DRAMA

[Richard Cumberland, dramatist.] Autograph Letter Signed to George IV’s mistress the Countess of Jersey, expressing pleasure that she is pleased with his composition, and thanking her for her regret at his loss.

Author: 
Richard Cumberland (1732-1811), dramatist [Frances Villiers [née Twysden], Countess of Jersey (1753-1821), mistress of King George IV]
Publication details: 
No date or place.
£320.00

See his entry, and hers, in the Oxford DNB. From the papers of her relation Lady Theresa Lewis. 2pp, 8vo. On the first leaf of a bifolium, the recto of the second leaf being addressed by him to ‘Countess of Jersey / &c &c &c’. In good condition, lightly aged and worn. Folded for postage. Written in high eighteenth-century style.

[Léon Gozlan, French novelist and playwright.] Autograph Letter Signed to ‘Monsieur le President des Ministres’ [Soult or Thiers??]

Author: 
Léon Gozlan (1803-1866), French novelist and playwright
Publication details: 
‘rue Meslay - 46 / ce 7. juin 1840.’
£180.00

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

[Ruth Draper, American actress and dramatist, whose monologues influence Joyce Grenfell and others.] Autograph Letter Signed to ?Sir David [Ross]?, going into great detail about her eating arrangements while performing at Oxford.

Author: 
Ruth Draper (1884-1956), American actress and dramatist, whose monologues influenced many including Joyce Grenfell [Sir David Ross [W. D. Ross], Provost of Oriel, Vice-Chancellor of Oxford University]
Publication details: 
5 April [no year but presumably between 1941 and 1944]. Cambridge.
£56.00

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

[Alfred Austin, Poet Laureate] Holograph Verses from Fortunatus the Pessimist sent to George Meredith's daughter., signed Alfred Austin.

Author: 
Alfred Austin, Poet Laureate (1896ff)
Publication details: 
Dated by him 12 Oct 1891 (prior to publication of the drama in 1892)
£280.00

One page, 35 x 24cms, extracted from a Family Album (see Note below) assembled almost certainly by George Meredith's daughter, Marie. The text, written directly onto the Album page (see Image) is an extract from Fortunatus the Pessimist, in the drama read by Urania to April (pp.85-6 in the Second Edition if not the First - latter not available on Google), 3 four-line verses: A summons to my slumbering spirit came [...] Past me there swept the coronated Night. One small variation from the published text (second verse, l.3 Choiring for Quiring). See Image.

[Alfred Austin, Poet Laureate] Holograph Verses from Fortunatus the Pessimist sent to George Meredith's daughter., signed Alfred Austin.

Author: 
Alfred Austin, Poet Laureate (1896ff)
Publication details: 
Dated by him 12 Oct 1891 (prior to publication of the drama in 1892}
£280.00

One page, 35 x 24cms, extracted from a Family Album (see Note below) assembled almost certainly by George Meredith's daughter, Marie. The text, written directly onto the Album page (see Image) is an extract from Fortunatus the Pessimist, in the drama read by Urania to April (pp.85-6 in the Second Edition if not the First - latter not available on Google), 3 four-line verses: A summons to my slumbering spirit came [...] Past me there swept the coronated Night. One small variation from the published text (second verse, l.3 Choiring for Quiring). See Image.

[Sir Michael Redgrave, distinguished English actor.] Autograph Card Signed to ‘Christopher’ [the playwright Christopher Fry], belatedly congratulating him on the success of his play 'The Lark'.

Author: 
Sir Michael Redgrave [Sir Michael Scudamore] (1908-1985), English actor and head of theatrical family dynasty Christopher Fry [born Arthur Hammond Harris] (1907-2005), English playwright]
Redgrave
Publication details: 
16 June 1955; on his letterhead.
£50.00
Redgrave

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

[Francis Durbridge, dramatist, creator of the BBC radio detective ‘Paul Temple’.] Part of Typed Letter, with Autograph Signature.

Author: 
Francis Durbridge [Francis Henry Durbridge] (1912-1998), English dramatist and author, creator of the BBC radio detective 'Paul Temple'
Publication details: 
No date or place.
£35.00

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

[Blanchard Jerrold, journalist and author.] Signature and autograph paraphrase of passage from his ‘Life of Napoleon III - Vol 2.’, written out for an album.

