CHRISTOPHER

Printed on unwatermarked tissue paper. Dimensions of paper roughly seven and a half centimeters by eleven and a half. A very good copy of a frail and ephemeral item. An attractive illustration by Fraser of an ivy-clad wall memorial topped by a cherub encloses the following 'There are Published | I. Farewell to the Faeries, by Richard Corbett. | II. Three Poems, by Kenneth Hare. | Decorated and Published by C. Lovat Fraser, and can be obtained from Everard Meynell, 46 Museum Street, W.C. | [short rule] | Price SIXPENCE each, net.' See Image.

See his entry and Wordsworth’s in the Oxford DNB. The Prince was Chancellor of Cambridge University from 1811 to his death. Wordsworth was Vice-Chancellor twice: 1820-1821 and 1826-1827. On 13 x 7 cm panel cut from the cover of the envelope. In fair condition, lightly aged, laid down on brown paper cut from album, with slight wear to corner of letter just touching the initial ‘W’ of the Prince’s name. Laid out in the customary fashion, and reading: ‘London June Twenty seven 1827 / The Revd / Dr. Wordsworth / Vice Chancellor of the University / of Cambridge’.

Hodgson’s entry in the Australian Dictionary of Biography omits to mention the fact that the territory named Eton Vale which he squatted with his brother Christopher Pemberton Hodgson (1821-1865), was taken by force from the Barunggam people, and that, as the brother recalled in 1848, ‘so many hundreds of these poor creatures’ were ‘sacrificed’ in the struggle over the territory. From the papers of Evan Marlett Boddy (c.1847-1934), who is presumably the recipient ‘Marcian’, author of the named ‘brochure’, published in Birmingham in 1901. 1p, 12mo. In good condition, folded once.

See his entry in the Oxford DNB, which states that he lived in Gloucester Place from 1825. The recipient is the novelist Thomas Henry Lister (1800-1842), and the item is from the papers of his wife, Lady Theresa Lewis (1803-1865): both also have ODNB entries. The three letters are in good condition; each 2pp, 12mo, and on the first leaf of a bifolium, and all lightly aged and folded for postage, with slight damage from mount to the second leaves of each (all carrying the address in Wilson’s hand). All three with Wilson’s sprawling signature ‘John Wilson’.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

1p, 4to. In good condition, lightly aged and creased. Ten lines in a close, controlled hand. Addressed to ‘Dear Mr. Whitworth’ and signed ‘Christopher Hampton’. He writes to confirm that he will be free on the date he suggested he ‘might be able to come down to meet you’. He also gives an alternative date. ‘At the moment I’m working on a new translation of “Uncle Vanya”, which was to be finished by the end of November.

See his entry in the Oxford DNB. 1p, 12mo. On recto of first leaf of bifolium. Addressed on reverse of second leaf: ‘123456 / [T. W. Naellz?] Esqr / Ambleside’. Aged and worn, with closed tears along folds, and damage to second leaf from breaking of seal. Reads: ‘Dear Sir / If you can send me Madame Cottin’s romance about Saladin you will much oblige me. / Yours truly / John Wilson’. Good large signature. The first edition of ‘The Saracen; Or, Matilda and Melek Adhel: A Crusade Romance, From the French of Madame Cottin, with an Historical Introduction, by J.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

A good firm signature, and not a common one. While hugely popular (see his entry in the Oxford DNB), Sims was an intensely private man, who refused to give autographs. 1p, landscape 12mo. In fair condition lightly aged and with slight rust spotting from paperclip; folded for postage. Reads: ‘Dear Adza Vincent, / My wife and I both thank you for sending Christopher’s Bedford talk. I have taken the liberty of typing a copy for own archives, and can now return the one you sent. / With renewed thanks, / Yours sincerely, / Alastair Sim’.

Counsell, Ford and Fry all have entries in the Oxford DNB, that of Counsell noting that he was ‘assistant to Neville Grazebrook and composed the instrument of German surrender, signed at Rheims by General Jodl, which officially ended the war’. The two items are in good condition, lightly aged and creased from folding. Counsell’s TNS is stapled to the TLS from ‘Edward’, which is laid down on a leaf of ruled paper, at the head of which Fry has written: ‘Letter from John Counsell / re possible visit of H.M. The Queen to “Lady’s Not for Burning”’. ONE: Counsell’s TNS.

