SUSSEX

See his entry and that of the Duke of Sussex in the Oxford DNB. 1p, 12mo, on first leaf of bifolium. In fair condition, lightly aged and worn, with strip of tape from mount adhering to blank second leaf. With two folds. The recipient is not named; signed ‘Thomas Coutts’. Twenth-two lines of text, neatly written and sloping upwards. Begins: ‘My Dear Sir / I send for your personal attn from The Duke of Sussex by which you will see he has promised to attend The Subscription Dinner for the benefit of decayd artists & cannot dine with me but says he will call before a day with Mrs Coutts’.

See his entry in the Oxford DNB. 1p, small 4to. In good condition, lightly creased and with central vertical fold for posting. Signed 'John Christie'. He gives details of forthcoming performances: 'So far a week ago 11 performances were heavily booked including 3 sold out: you could let me know presently which dress rehearsal you would like to come to & I will give you 2 seats free.'

See the entries for Custance and Holmes in the Oxford DNB. According to the latter: ‘On his retirement in November 1910, Holmes published What is and What Might Be (1911), a condemnation of the existing education system, which stressed competition rather than co-operation, emphasized visible results, and demanded the mechanical obedience of the child. The book attracted wide public attention. [...] Shortly before his retirement, he became involved in the furore over the so-called 'Holmes–Morant circular', a highly confidential memorandum which he had issued in January 1910 to inspectors’.

See his entry, and that of Pettigrew, in the Oxford DNB. Easthope was a difficult employer, nicknamed ‘Blast-hope’. Dickens worked for him as a parliamentary reporter between 1834 and 1836. 1p, 12mo, on recto of first leaf of a bifolium. In fair condition, aged and discoloured. Reads: 'My dear Pettigrew / Will you please to leave out Lancaster letter which I'll send for tomorrow / haste / Yrs. / J E / Sunday'. The letter is addressed on the reverse of the second leaf, with slight loss to one corner from the breaking of the red wax seal. Black 'BARNET' postmark and customary frank in red.

See the two men?s entries in the Oxford DNB. 3pp, 4to. Bifolium. In fair condition, on aged paper with slight discolouration to top corners of second leaf, with a panel along the bottom of the second leaf cut away. Folded for postage. Addressed in the customary manner on reverse of second leaf, to ?T. J. Pettigrew Esqr. Dr. Phil. F.R.S. &c / Saville [sic] Row / London?, and signed ?Josh Bosworth.? With two postmarks (one of ?Dockhead / 1D. PAID?), and seal with small impression in red wax. He is happy to have received Pettigrew?s ?interesting Autobiography?: ?I sat down & cd.

An interesting letter, attacking the serving Tory Prime Minister Robert Banks Jenkinson, 2nd Earl of Liverpool (1770-1828), who had stood against the Duke of Sussex (noted for his liberal sympathies) in the election for President of the Royal Society of Arts. 3pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded three times. The recipient is not named, but is identified in an endorsement on the reverse of the second leaf as 'Earl St Vincent'. Written in a hurried, untidy hand.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased. Folded twice for postage. The letter reads (with autograph parts in square brackets): ‘[Dear Mr. Hedley,’] / Thank you. / Mary and I are of course thrilled - first and foremost for Glyndebourne’s sake. / [It was charming of you to write. / Yours sincerely, / George Christie / P.S. I’m afraid I dont ever send autographed photographs. Sorry to disappoint you.] / [P]PS Please forgive typescript.’

See his entry in the Oxford DNB. The six items - written in the semi-retirement that followed Escott's breakdown in 1885 (Joseph Chamberlain and Lord Randolph Churchill took up a subscription for him) - are in good condition, on lightly aged paper. A total of 12pp, 12mo. Closely written in a well-nigh illegible hand. All six letters are addressed to ‘My dear Sir’ and signed ‘T H S Escott’. Considering the execrable nature of the handwriting, it is ironic that the main topic would appear to be the supplying by Escott of autographs for the recipient’s collection.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

1p, 12mo. On aged and creased leaf, folded once and with traces of mount on the blank reverse. Reads: 'Presented to Prof. Alexr. H. Green M.A. F.R.S. With the compliments of the author | Isaac Roberts | June 1894'. The work presented was presumably the first (1893) volume of Roberts' pioneering 'Selection of Photographs of Stars, Star-Clusters and Nebulae', the second appearing in 1899. The two volumes contained 125 reproductions of photographs which he had exhibited at the Royal Astronomical Society. See both men's entries in the Oxford DNB.

