OUR

See Horne and Muir's entries in the Oxford DNB. On one side of 8.5 x 20.5 piece of paper cut from the conclusion of a letter. In fair condition, lightly aged and creased. With fold from postage. Good firm signature. Reads: 'Re above from Frank Muir, I pronounced the name to my taxi-driver and had no difficulty. After he had taken me to the Savoy I came back here and had a marvellous meal / Kenneth Horne'. See image.

A nice piece of Second World War ephemera, of which no other copy has been traced. 1 British Corps formed part of the B.E.F., travelling to France in September 1939, and withdrawing from Dunkirk at the 'Darkest Hour' in May 1940. In good condition, lightly aged and worn. Lithographed in black on the four sides of a 9.5 x 15 cm bifolium. Two parallel diagonal red lines printed at top left of front cover, which also carries the Spearhead badge of 1 British Corps at centre, above 'B.E.F.' in a scroll, with 'Christmas – 1939' at bottom left.

xii + 516pp., 16mo. Frontispiece portrait of author. In red cloth binding with embossed patterning and gilt spine. Internally in good condition, in heavily-worn binding with split hinges. Ownership inscription on front free endpaper of 'The Misses Porter', presumably Mitford's friend Jane Porter and her sisters (an example of Jane Porter's handwriting being loosely inserted in the volume). Ticket on front pastedown of 'JAMES MACLEHOSE | Bookseller & Stationer | 61 St. Vincent St. | GLASGOW'. Ticket on rear pastedown of 'EDMONDS & REMNANTS, BINDERS.'

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.