See his entry in the Oxford DNB. 11pp, 12mo, with three of the pages written lengthwise. On three bifoliums. In good condition, folded once. The hurried loose handwriting of this long letter presents a considerable challenge: even the signature (‘Geo Birdwood.’? ‘Gen Birdwood.’?) and the name of the recipient (‘Fagan’?) are doubtful. The letter begins with a reference to the ‘extract from Lady Dorothy Nevills - Reminiscences - given in the cutting from the Globe of yesterday enclosed in your kind note of today’.

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

As a pacifist of Quaker stock the recipient Christopher Fry would have been sympathetic to Gandhi’s goals. See Fry’s entry in the Oxford DNB. The three items in good condition, lightly aged and with slight creasing along one edge. All three 1p, 4to, and signed ‘Arun Gandhi’ and folded twice. ONE: 6 October 1993. He thanks him for his ‘positive response’ to the invitation to ‘contribute a statement for our forthcoming book WORLD WITHOUT VIOLENCE’, to be published to commemorate his grandfather’s 125th birthday. He concludes with details of an extended deadline. TWO: 15 November 1994.

The subject of the present letter is, as Marshall’s entry in the Oxford DNB explains, her ‘translation of a play by the first female dramatist, Hrotsvit. ‘Paphnutius’ was given a world première by Craig for the Pioneer Players in January 1914.’ The recipient, Henry Mackinnon Walbrook (1865-1941), was the drama critic of the Pall Mall Gazette. 2pp, 12mo. In fair condition, on dusty discoloured paper, with slight rust spotting from paperclip.

See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. The material is in good condition, lightly aged, with one leaf of poetry typescript creased. Vanson’s eight Autograph Letters Signed date from between 29 December 1983 and 12 January 1993. total 11pp, 8vo, and 2pp, 12mo. One of the letters is lacking all but the last (signed) page; the others are complete. Vanson’s Typed Letter Signed is 1p, 8vo. It is undated, but dated by Fry to 14 August (no year, but from the context written in 1992). The nine letters are all signed ‘Frederic’.

Williams, who has an entry in the Oxford DNB, became a close friend of Spalding and her sister Anne after lodging with their parents during the Second World War. The present item is a transcription, made and printed out around the 1980s, of the 1961 radio programme, on one side each of 34 numbered pieces of A4 paper, loosely gathered by a black plastic spine.

See Fry’s entry by Michael Billington in the Dictonary of National Biography. His brother survives as a rather shadowy figure: he was certainly alive in 1978, when Fry referred to him in the account of his family background ‘Can You Find Me / A Family History’ (OUP). In that volume Fry describes his ‘brother Leslie’ as a baby ‘growing sturdily’, noting that ‘though he was later called by his first name Charles, he was Leslie for many years to come’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Addressed to ‘Dear Sir Reginald’. After sympathizing with him on his indisposition he writes: ‘I always felt that you really had more advanced views on politics than most of the Generals in the British Army, and what you say in your letter does not surprise me therefore in the least.’ He ends with regards to Lady Hart and the Harts’ daughter. Autograph postscript: ‘Ps. Ps. forgive type written letter.’

Scarce: the only copy located on WorldCat and COPAC at the Tate Library, London. Unpaginated stapled and duplicated pamphlet: 16pp, 4to. Cover illustration by John Graham. No wraps called for. In good condition, lightly aged and creased. In Vanson's autograph, at top right of cover: 'For Christopher - | affectionately | Frederic | 3.

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

[55]pp, 8vo. Number 448 of 500 copies, with colophon signed by 'Robert Lax' and illustrator 'Emil Antonucci'. In quarter binding of spine in plain black cloth and paper boards on which are printed circus photographs by Charles Harbutt. Nice inscription on front free endpaper: 'For Mr & Mrs Chistopher Fry, merely to think of whom gladdens the heart & makes the countenance shine, | Robert Lax'. Lacking the original plain glassine dustwrapper. In good condition, apart from a 6 cm horizontal cut or rub mark to the front board, which is not overly obtrusive.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.