CHRISTOPHER

Nine items, all in good condition. All of the letters are signed 'Anthony', and four of them (two autograph and two typed) are each 1p, 8vo. The other letter, in autograph, is 1p, 16mo. With four items of material relating to Hostage Action Worldwide. The first letter (11 May 1989) accompanies 'our first reply to our first 350 donors – we're hoping to build rapidly now'. He reports that 'The Archbishop of Canterbury has this week responded positively to us and appointed a man, John Lyttle to our Advisory Council.

1p, 8vo. In good condition. Folded twice. With secretarial note in blue pencil, recording response by 'C.F.' The letter concerns Fry's screenplay for the 1966 film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston, which recounts the first 22 chapters of the Book of Genesis. Stallworthy wonders whether Fry remembers 'that, “in the dark backward and abyss of time”, the OUP wanted to publish your screen-play for the film of Genesis, but the film company's lawyers wouldn't allow it.

Five items in good condition, all lightly aged. ONE: ACS. Signed 'Kathy'. 1 March 1990. Clearly a covering note on sending the other material. Simply reads: 'Good to speak – | love | Kathy'. TWO: Duplicated copy of typescript of speech by 'Fr. John Gilling'. Headed: 'REQUIEM MASS: St. Mary the Virgin, Bourne Street. 7th February 1990. | JONATHAN GRIFFIN'. 2pp, 8vo.

1p, 4to. In good condition, lightly-aged. Folded three times. Sixteen-line poem, neatly typed (with one error overtyped an autograph proof mark separating two words) titled 'For Andrew Young. 1885-1971.' Signed at bottom 'Richard Church.' A charming poem, which was published in the Cornhill Magazine in 1971.

Three items (letter, photographic card, and pamphlet), all in good condition. ONE: ALS. 31 December 1954. 1p, 8vo. Signed '(Mrs.) Rita Spurr.' and addressed to 'Dear Mr. Christopher Fry'. She begins by thanking him 'for the very great pleasure & stimulus' which she derived 'during the year that is passed' from his play 'The Dark is Light Enough'.

Both items in good condition, but the postcard (of a Viennese street scene) with stamp torn off. ONE: ALS. Signed 'Walter (Rilla)'. Vienna; 7 November 1966. 1p, 8vo. Twenty-six lines of text, in a neat close hand.

Both items in good condition, lightly aged, as is an enclosure to the second letter, a photocopy of Lowbury's pamphlet 'A Letter from Hampstead'. ONE: 24 September 1969. 2pp, 12mo. In envelope addressed to Fry at his East Dean home The Toft. He is grateful for Fry's letter praising his collection of poems 'Figures of Light'.

2pp, landscape 12mo. In good condition, lightly aged. Begins: 'Dear Christopher Fry, | I am sorry to contradict you, but I showed my co-editor, the poet Rodney Pybus, your poem “For Edmund Blunden”, and we both [last word underlined] feel it should be published, and that we would like to publish it. Please.' In the hope that Fry will agree, he asks him to 'sign and return an acceptance form and send us the biog. note you would like to print alongside the poem'. He continues: 'I do hope you'll agree.

Both 2pp, 12mo. In good condition, lightly aged. Written in Whistler's calligraphic hand. ONE: 13 December 1961. He will be 'so pleased' if Fry will accept a copy of his poems, 'which I like to send you because of my admiration for your work, and sense of sympathy with what you express, or create'. TWO: 21 August 1963. 33 lines of text, written following the death of his friend Christopher Hassall.

A total of twenty-eight items of correspondence, comprising: nineteen Autograph Letters Signed (two on the backs of cards), two Typed Letters Signed, and seven Autograph Cards Signed. In good condition. All signed 'Mary', and the large part addressed to 'Christopher', with a few to 'Kit' and one to 'Dear Phyl [i.e. Fry's wife Phyllis], dear Christopher'. The correspondence indicates a deep affection and long-standing intimacy.

