OLD

[iv] + 39 + 7 pp, with a further 17pp. loosely inserted at back (making a total of 67pp.), 4to. Good, in maroon plastic folder. Preface followed by list of 'Past Officers, Roster of Members, etc.', 'Chronology of The Old Book Table [1931-1970]' and 'Alphabetical List of Guests 1933-1970'. The loose leaves mainly consist of 'Extracts from the Minutes: 1931-1954'. The preface begins: 'Five members of the antiquarian booktrade in New York City met for a friendly dinner on the night of 9 January 1931. They were: Ernest R. Gee, a leading specialist in sporting and color plate books; E.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged; laid down on part of a leaf removed from an album. The male recipient is unnamed, and he signs 'Sho. Turner'. Begins: 'Dear Sir / I shall have great pleasure in accompanying you to Mrs [?]. But I would much rather go with you than meet you - and will therefore call upon you to morrow at No 24 Chapel Street Grosvenor Square at 1/2 past 5 precisely - unless you wish me to make it any other hour'. He thanks him for apologising for the short notice, 'But it happens to be a day on which I have no opposing engagement'.

See the two men?s entries in the Oxford DNB. 3pp, 4to. Bifolium. In fair condition, on aged paper with slight discolouration to top corners of second leaf, with a panel along the bottom of the second leaf cut away. Folded for postage. Addressed in the customary manner on reverse of second leaf, to ?T. J. Pettigrew Esqr. Dr. Phil. F.R.S. &c / Saville [sic] Row / London?, and signed ?Josh Bosworth.? With two postmarks (one of ?Dockhead / 1D. PAID?), and seal with small impression in red wax. He is happy to have received Pettigrew?s ?interesting Autobiography?: ?I sat down & cd.

See his entry in the Oxford DNB. A bold, untidy and yet stylish signature, in exactly the state one would hope to find Bairnfather moniker. It gives the impression of having been sent post-haste from the trenches, scrawled in pencil on a piece of vertically-ruled paper torn out of a notebook, ruckled and grubby, and laid down on an unruckled and clean 15.5 x 9.5 cm leaf with rounded edges, torn from an autograph album. The signature ‘Bruce / Bairnsfather’ is across the head of the landscape page, with a jagged line (intended for the flourish?) by Bairnsfather across the foot.

See her entry in the Oxford DNB. The three TLsS (Items One to Three), each signed ‘Lilian Baylis’, are all 1p, 4to. They are in fair condition, creased and lightly aged, with Item Three having two punch holes for a binder. The portrait postcard is in good condition, lightly aged. ONE: TLS, 15 November 1921. Addressed to ‘Miss Ingham’. ‘I do hope you will have a big success with the enclosed card.

Written during the 1984-5 Old Vic production of Arthur Schnitzler’s ‘The Lonely Road’, in which Eggar starred opposite Anthony Hopkin, with a young Colin Firth. 2pp, 12mo. Good bold signature: ‘Sincerely / Samantha Eggar’. Addressed to 'Mr Sephton'. In good condition, lightly aged, folded for postage. She thanks him for his ‘inquiry as to whether I would be able to talk to you about “Whos Who of Hollywood Britons’, and gives the only date that is convenient. ‘The show comes down at 5.15 approx, maybe a call to the theatre to check would be wise’. From the papers of Kenneth Sephton.

1p, landscape 12mo. Aged, worn and lightly discoloured. Laid down on larger leaf removed from an album. The text, all in Randolph’s hand, reads: ‘Pay to Jaqueline [sic] P. Taylor or bearer Fifty four Dollars 84 Cents / John Randolph of Roanoke / Decr. 22d. 1829. / To the Cashier of the Bank of Virginia’. Despite the name Jacqueline P. Taylor of Richmond City, Virginia, was male. See image.

Printed in two columns in black and red on one side of a piece of paper seventeen and a half inches by eleven and a quarter wide. Foxed and with a few very small closed tears at points along crease lines. Thirty-six rules, listed under sections headed 'THE EXECUTIVE', 'GENERAL MEETINGS', 'MOTIONS', 'ELECTION OF MEMBERS', 'PAYMENT OF SUBSCRIPTIONS, &C.', 'HONORARY MEMBERS', 'ELECTION OF OFFICERS AND COMMITTEE', 'DUTIES OF THE PRESIDENT', 'DUTIES OF THE SECRETARY', 'DUTIES OF THE AUDITOR', 'BOOKS, NEWSPAPERS, &C.', 'MISCELLANEOUS' and 'CLUB DINNER'.

