EMMA

Humphris wrote a number of books, including biographies of Fred Archer, Mathew Dawson, Adam Lindsay Gordon. See Power’s entry in the Oxford DNB. From Power’s library. The material is in good condition, lightly aged, in good tight green cloth binding made for Power, with ‘BOB POTT’ in gilt on spine. The printed article is 36pp, 4to, paginated 69-104, with two plates: black and white photographs of George Romney’s portraits of Pott and his wife Emily. A couple of minor manuscript emendations by the author at the start, and a few pencil annotations by Power.

See her entry in the Oxford DNB. 9 x 6 cm calling card, with 'Mlle. Emma Albani' printed in copperplate in the centre. Above this, at the head of the card, she has written 'J. Bennett Esq.' And around the printed signature she has written the unsigned inscription: 'With [Mlle. Emma Albani]'s compliments & heartfelt thanks -'. Date by her at bottom left: '1876'. See IMage.

A fascinating collection of articles - with added relevance at a time when the position of women in the BBC is much-debated - in which 1920s women broadcasters with at BBC provincial stations (including Aberdeen, BIrmingham, Liverpool, Plymouth) discuss their careers. One Seven original typescripts, totalling 20pp, 4to. In good condition, lightly aged and creased, with occasional chipping to edges. The writing is thoughtful and often enlightening.

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

See her entry in the Oxford DNB. 1p, long 8vo. In good condition, lightly aged. Headed ‘TORRINGTON SQUARE. / To the EDITOR of The TIMES’. Whether the letter was published or not, and if so whether it appeared in its entirety, is unclear. Clearly a carbon, but with her characteristic signature at end in black ink ‘Margot Oxford’. The forty-seven-line text has four autograph emendations.

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

The four items in good condition, lightly aged, with stubs from mounts still adhering. The first three are bifoliums, carrying seals in red wax (that to the third letter broken). The second letter is addressed to her at Grosvenor Square; the third and fourth to her at Upper Brook Street. ONE: No place or date. [London, on paper with watermark of 'J GREEN & SON | 1824'.] 1p, 12mo.

1p., 4to. In good condition, lightly aged. Reads: 'Hamaikamalama [sic] | Sunday Morning. | The King wishes to acknowledge Mr. Synge's Kindness in sending him the “Saturday Review”, which will be returned after perusal. - | The King & Queen regret they cannot accept Mr. Allan's invitation to be of the morning's riding party. - | To H. B. M. Representative'. For information on the recipient William Webb Follett Synge, see his entry in the Oxford DNB.

1p., 12mo. In good condition, lightly aged. Reads: 'Thank you very much for yr. letter & the book | Yrs | Margot Asquith | 13 Feb 36'.

On 3 x 11 cm. slip of paper, cut from the end of a letter. In good condition, on lightly-aged paper. Reads 'Yrs very sincerely | Emma de Vesci'. Fragment of letter on reverse: '[...] random of all the monies you have sent to Messrs. Puget & Bainbridge. I [...]'. Lady de Vesci founded the Abbeyleix Baby Linen Society, a co-operative supplying affordable children clothes.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

1p., 4to. Fair, on aged paper. He offers Gye his 'very best wishes' on his 'new appointment', adding: 'of course do not trouble to answer for this deserves none'.

1p., 4to. Good, on lightly-aged paper. Addressed to 'dear Ernest'. Marked by Gye 'Ansd.' He is sending Gye 'a word of congratulations on the august appointment to Tangier'. He apologises that he cannot be 'part of the celebration on March 23'. He concludes: 'I hope you are pleased and that everything will prosper. | No answer required of course'.

2pp., 12mo. Good, on lightly-aged paper, with a couple of unobtrusive creases. 'We shall be very pleased to come to tea with you on Sunday - I hope you will not mind if we are a little late - I shall be so glad to see Mrs. Arkwright also. With kind regards and many thanks | Believe me | Yours very sincerely | [signed] Emma Albani Gye'.

1p., 8vo. 22 lines. Fair, on aged and worn paper. Addressed on reverse to 'William Jerdan Esqr | Grove House'. On wove paper watermarked 'G & R TURNER | 1826'. The letter can thus be dated from between 1826 and 1829, the year 'Ackermann's Repository of the Arts' ceased publication. Written in a difficult, hurried hand. She has received a letter from 'Mr Ackermann', saying that the package which Jerdan was 'kind enough to promise should go in your bag yesterday I having given it to you too late for the boy on Monday, has not reached him'.

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.

From the papers of Alfred Clay Abraham (1853-1942), Liverpool pharmacist, and his daughter Emma Clarke Abraham (1850-1934) of Swarthmoor Hall, Ulverston. All items in fair condition, on aged paper, with texts clear and complete. ONE: Autograph Letter Signed from Henry Murray to his late wife Mary's brother. 8 pp, 12mo. On two bifoliums. Begins: 'Although a Stranger to you I perhaps need not apologise for the obtrusion of this communication upon you, when I inform you that I am the husband - or rather was the husband of your poor Sister Mary. for alas!

12mo, 4 pp. Bifolium. 51 lines. Text clear and complete. Good, on aged paper. Chatty and spirited letter. 'I propose myself the honour and pleasure (seldom indeed, save in common parlance!) of paying you a visit, - to present you with a copy of "Westminster Abbey"', which has 'emerged from the press in the orthodox three volumes'. Does not want to give him 'an excuse for not flashing your eye through it'.

Both items written in pencil and good, on lightly aged paper, with their stamped and postmarked envelopes addressed by Asquith. Both envelopes with traces of brown paper mount adhering to reverse, and both docketed by the Graphic's editor 'To me Harold Lawton'. Letter One (12mo, 4 pp, headed 'Private'): Amusingly outraged letter regarding a visit by 'two gentlemen' of whom Asquith 'had no sort of knowledge'. Graphic journalists, they assured Asquith 'that nothing wd. be written about me without my seeing it first [last five words underlined in red]'.

Dimensions of card roughly 8 x 12 cm. Very good though lightly aged. Asking her correspondent to dinner in the following week. Note, addressed to 'Cher tres Cher Coq', on one side of 8vo grey paper. Very good, though lightly creased. She will be 'enchante de vous voir chez moi' on Wednesday [6 July] at 1 o'clock. Both items written before the Asquiths 1919 move from Cavendish Square to 44 Bedford Square. Two items,