1p, landscape 12mo. In good condition, folded twice. With envelope addressed to Fry at his East Dean address. Fry has written at the head of the cover of the envelope: 'From Norman Nicholson'. After thanking Fry for his 'good wishes at Christmas', Nicholson continues: 'I, too, am sorry that we have not met, which – unless you are ever in Cumberland – seems less likely than ever, as I am much less mobile since the death of my wife.' He presumes Fry has learnt of his bereavement from Edward Lowbury, 'for I know that you were a friend of his father-in-law's'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Each page numbered by Fry. An Unsigned document from the Christopher Fry archive. Warm personal recollections, entertaining and evocative. Unpublished.

Unpaginated stapled pamphlet of 24pp, small 4to. In fair condition, lightly aged and worn, with slight damage at head of spine. On the second page: 'The arrangement of this Programme has been the work of the Rev. Hugh Ross Williamson.' Programme for the day on front cover, including a talk by 'Mr Robert Speight: “Touring in Canada with Murder in the Cathedral”'. The final event, at 7pm in the Chapter House, is a performance entitled 'The Drama of our Festival years', and the text of this piece makes up 21pp of the pamphlet.

On 17 x 12 cm leaf of thickish paper, removed from 'The Meredith Birthday Book'. In good condition, lightly aged and worn. Scratchy signature, underlined. In one of three printed boxes of red rules on one side of the leaf, the other side bearing quotations from George Meredith for the days 25 to 27 April.

The letters are in fair condition, lightly aged; the card is discoloured and stained. Loosely inserted in a copy of Williams's 'Thomas Cranmer of Canterbury', 75 + [1]pp, 8vo, with the ownership signature 'Christopher Fry' on the front free endpaper, in worn binding with fraying at head of spine. Delightful and revealing letters, mixing personal and business (Williams worked for the Oxford University Press and Fry was published by them). ONE: ALS from Southfield House, 17 December 1941. 2pp, 12mo. Thirty lines of closely-written text, on a leaf of ruled paper torn from a notebook.

115pp, 12mo. In good condition: sound and tight, on browning War Economy paper, in green cloth with slight bloom, and in slightly worn and chipped browning dustwrapper. (The subtitle 'A Play in Three Acts' features on the dustwrapper, but not on the title-page.) Fry's ownership inscription 'Christopher Fry' is in blue ink at the top right-hand corner of the recto of the front free endpaper. A verse drama from the library of the leading twentieth-century English exponent of the genre, after T. S. Eliot.

55pp, 8vo. In fair condition, internally tight and sound, on browning paper, in lightly-worn blue cloth binding. No dustwrapper. Slight dink at head of spine. Ownership inscription 'Christopher Fry' in blue ink at top right-hand corner of recto of front free endpaper. Fry and Williams were on cordial terms, the latter working for Oxford University Press and the former being published by them.

The letters are in fair condition, lightly aged and worn, except for the third, which is damp-stained with closed tears at head and foot. The book is in fair condition, without dust wrapper. All four letters are signed 'W. H. Davies.' The first three are addressed to 'Mr Harris', and the last (an ANS rather than an ALS) to 'Mr Fry'. Each is 1p, 12mo. Letter One: 23 March 1928; Malpas House, Oxted. After reading his poem, Davies states, 'I begin to think you ought to take some step towards publishing, as soon as you have enough material.

For the context of the letter see Pamela M. King's 2007 paper 'Twentieth-Century Medieval-Drama Revivals and the Universities', which states that at the time of the writing, there was in Canterbury 'to be a new play by Robert Gittings about St Alphege and the Danish invasion entitled Makers of Violence', and that at the Pilgrim Players in Norwich planned to put on, at the church of St Peter Mancroft, a production of Fry's 'Sleep of Prisoners'. 2pp, 8vo. In fair condition, lightly aged, with a little light damp spotting. Folded once.