Nine items, all in good condition. All of the letters are signed 'Anthony', and four of them (two autograph and two typed) are each 1p, 8vo. The other letter, in autograph, is 1p, 16mo. With four items of material relating to Hostage Action Worldwide. The first letter (11 May 1989) accompanies 'our first reply to our first 350 donors – we're hoping to build rapidly now'. He reports that 'The Archbishop of Canterbury has this week responded positively to us and appointed a man, John Lyttle to our Advisory Council.

For the recipient Thomas Joseph Pettigrew see the Oxford DNB. Pettigrew was personal physician and librarian to the Duke of Sussex, who had consulted Bree for asthma, and by whose advice Bree had removed in 1804 from Birmingham to Hanover Square in London. Having been a Fellow of the Royal College of Physicians since 1807, Bree was chosen Harveian lecturer in 1827, publishing the course of lectures in the following year. Both items in good condition, lightly aged, each with a thin strip of paper from the mount adhering to the reverse of the second leaf. ONE: 27 June 1827. 3pp, 12mo. Bifolium.

2pp, 12mo. Bifolium. In fair condition, lightly aged, and folded twice. Small blot affecting two words on second page. Unpublished. According to Pinney, Coates had started work as Kipling's secretary in June 1909. Written in a hurried hand, in parts difficult to decipher. The letter begins 'Dear Miss Coates | I enclose herewith a note for Moore [the Kipling's chaffeur] which will you please forward to his address.' Kipling suggests that if Moore should 'care to come down & vote at Burwash' he will 'pay his travelling expenses'.

1p., 12mo. In envelope addressed to Giles at Moulsecoombe, Brighton. In good condition, lightly aged. He has looked for Giles's letter 'but cannot – yet – find it. Sorry. I vaguely remember it.' He will find Giles '2 tickets for a Dress Rehearsal if you will let me know which one.' Options of six operas, on six different days are listed, including Figaro and Giovanni.

[7] + 69pp., 4to. In grey printed paper wraps, with brown faux-leather spine. Aged and worn. In six parts: 'Preliminary'; 'Governing Body'; 'Endowments'; 'Application of Endowments'; 'Regulations relating to Schools'; and 'Final', with pp.47-69 carrying twelve 'Schedules', ranging from 'I. - Metropolitan Parishes, Districts and Precincts affected by the abrogation of Trusts for the admission of Children therefrom' to 'XII.- Endowments for Special Prizes'. No other copy traced, either on OCLC WorldCat or on COPAC.

2pp., 12mo. In good condition, lightly aged. Begins: 'On looking through your "Bibliography to Climate" I find that you are not acquainted with my work on the Climate of Uckfield, pubd in 1871 - which comprises 28 years uninterrupted obs[ervation]s there'. He refers him to the library of the Royal Meteorological Society in George Street for a copy. He is about to publish 'eleven years observations at my present Observatory'

'La Vagabondo' (The Tramp) was the organ of 'La Esperantista Vagabonda Klubo', founded and edited by the artist Caroline Oxenford. Having previously been named 'La Vagabonda Monatajo' (January to March 1908) and 'La Vagabondisto' (April to July 1908), it became 'La Vagabondo' from September 1908. The First World War put an end to both club and magazine. The four issues are in fair condition, on aged and worn paper. Uniform in design, and each 12pp., 4to. (although the last number is slightly taller), in printed wraps carrying advertisements. The three numbers from '2-a Serio' (all by 'W. G.

1p., 4to. In good condition, with light signs of age and wear. Watermark reads: 'T & F H | 1861'. (The document must date from between this year and the end of the Duke's minority in 1868; and Arundel is not named on it, its connection with this place is confirmed by the presence of land agent Captain E. H. Mostyn..) Neatly printed in two columns within a border. Thirteen toasts, from 'The Queen' to 'The Law Agents and the Stewards of Manors'. The toast to the Queen followed by 'God Save the Queen', each of the other twelve toasts followed by a 'Glee'.

