EDITH

See her entry and his in the Oxford DNB. 2pp, 8vo. In fair condition, on aged and lightly creased paper. Folded for postage. Addressed to ‘Dear Mr Robey’ and signed ‘E Londonderry.’ Begins: ‘We are holding a gigantic Jumble Sale on the 10th. of July – to help the Legion funds – We are calling it the Jazz Jumble Sale as there is a the dansant as well – A kind of fair we intend to make it & a member of the Royal family is going to open it in the afternoon. Will you be very kind and come and auction some of the things for us at four oclock.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

The subject of the present letter is, as Marshall’s entry in the Oxford DNB explains, her ‘translation of a play by the first female dramatist, Hrotsvit. ‘Paphnutius’ was given a world première by Craig for the Pioneer Players in January 1914.’ The recipient, Henry Mackinnon Walbrook (1865-1941), was the drama critic of the Pall Mall Gazette. 2pp, 12mo. In fair condition, on dusty discoloured paper, with slight rust spotting from paperclip.

On one side of a 12.5 x 8.5 cm piece of thin white card. Clearly given in response to a request for an autograph. Written in a large somewhat old-fashioned hand, with ‘Edith Pargeter.’ centred towards the head of the page, and ‘‘Ellis Peters’.’ at bottom right. See image.

2pp, 18mo. On aged paper, with short closed tear to one edge. He has evidently sent her a present of a diary, and she write that it was 'very sweet' of him to remember her over Christmas, adding: 'I shall use your diary every day during the coming year.' She ends with her best wishes of the season and coming year.

Six long cards, full of interesting content, including surprising thoughts on the 'decadence' of the world, her desire to 'cultivate [her] garden' both in a literal and Voltairean sense, and the fact that the creative urge has left her. All six are signed 'Ethel Mannin'. The penultimate card is in autograph, the others typewritten. Four addressed to Staerck at Maidenhead, two to him on the Isle of Cumbrae, Scotland. The collection is in good overall condition: the first has a smudged autograph note up one margin.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

Unillustrated official 'POST CARD' with printed penny stamp. Addressed on one side, with Wimbledon postmark, to 'Sewell Stokes, Esq., | 53, Holland Park, W.11.' In good condition, lightly aged and worn. Twelve typed lines of text. The subject of the text is Stokes's forthcoming autobiography 'Monologue' (Hutchinson, 1934), with Mannin referring to her own 'Confessions and Impressions' (Jarrolds, 1930). After thanking him for his letter she writes: 'I am glad you have decided to dispense with an introduction to the book – books, particularly of this kind, should stand on their own legs . . .

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

8pp., 12mo. On two bifololiums with mourning borders. In good condition, lightly aged and worn. Addressed to 'monsieur Townsend'. From the papers of Captain Cecil William Townsend of the Warwickshire Yeomanry, Dunsterforce and Norperforce, and the British Military Mission to South Russia. Gampert is still at college as he writes, and the reference to the 'boches' dates the letter to the First World War. Gampert begins by explaining the reason for the delay in writing, with reference to 'Mlle Trithen'.

The present item - Daisy Harriman's Visitors' Book - is a significant artefact. Harriman was an important social activist and one of New York's leading socialites (at age 86, as Life Magazine reported, she still continued to host regular Sunday dinners for around twenty guests).

4pp., 4to. Bifolium. In good condition with light signs of age. Inscribed at bottom right: 'With Compliments | from | The Writer. 1938.' And beneath inscription, again by Moore, in pencil: 'Kindly return, after reading, if not required, to 28 Bouverie Place, Exeter. As copies are now scarce'. At the end of the document the author has added '2' to his address, and has amended the following: 'A Memorial Tablet to Dr. Thomas Bilney will (D.V.) [amended to 'was'] be unveiled on September 19th, 1931, in the Lollards' Pit at Norwich). [added in manuscript: 'by Mrs.

11pp., 4to, paginated 3-13. On six leaves extracted from the magazine, stapled together at head. In fair condition, aged and a little worn. Inscribed at head of first page: 'Best as always. Hope to see you soon | Louis.' From the papers of the American critic Harry Levin (1912-1994).

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

The three items totalling 11pp., 12mo. On three bifoliums. In good condition, lightly aged. ONE: 23 February 1860. 3pp., 12mo. She begins: 'I cannot receive yr. repeated welcome remembrance of old Remp[ston]e. days, without a line of thanks for the pleasurable thoughts they awaken - a boon, to a Recluse, who lives much on the past & on the far-off present, which a friendly telescope may bring before her'. She congratulates him in graceful terms on his 'success'.

5 + [1]pp., 8vo. In fair condition, aged and lightly-worn, with slightly rusted staples and rust stain from paperclip. Scarce: the only actual copy on COPAC or OCLC WorldCat at the LSE in London.

4pp., 12mo. 49 lines. Bifolium. On aged and creased paper, with remains of stub. In what appears to be a reference to the memoir by Lady Ponsonby that was published after her death (London: John Murray, 1927), Sichel (at the risk of appearing 'an impertinent Bore') thanks her 'for that adorable manuscript': 'You have made me so happy these days, transported me so entirely to the world I longed to see, that it would really be ungrateful not to say how much I thank you. The whole Court lives, and the Queen most of all, & Prince Albert.

12mo, 1 p. Good, on lightly-aged paper. Punch-hole in top left-hand corner. Replying to an autograph hunter, she states that she has 'signed the programme' and has 'much pleasure in returning it with every good wish'. Good, firm signature.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

12mo, 2 pp. Very good. Attractive letterhead with engraved illustration of 'Renishaw Hall | Derbyshire' (last word crossed out by Sitwell). Written in purple ink. Asks if there is 'anything to be made of a curtain-raiser, or short film, which wd. show Napoleon catching the cold, which lost him the Battle of Waterloo? . . It is an amusing idea.' He considers that it is 'sure to have been some very silly person who sneezed at him . . . Or is the idea nonsense!'

12mo: 1 p. On discoloured paper with wear at head and traces of previous mount adhering to blank reverse. He sent the publishers Chatto & Windus her novel the previous Monday, 'begging them to write to you on the matter, and giving your work my best recommendation'. He has not heard anything from them himself, but expects it will 'take a week or two, before they can give an opinion'. The recipient may be Edith Nesbit, although this is unlikely as Nesbit was her maiden name. She became Edith Bland in 1880. None of her works appear to have been published by Chatto & Windus.