ONE: TLS. Ithaca, NY; 20 September 1976. 1p, 4to. In good condition, lightly aged. The letter begins: 'Dear Christopher Fry, | I so relish climbing the castellations of your wit, to where I feel energized and deliriously long-sighted, or running higgledy-piggledy with your thoughts, at times as if with the bulls of Pamplona, I simply cannot resist telling you so any longer.' According to her 'internal calculations' she owes him 'at least a galaxy for the delight your plays have given me; perhaps you'd accept these few planets instead'.

Impressively printed in black on one side of a 58 x 43 cm sheet. In fair condition, aged and worn, with slight loss to the edge on one side, and light creasing. Impressively laid out in copperplate, beneath the College's coat of arms. The signatures are arranged in two columns, with the first two bracketted as 'Vice Presidents': '[left-hand column] J. W.

[2] + 17pp, 8vo. Lacking the conclusion (one page). On seventeen leaves of paper stapled together, with covering typed note on slip, reading 'PLEASE RETURN TO MR. BIRDWOOD'. The covering leaf carries two sets of initials, one in pencil and one in ink, both ticked through. This may suggest official distribution, but the tone of the document makes it more likely to have been a personal statement, presumably by Birdwood. Aged and worn, with rusting to staples.

The 14 letters total 72pp. The collection is in good condition, lightly aged. Most items docketed and with the Society's stamp. The correspondence relates to Society business, from a strongly Anglo-Indian viewpoint. Letters of 26 May and 2 June 1913 are each 12pp. Long, and concern the relative merits of Indian colonial official Sir William Lee-Warner (1846-1914) and the geographer Sir Thomas Holdich (1843-1929), to be chairman of the Society.

Folio, 4 pp. Bifolium, with folio 'PROOF OF COLLOTYPE PLATE' of 'St Paul's Cathedral, London. View of One Bay of Aisle' loosely inserted; and full-page 'SPECIMEN PHOTO-LITHOGRAPHIC PLATE' of the Cathedral in 'CROSS SECTION LOOKING EAST'. Finely printed, with the title in red and black, on Alton Mill wove paper. 4to order form tipped in to margin of third page. The third page of gives the contents and list of plates (eight in collotype and twenty-four in photo-lithography), as well as a long 'LIST OF PRELIMINARY SUBSCRIBERS'. The last page carries a 'SPECIMEN PAGE OF TEXT'.

Gordon is described in The Times, 20 August 1958, as a 'traveller, lecturer, and author', and a resident of Lausanne at the time of her death. All seven items in fair condition, on aged paper, with some rust spotting from a paperclip. The book referred to is 'Roumania, Yesterday and Today' (1918), which has an introduction and two chapters by the Queen of Romania. ONE: Gordon's letter to Barwick. 24 June 1912. 3pp., 8vo. She writes that she has already tried to place 'the little book' with 'Geo. Bell - Jacks - & Gay & Hancock. As to yr.

11pp., 8vo, paginated 243-253. Stapled. In good condition, lightly aged. Inscribed at head of first page: 'Very cordially, | Irving Ribner'. No copies of this offprint found on either WorldCat or COPAC.

3pp., 12mo. Writing in a difficult hand, he thanks him for his very curious & interesting letter respecting Chr. Smart, of whose birthplace I had been previously ignorant, tho' his name was not unknown to me in connection with Horace'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

Apart from one contribution dating from 1800, three from the 1850s and two from the 1860s, all contributions date from between 1820 and 1847. 237pp., 4to, with eight items loosely inserted (including four coloured botanical drawings on card) and three-page partial index of contributors. In contemporary black leather binding, with embossed pattern and gilt border on front board, marbled endpapers, and all edges gilt. In good condition, lightly aged and worn, in rebacked binding, worn at spine, with new label.

8pp., 4to. Stapled. In fair conditon, on aged and lightly creased paper, with slight damage to upper staple. Unillustrated: listing 100 works, with date and dimensions. Uncommon: no copy in the British Library, and six copies on COPAC and OCLC WorldCat.