Fragment of letter in Gladstone’s autograph, with his signature, on both sides of 10 x 6 cm rectangle. In good condition, with one vertical fold. Five lines on recto read: ‘<...> It was most kind of you to send me the delightful pearl studs - & to write so friendly a letter. Lady Paget gave me a set’. Recto reads: ‘<...> & preserve your kind thought | With many thanks to you & Mrs Robson | Always | W E Gladstone’. See image.

See Anna Gurney's entry in the Oxford DNB. The recipient and her husband had spent some time in Rome in 1842, and in 1838 had befriended the Alpinist Henriette d'Angeville at Geneva. 4pp, 4to. Bifolium with mourning border and watermark year 1840. In good condition, lightly aged, with minor traces of glue from label on outsides of gutter. The letter begins: 'My dear Lady Cullum | I think You & Sir Thomas may be home by this time & I must wish to enquire how you both are after your long wanderings.

See Fauntleroy's entry in the Oxford DNB. Although accounts of his depravity are exaggerated, Fauntleroy led a dissolute life, and appropriated securities worth around £360,000. During his trial at the Old Bailey he called seventeen merchants and bankers to testify to his integrity, but his defence was unsuccessful, and he was hanged outside Newgate, before a crowd of 100,000. The present item is 1p, 4to. Bifolium, addressed on reverse of second leaf to 'Sir Cuthbert Sharp | &c &c', with endorsement.

1p, 12mo. In good condition, on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”', adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh, and hopes that he will go and see him when he next comes to Ireland.

p, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named. Addressed to 'Révérend et cher Monsieur'. Sixteen neatly-written lines of text. He thanks him 'mille fois' for the number of the 'Day of Rest'. He has read the recipient's article, as well as that of 'Madame Hunt', but he is sorry 'de n'être pas assez versé dans la connaissance de la langue anglaise, pour pouvoir apprécier vos écrits comme ils le méritent'. He hopes to make progress, and is at present reading the recipient's piece in the Contemporary Review, 'qui m'intéresse beaucoup'.

2pp, foolscap 8vo. On the rectos of the leaves of a bifolium. In fair condition, lightly aged and worn. On laid paper with indistinct watermark. The context of the document, with the capitalisation and spelling ('mechanick', 'shou'd', 'Publick', 'tyed down', 'lookt', 'Profitt'), points to a late eighteenth-century origin (certainly before the Speenhamland System and Michael Nolan's 1805 'Treatise of the Laws for the Relief and Settlement of the Poor'). No title or heading. A forthright document, whose rhetorical tone suggests that it was intended for public delivery.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War, he acted in Shakespeare at the Old Vic, and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught (including a youthful Peter Cushing) at Guildhall School of Music and Drama, painted, and in 1953 published a book on stage make-up. The present four items, all undated, are in good condition, lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp., foolscap 8vo. With revised conclusion, 1p., 12mo.

The Sunday Times, 20 March 2002, carries an article by Ann Treneman, 'The real face of Rubinstein', discussing the discovery among Hollay's papers of her correspondence with Helena Rubinstein. The correspondence was made use of by Lindy Woodhead in her 2017 book 'War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives, their Times, Their Rivalry'. Hollay was Rubinstein's London manager from 1914.

According to his entry in the Oxford DNB, Brandram - founder with Frank Talfourd of the Oxford Dramatic Society - 'was remembered as the most distinguished Shakespearian reciter of the period, influencing the productions of William Poel, and through his popular recitations familiarized middle-class families with Shakespeare'. 2pp., 12mo. In fair condition, with unobtrusive repair of closed tear with archival tape.

[iv] + 39 + 7 pp, with a further 17 pp loosely inserted at back (making a total of 67 pp), 4to. Good, in maroon plastic folder. Preface followed by list of 'Past Officers, Roster of Members, etc.', 'Chronology of The Old Book Table [1931-1970]' and 'Alphabetical List of Guests 1933-1970'. The loose leaves mainly consist of 'Extracts from the Minutes: 1931-1954'. The preface begins: 'Five members of the antiquarian booktrade in New York City met for a friendly dinner on the night of 9 January 1931. They were: Ernest R. Gee, a leading specialist in sporting and color plate books; E.