Author: 
Blanchard Jerrold [William Blanchard Jerrold] (1826-1884), journalist and author
Publication details: 
No place or date, but after the book’s publication in 1874.
£56.00

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.

[Sir Arnold Wesker, playwright.] Two Autograph Cards Signed and three Typed Letters Signed to Philip Dosse, proprietor of Plays and Players, with one Typed Letter Signed from his secretary Margaret Groom.

Author: 
Sir Arnold Wesker (1932-2016), playwright; his secretary Margaret Groom [Philip Dosse (1925-1980), proprietor of Hansom Books, publisher of arts magazines including Books and Bookmen]
Publication details: 
Wesker's letters from 27 Bishop's Road, London N6; his postcards from Munich and Poland. Groom's letter from 25 Glasslyn Road, London N8.
£180.00

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

[James Robinson Planché, dramatist, antiquary and herald.] Autograph Letter Signed to ‘Dear [Derrick?]’, regarding Charles Dance and a benefit.

Author: 
J. R. Planché [James Robinson Planché], dramatist, antiquary and herald [Charles Dance (1794-1863), playwright]
Publication details: 
8 July [1843]. Garrick Club [London].
£56.00

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

[Frederick Reynolds, prolific English dramatist.] Autograph Letter Signed, informing ‘Mr. Raymond’ (manager of Drury Lane Theatre) that he has sold the copyright of a comedy to ‘Mr. Harris’ (of Covent Garden Theatre).

Author: 
Frederick Reynolds (1764-1841), English dramatist, author of more than a hundred pieces in his forty year career [James Grant Raymond of Drury Lane; Thomas Harris of Covent Garden; Tom Phillips]
Publication details: 
‘Thursday’. No date or place.
£56.00

See his entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, and addressed in autograph on the reverse of the second to ‘Mr. Raymond / Chester Street / Grosvenor Place / No. 3. / Hyde Park Corner’, with three postmarks and broken wafer. In fair condition, lightly aged, with spike hole through both leaves. Folded twice for postage. He is sorry Raymond had ‘so much trouble’ looking for him: ‘but the truth is I waited at home for you this morning till 12 -’. He explains that ‘the Copy Right of the Comedy’ is ‘purchas’d by Mr.

[Sir Thomas Noon Talfourd, dramatist, judge, and friend of Charles Lamb, dedicatee of Pickwick Papers.] Autograph Letter in the third person to ‘Mrs Walter’, presenting a copy of ‘a little dramatic poem’ (i.e. his celebrated play ‘Ion’).

Author: 
Sir Thomas Noon Talfourd (1795-1854), dramatist, judge, Radical politician, friend of Charles Dickens (dedicatee of Pickwick Papers) and Charles Lamb, advocate of copyright reform
Talfourd
Publication details: 
21 October 1835; Reading [Berkshire].
£320.00
Talfourd

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

[Christopher Fry breaks America, 1950-1951.] Fry’s own cuttings, with manuscript captions, largely from English and North American newspapers, many describing the success of John Gielgud’s US touring production of ‘The Lady’s Not For Burning’.

Author: 
Christopher Fry [born Arthur Hammond Harris] (1907-2005), distinguished English playwright, leading exponent of verse drama [John Gielgud]
Publication details: 
Cuttings from North American, English, European and African newspapers and magazines, dating from between 19 July 1950 and 20 July 1951.
£650.00

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

[Sir Edward Parry [Sir Edward Abbott Parry], judge and dramatist.] Autograph Signature to cutting of newspaper article by him on ‘Brach of Promise / The Law, the Lady, and Sex Equality’.

Author: 
Sir Edward Parry [Sir Edward Abbott Parry] (1863–1943), judge and dramatist
Publication details: 
Dated by Parry to April 1930.
£30.00

See the account of his life in the entry for his father the serjeant-at-law John Humffreys Parry (1816-1880) in the Oxford DNB. Signed ‘faithfully yours / Edward Parry / April . 1930’, across the headline of a 22 x 21 cm. cutting of a newspaper article, with text in three columns, the headline reading: ‘BREACH OF PROMISE / THE LAW, THE LADY, AND SEX EQUALITY/ By His Honour SIR EDWARD PARRY’. In good condition, on browning high-acidity paper. Folded once and with one crease. Begins: ‘Marriage is not the gilt-edged security that it was. Its stock is not rising.

