CHROMOLITHOGRAPHY

Three pages, 12mo, bifolium, fold marks, very good condition. If you will let me know what Numbers you require of the Gothic Ornaments {his work first published in 1838] I will endeavour to let you have them. It is very probable that you would not get them at my publishers as there being so little demand for the work now in Numbers we bind them all up as far as we can- But if you will let me know what you require I will send them to you and charge you only [underlined] 2/6 per Number.

On one side of a 12 x 16.5 cm piece of card. In good condition, with light aging and spotting. Printed in gold, red, light-brown and black. Ornate border in the Tudor style, incorporating Shakespeare's coat of arms within a circular band with quotation 'Take him for all in all I shall not look upon his like again'. The border encloses: 'SATURDAY APRIL 23, 1864. | BANQUET | ONE GUINEA. NO. 54 | At 3 P.M.' Added in manuscript: 'Table D'. The lithographers slug, very faded, is in small letters at bottom right.

48pp., 12mo. In illustrated coloured printed wraps, with the front cover showing a farmyard scene, and the back cover carrying a portrait of 'H.R.H. the Prince of Wales | President of the Royal Agricultural Society of England, 1886. | President of Indian and Colonial Exhibition, 1886.' The double-page chromolithograph, between pp.16 and 17, is titled '"Since we were boys together." From a painting by A. W. Holden', and shows two eighteenth-century gentlemen, seated at a table, drinking and reminiscing.

48pp., 12mo. In illustrated coloured printed wraps. In good condition for an ephemeral item: lightly aged and worn, with slight damage to back cover and spine of wraps. The Kronheim prints are in very good condition, and consist of the frontispiece 'From the Frying-pan' (a boy caught on a wall while trying to steal apples) and 'Into the Fire' (the same boy being dragged by the ear through the orchard by the farmer).

A cultured man (an authority on numismatics), Fewster worked for the family firm of Thomas Fewster of Hull, paint, colour and varnish manufacturers. The present item is an attractive example of his professional interest in the developments in late nineteenth-century design (another is his collection of the designs of Christopher Dresser, in two albums, is now in the Victoria and Albert Museum, London). It is a small 4to (21 x 17 cm) album of green cloth, with embossed design of birds and foliage around the words 'Scrap Album' on front cover, and printed illustrated title by Marcus Ward & Co.

Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.