Letter and printed text both on a 12mo bifolium. In fair condition, lightly aged and worn. Letter: 2pp., 12mo. Docketed with stamp of the Brighton Aquarium. She writes that she is 'happy to accept an Engagement for a Saturday Concert at the Brighton Aquarium as Principal Soprano' and will do her best 'to meet your terms'. Printed text: 2pp., 12mo.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks her 'for the Daily News review. Such touching appreciation, and from you, repays us for the anxiety attending the publication of the Memoir [...] This part of Sussex seems very forsaken since you & your husband left it. If you are ever near, what a pleasure a call from you would be - or a visit, if your freedom allowed it.

8pp., landscape 12mo. Saddle-stitched into light-brown printed wraps. In good condition, lightly-aged. A tasteful production, with two full-page illustrations by 'T. O'B. Horsford', captioned 'Bateman's' and 'The Hall'. Introductory note by Parish, inside the front cover: 'The following article was written for the Kipling Society's Journal and is here printed by courtesy of its Editor.' The piece begins: 'It was not long after our arrival in 1940 as the tenants of Bateman's that we learnt that Mr.

2pp., 8vo. The prayer is 39 lines long. In fair condition, on aged and worn laid paper with 'GATER' watermark. The prayer begins: 'O. Lord - O.

34 + [1]pp., 12mo. In fair condition, on aged paper, a little ruckled. Advertisement for 'Jan Cladpole's Trip to Merricur' ('Just published') on last page. A three-page preface is followed by the poem, in 152 four-line stanzas, with pp.33-34 carrying another poem titled 'Tom Cladpole's Return'. Surprisingly uncommon.

4pp., 4to. Bifolium. In fair condition, on lightly aged and creased laid paper with Joynson watermark dated 1867. The document is headed 'To the Secretary of the Royal Agricultural Society of England', and it is the Secretary's post for which Batty is applying. He describes himself as '30 years of age, married, the son of hte late Col. Batty, of the Guards, and grandson of Sir John Barrow, Secretary of the Admiralty.

2pp., 12mo. Bifolium. Fair, on lightly-aged and ruckled paper. The letter begins: 'Sir. | I am glad to find you can oblige my friend Mr Curzon, although I am too late, which I regret, as I should have been able to oblige certain persons who have assisted me.' He asks for 'a few separate sets of the Plates of Seals of the Sussex Cinqueports & Lewes Priory', for which he would pay 'with pleasure'. 'I had written a Title page - & a short prefatory introduction ought to be given - a leaf will be ample'. He assumes that the recipient has given 'the Pevensey Plan'.

12pp., 12mo. In original printed wraps bearing the title, dramatis personae, printer's slug, and contemporary pencil note: 'Performed at Literary Institute Wednesday June 8th 1898.' On aged and worn paper, with curling to fore-edge, and a cloth strip sewn on to strengthen spine. A comedy in heroic couplets. Excessively scarce: no copies on COPAC or WorldCat OCLC. Kirshaw was active between the 1870s and 1890s.

An interesting collection of Cambridge ephemera, dating from a period of considerable economic and social turbulence. The twenty-two items are in good condition, on lightly-aged paper. They include six term accounts, with Brett-James's details typewritten on printed forms, signed by tutors D. Thomson and B. T. D. Smith. These accounts are itemised, with details of domestic charges. Affixed to all but one of these accounts are official College receipts signed by tutors. Also present is an Autograph Note to Brett-James from the College clerk R. S.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

2pp., 12mo. Fifteen lines. On bifolium. Fair, on lightly-aged paper. The male recipient is not named. She apologies that 'the crowd of Christmas engagements' has meant that his letter has gone unanswered until now. 'With regard to the question you ask, my feeling is that where an artist and an author can contrive to work well together illustrations are a decided improvement to novels. But it is most trying to an author to see his characters presented to the public in a way utterly unlike his own conception of them.' In her view it is 'clear gain' if a book can be 'well illustrated'.

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.