enjoyed this tasty ham and your thoughtfulness in remembering us at Chistmastime. / Have a healthy and happy New Year!’ TWO: TLS from Barbara Sinatra. Signed ‘Barbara’. 1p, landscape 12mo. On the lower half of an 8vo leaf, which has been converted into a bifolium by a central horizonal fold.

On 9.5 x 8.5 piece of vertically ruled paper, laid down on slightly larger leaf from an autograph album. A good strong signature, taking up most of the paper. No other writing, apart from a small ‘ROD STEWART’ in another hand at bottom right. In good condition, but with squares of discolouration at the corners showing through from the adhesive mounts on the reverse. See Image.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ?Best / always / Gene Pitney?.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium on grey paper, with mourning border. In good condition, lightly aged and worn, folded for postage. With good large firm signature. The main body of the letter reads: ‘Dear Mrs Dickens / I shall be very glad to sing one number, my “Young Dietrich” at your Hospital Matinée on June 14th. With love from house to house / Sincerely / Yours / Geo. Henschel’.

See his entry in the Oxford DNB. The items are unrelated. Both are in good condition, lightly aged, and each folded once for postage. LETTER: 2pp, 12mo. On grey paper. Addressed to ‘The London Correspondent of the Birmingham Daily Post’ and signed ‘George Henschel’.

See his entry and hers in the Oxford DNB. The two items are in good condition, lightly aged, and each folded once for postage. Neatly and firmly written. Both addressed to ‘Dear Miss Scott’ and signed ‘Keith Falkner’. ONE: 2pp, 12mo. Eleven lines. He will be ‘pleased to sing in the “Peasant Cantata” at the Union “At Home” on June 28th’ and asks to know ‘which version you will be doing as soon as you decide?’ He ends with thanks for her ‘kind sympathy - I do appreciate it very much’. TWO: 2pp, 8vo. Twenty-three lines of text.

See her entry and the recipient's in the Oxford DNB. The two items are in fair condition, lightly aged and worn. The letter is lightly creased and the card has a central vertical fold. ONE: ALS. 1p, 12mp. Signed ‘Marjory Kennedy-Fraser’. Once the recipient has ‘got what you want out of the Vol III herewith’, she asks her to ‘kindly return it to Mrs. Matthay at 96, Wimpole St’. TWO: ACS.

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.