[Charles Haddon Chambers, Australian dramatist in England, lover of Dame Nellie Melba.] Autograph Letter Signed to Malcolm Watson, Daily Telegraph drama critic, regarding a play he wrote in New York, and a German production of his ‘Tyranny of Tears’.

Author: 
Charles Haddon Chambers [Charles Haddon Spurgeon Chambers] (1860-1921), Australian dramatist who settled in England, where he had an affair with Dame Nellie Melba [Malcolm Watson; Daily Telegraph]
Publication details: 
13 March [after 1900]; on letterhead of L’Hermitage, Monte-Carlo.
£65.00

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923). 2pp, 8vo. Bifolium. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. Signed 'C Haddon Chambers'.

[Charles Haddon Chambers, Australian dramatist in England, lover of Dame Nellie Melba.] Autograph Letter Signed to ‘B. C.’, on subects including his performance with Herbert Beerbohm Tree before Queen Victoria at Balmoral.

Author: 
Charles Haddon Chambers [Charles Haddon Spurgeon Chambers] (1860-1921), Australian dramatist who settled in England, where he had an affair with Dame Nellie Melba
Publication details: 
No date [1894]; on letterhead of the Clarendon Hotel, 104 Prince’s Street, Edinburgh.
£80.00

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923). The recipient would appear to be Chambers’s agent. Regarding the content of this letter, see ‘The Theatre’, 1 November 1894: ‘Mr.

[Charles Haddon Chambers, Australian dramatist in England, lover of Dame Nellie Melba.] Autograph Letter Signed to Mrs Allhusen, giving plans for his visit to New York, in explaining why he cannot visit her country house Stoke Court, Buckinghamshire.

Author: 
Charles Haddon Chambers [Charles Haddon Spurgeon Chambers] (1860-1921), Australian dramatist who settled in England, where he had an affair with Dame Nellie Melba [Allhusen family, Stoke Court, Bucks]
Publication details: 
17 May 1911; on letterhead of 14 Waverton Street, Berkeley Square, W. [London.]
£65.00

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923).

[‘The last production of the late Mr. Dutton Cook’.] Corrected Autograph Manuscript of Edward Dutton Cook’s last story ‘ “Columbines all of a Row” ’, completed within days of his death and published in 'Hood's Comic Annual'. Signed: ‘Dutton Cook’.

Author: 
Dutton Cook [Edward Dutton Cook] (1829-1883), author, journalist, artist, engraver, drama critic of the Pall Mall Gazette [Hood's Comic Annual]
Dutton Cook
Publication details: 
Undated, but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’.
£250.00
Dutton Cook

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

[Jean Cocteau] A small collection of material relating to the adaptation and production of Cocteau's Les Monstres Sacres [The Holy Terrors], including a Cocteau ALS en francais and Signed Agreement.

Author: 
Jean Cocteau, dramatist [Edward O. Marsh, translator and adapter of French plays]
Publication details: 
1952-1961.
£350.00

Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed Jean Cocteau, 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b. Agreement, one page, folio, signed on behalf of Cocteau on 7 November 1952, on share of revenue between Marsh and Cocteau on adaptation, SIGNED by Marsh and by a representative of the Union Financière Artistique on behalf of Cocteau, appointing Dr Jan van Loewen as exclusive agent; c.

[Braham Murray, in his Century Theatre Company's inaugural season at the University Theatre, Manchester.] Autograph Notes for his production of Eugene O'Neill's 'Long Day's Journey into Night'.

Author: 
Braham Murray [Braham Sydney Murray, born Braham Goldstein] (1943-2018), director, one of five founding Artistic Directors, Royal Exchange Theatre, Manchester [Eugene O'Neill]
Publication details: 
[1965. The Century Theatre at] the University Theatre, Manchester.
£450.00

An interesting artefact of what was to become the Royal Exchange Theatre, Manchester. See Murray's Guardian obituary, 3 August 2018: 'Murray left Oxford in 1964 without sitting his finals but with a starry reputation.

[John Van Druten, playwright.] Typed Letter Signed to theatre historian W. J. Macqueen-Pope, with personal reminiscence and touching 'many points' including British 'old theatre' in Hollywood, Dodie Smith, J. T. Grein, his theatre library.