2pp., 16mo. In fair condition, lightly aged and with slight smuding at head of first page. There is nothing he should have liked more than to accept Sladen's invitation to 'what will be a delightful Gathering, at your house at Richmond on the 9th.', but he has a previous engagement. 'Some other time, if you extend the hand of friendship in this charming way I shall be delighted to come and see you.'

4pp., 12mo. Bifolium. In good condition, lightly aged and worn. Since his return from Basildon three friends have promised him 'letters from the illustrious' for her collection. He has also 'looked for a collection I made myself once - but altho I have found all kinds of things which I thought I had lost for ever I cannot find it'. He lists seven 'minor autographs' he is sending her, including '(7) The late Earl of Denbigh to Bish of Patterson - This letter led to the capture of a famous impostor, who died immediately afterwards in Clerkenwell Gaol'.

On 2.5 x 11.5 cm. piece of paper, cut from front panel of envelope. In fair condition, on lightly-aged paper. Lower part of address present, reading 'Gt Grimsby | Grantham'. Circular frank in red ink over this, reading 'FREE | 8 JY 8 | 18<5?>9'. Good firm signature underlined at bottom left: 'W E Gladstone'.

Printed in black on one side of 15.5 x 25 cm card. In fair ondition, aged and worn, with traces of mount on reverse. The illustration, winding along the edge of the page from top left to bottom right, is a pleasing detailed line drawing, showing a fashionable crowd (men in top hats, ladies in coaches and so on) viewing the race from what is probably the Club's part of the bank of the river (a chimney and crenelated wall may serve as identifying landmarks). Among the myriad of faces may be caricatures of individuals.

On one side of a 10 x 12.5 cm piece of card. In fair condition, lightly aged and worn. Signed 'C C Wakefield' and granting admission to 'the representative of the [ Pall Mall ]', the trial beginning on 12 December 1907. Annotated around Wakefield's signature: 'For the trial of Robert Wood for the murder of Emily Dimmock, of St Paul's Road, Camden Town | Judge - W Justice Grantham | Leading Conuncil - Sir Charles Mathews for the prosecution; Mr Marshall Halll for the defence. | Verdict - Not guilty.'

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Title in large type on first page and text on central two pages.

Both items are laid down on a leaf removed from an autograph album. Both in good condition, with light signs of age. The photographic print of Gladstone measures 9 x 5.5, with the head and shoulders image in an oval 7.5 cm high by 5 cm wide, and showing a middle-aged Gladstone with dark bow tie and frock coat, staring to the right. Beneath the photograph is a 9.5 x 9 cm piece of paper, cut from the conclusion of a letter, reading: '[...] difficult however to follow circumstances with which we are imperfectly acquainted | We are now on the eve of going abroad for a

1p., 4to. Bifolium. Addressed on reverse of second leaf, with postmarks, to 'Thomas Hill Esq | New Inn'. In good condition, lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club, and its being uncertain whether, or no, it can any longer hold its deliberative meetings at its accustomed place of redevous [sic] - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'.

Five pages, cr.8vo, poor condition, including one bifolium, chipped with small loss of text. On [p.4] of the bifilium there is a signed statement in William Collins's hand (the auditor): 'Theise are the Auntient Rentes of the principall Impropriations of the Deane & Chapter of Sarum (i.e. Salisbury) according to the survey 26 H. 8 (i.e. of the 26th year of Henry VIII = 1534-5). What sume they are improved appeareth not but neither are the values of Bedwym (Bedwyn), Okborne (Ogbourne) & Uphaven (Upavon) expressed.Wm Collins, Auditor'.

The three items are attached to leaves removed from an album. All three are in good condition, on lightly aged paper. The address is 2pp., 4to. 30 lines of text. It begins: 'Gentlemen, | I should be wanting in every proper feeling of duty and respect to you and to the County of Lancaster at large, after what passed at the last General Election I were not to avail myself of the opportunity afforded me by Mr. Blackburne's address, of relieving the County from all suspence as to the part I amy be expected to take, whenever He (Mr.

2pp., 8vo. In very good condition, on lightly-aged paper. She apologises for not being able to be 'helpful on any of your questions'. She does not even possess a copy of her own 'Designing and Making Stage Costume'. 'I have no Motley designs at all, as every one which was in my possession has been sold to the University of Illinois, who have taken the whole collection of about 3000 swatches.' She is glad to hear that he has some of them, 'as it means that there are a few still in this country'.