Author: 
John Van Druten [John William Van Druten] (1901-1957), English playwright and theatre director [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
5 October 1949. A. J. C. Ranch, Thermal, California.
£120.00

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

[Dodie Smith, author of 'The Hundred and One Dalmatians'.] Two Autograph Letters Signed (both 'Dodie.') to 'Popie' [W. J. MacQueen-Pope], discussing her dalmatian dogs, failed musical, his latest book and offer of collaboration, petrol rationing.

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
23 and 28 January 1957. Each on letterhead of The Barretts, Finchingfield, Essex.
£120.00

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

[Christopher Fry's ownership inscription to his copy of a first edition by W. H. Auden.] Nones.

Author: 
W. H. Auden [Christopher Fry]
Publication details: 
London: Faber and Faber, 1952.
£25.00

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

[Christopher Fry annotates a book about his work, inscribed to him by the author.] Christopher Fry | By Glenda Leeming.

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century English verse drama; Glenda Leeming
Publication details: 
Twayne Publishers, A Division of G. K. Hall & Co., Boston. 1990.
£450.00

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[Christopher Fry makes autograph corrections to a book about him.] Christopher Fry and his Verse Drama. [Insribed to the subject by the author, and with a Typed Letter Signed ('S. n. Ray').]

Author: 
Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century English verse drama; Professor Sambhu Nath Roy, Principal of Raiganj University College
Publication details: 
Biswas Book Stall, 88, M. G. Road, Calcutta-9; Ghosh & Company, 12, Ramanath Majumder Street, Calcutta-9 [Calcutta, India]. 1996.
£200.00

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

[Robert Donat, film and stage actor.] Typed Letter Signed ('Robert.') to 'Popie', i.e. the theatre historian W. J. MacQueen-Pope, regarding his article 'Children's Theatre | Sound'.

Author: 
Robert Donat [Friedrich Robert Donat] (1905-1958), English film and stage actor, whose films included 'The 39 Steps' and 'Goodbye Mr. Chips' [W. J. MacQueen-Pope (1888-1960), theatre historian]
Publication details: 
30 October 1946. On his letterhead, 23 Three Kings Yard, London, W1.
£45.00

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

[Sir Edward Marsh, Winston Churchill's friend and private secretary, classical scholar, patron of Georgian poetry.] Autograph Letter Signed ('Eddie Marsh') to W. J. MacQueen-Pope, praising his biography of his friend Ivor Novello. With copy of reply.

Author: 
Sir Edward Marsh [Sir Edward Howard Marsh] (1872-1953), civil servant, promoter of Georgian poetry, classical scholar, friend and secretary to Winston Churchill [W. J. MacQueen-Pope; Ivor Novello]
Publication details: 
Marsh's letter 19 November 1951; 86 Walton Street, SW3 [London]. Copy of MacQueen-Pope's reply: 21 November 1951; 359 Strand, WC2.
£150.00

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

[Kevin Bailey, editor of 'HQ Poetry Magazine', to playwright Christopher Fry.] Three Typed Letters Signed and one Autograph Letter Signed, discussing his magazine, its poets, his own poetry, Fry's work. With extract from one of his plays.

Author: 
Kevin Bailey (b.1954), poet and editor of 'HQ Poetry Magazine', Swindon [Christopher Fry (1907-2005), playwright, with Auden and Eliot a leading exponent of twentieth-century verse drama]
Publication details: 
HQ Poetry Magazine, 39 Exmouth Street, Swindon. Between 11 November 1998 and 20 July 1999.
£150.00

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

[Dodie Smith, children's writer, author of 'The Hundred and One Dalamatians'.] Autograph Letter Signed ('Dodie') to 'Popie' [the theatre historian W. J. MacQueen-Pope], praising his writing, theatre work and latest book, discussing Vivien Leigh.

Author: 
Dodie Smith [Dorothy Gladys Smith] (1896-1990), children's writer and playwright, author of 'The Hundred and One Dalmatians' (1956) and 'I Capture the Castle' (1948) [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
5 March 1958. On letterhead of The Barretts, Finchingfield, Essex.
£150.00

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

[Christopher Fry, playwright, a leading exponent of verse drama.] Typescript of the text of his children's book 'The Boat that mooed'. Signed 'Christopher Fry'.

Author: 
Christopher Fry (1907-2005), distinguished playwright, with Auden and Eliot a leading exponent of twentieth-century verse drama
Publication details: 
No place or date. [Book published in New York by Macmillan in 1965.]
£200.00

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

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