EUGENE

The second of these ballads, 'Silver Threads Among the Gold', by the American Eben Eugene Rextord (1848-1916), was immensely popular on its release in 1873 with music by Hart Peas Danks (1834-1903). The earliest reference to the first ballad, 'Could you lend my mother a saucepan?' is in an 1885 number of 'All the Year Round'. The song is an absolute hoot, but its text is not to be found anywhere on the internet.

p, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named. Addressed to 'Révérend et cher Monsieur'. Sixteen neatly-written lines of text. He thanks him 'mille fois' for the number of the 'Day of Rest'. He has read the recipient's article, as well as that of 'Madame Hunt', but he is sorry 'de n'être pas assez versé dans la connaissance de la langue anglaise, pour pouvoir apprécier vos écrits comme ils le méritent'. He hopes to make progress, and is at present reading the recipient's piece in the Contemporary Review, 'qui m'intéresse beaucoup'.

ONE: Typed Letter Signed from 'Bertie' (i.e. Herbert van Thal) to 'John' (i.e. J. C. Trewin). 15 March 1978. On letterhead of the London publishers Weidenfeld & Nicolson. In fair condition, lightly aged and worn. The letter reads: 'My dear John, Alas, they do not think that they would be able to sell this Eugene Aram idea here, without the backing of a television programme or a film to back it up. But Orbis recently asked me if I had any ideas, and I have sent it on to them. Will let you know what they have to say.

2pp., 8vo. Bifolium. In fair condition, lightly aged. The recipient is addressed as 'Chère Madame' and is not otherwise identified, although the conclusion connects her with 'Monsieur Hollard', i.e. he maried Marie Hollard. He writes that he will be in London in six days, and that he will only have 'douze ou quinze jours à passer en Angleterre', and that he wishes to spend his time 'de la manière le plus profitable au succès de mon oeuvre. Il s'agit de collecter pour ma nouvelle église'.

On one side of an 8 x 13 cm piece of paper. In good condition, with light signs of age, and central horizontal fold. Firm, bold signature, 8 cm long, with underlining flourish. Beneath the signature, in a small hand, is the message: 'M Guinot | M: Vigny vous adresse son nom pour vous remercier il ne connait pas votre adresse'. Addressed on reverse, 'à M. Eug. Guinot'.

One page, 8vo, bifolium, three lines of text with added signature and date good condition, in a difficult hand (a scrawl). He is asking that the employees of a certain premises welcome a M. Plouet. Text as follows, as near as I can): "Je prie MM les employées de la [ biblque??] de L[?]y de laisser entrer <. Plouet et la [?]." Image available.

Watson's translation of 'La Cantatrice Chauve' (1950) was first published in London by Calder in 1958, and his version of 'Le Salon de l'Automobile' (1951) by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style, on rectos of leaves, and stapled together. ONE: 'The Bald Prima Donna'. 19pp., 8vo. In good condition, on aged paper, with somewhat-appropriate child's markings in black ink on blank parts of first page.

2pp., 4to. On a single leaf, both sides of which are headed 'Répertoire Lecombe'. Printer's slug at foot of 'Verdun on ne passe pas!' Both lyrics printed in two columns (no score to either). In good condition, on aged and worn high-acidity paper. 'Ce sont les Yeux' begins: 'Chacun dans la vie cherche son idéal.' The 'Dernier Refrain' reads: 'Et bien des yeux de mère, | Sont tournés vers la frontière | Où là-bas leurs chers petits enfants | Pour sauver la France donnent leur sang.

17 items, the collection in good condition, on aged paper. Item One: Autographs of sixteen individuals associated with the production, all signing to 'Sonia'. 2pp., 12mo. On bifolium removed from ruled notebook. The signatories are: Michael Bryant, Robert Hunter, Margaret Whiting, Hilda Braid, Vivian Matalon, Tony Church ('Sonia, our proletarian beauty | from hungry Hugo'), Jack MacGowran, Robert Adams, Prunella Scales ('Maggie'), Michael Balfour ('May you triumph over virtue'), Patrick Magee, Tony Robertson, Joby Blanshard, Anthony Jacobs, Lee Montagu and Ian Bannen.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

4pp., 12mo. Worn and stained on four leaves with wear to extremities resulting in slight loss of text, and with at least one leaf lacking. Parsons begins by informing Caswell that he is sending him a copy of the Examiner containing his article on 'Tennyson's Literary Career': 'It was sent to the Editor only a few days after the poet's death when I knew nothing about the title or contents of the new book of poems.' He discusses his plans to insert the article when he republishes his pamphlet (Parsons' 'Tennyson's Life and Poetry' appeared in 1892, with a revised edition the following year).

12mo, 1 p. Ten lines of text. Good, on aged paper with slight wear to extremities. In a bifolium, with address and four circular postmarks (two in black and two in blue ink) on verso of second leaf. He is 'a la fin de l'impression d'un ouvrage qui doit être pret pour la rentrée et qui depuis longtemps absorbe tous mes instants'. It is impossible for him to write the requested articles. He is 'tellement fatigué' that he awaits with impatience the end of the printing, so that he can take 'un peu de repos'.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

12mo, 2 pp. Bifolium, addressed, with circular postmark in black ink, on otherwise-blank second leaf of bifolium. Correcting 'une petite erreur' which he committed in 'le Comte rendu de la dernière Séance de la Société de Géographie', and which he wishes changed in the report which will be appearing in 'l’Athenæum français'.

All items in good condition, on lightly aged paper, with text clear and entire. Letter Two with a little light spotting to the recto of the first leaf. Written in a crabbed hand. Concerning contributions by Cortambert to 'L'Encyclopédie'. Letter One (12mo, 3 pp): To 'Monsieur et honorable directeur', 9 July 1852. Letter Two (12mo, 3 pp): To 'Monsieur et honorable directeur', 7 June 1874. Letter Three (12mo, 1 p): To 'Mr de St Priest', undated. Letter Four (8vo, 1 p): To 'Monsieur le Caissier de Encyclopédie du 19e Siècle', Paris, Rue de Saintonge, 64.

12mo: 1 p. Good, on lightly creased paper. Reads 'Je remets à Mr Pulin, porteur de la présente, la lettre de Mr Savoye pour l'aider à retirer les exemplaires des médailles et les diplômes donnés à MM les Membres du Jury.' Presumably relating to the awarding of prizes at an industrial exhibition.

4to bifolium: 2 pp, with address on otherwise-blank second leaf. Very good on lightly aged paper. Slight wear to extremities. A significant document, casting light on the relative states of engineering in early nineteenth-century France and England, and the role of the scientist in France at that time.

12mo: 1 p. Fifteen lines of text. Good, on aged and lightly-creased paper. Minor foxing. Difficult hand. Begins 'Je voudrais avoir cette année la collection des Documents parlementaire qui seront distribué au corps legislatif. | Autrefois j'étais abonné pour une petite somme [...]'.

12mo, 2 pp. Good, on lightly aged paper. In French. Difficult hand. Regarding 'la société musicale et littéraire de Meaux', of which he approves. 'Malheureusement plusieurs obstacles s'opposent à ma bonne volonté.' As a gesture of good will, he asks the Society to accept 'quelques ouvrages'.

4to, 1 p, 8 lines. Good, on lightly aged paper. Small indentation from paperclip in margin. Reads 'Monsieur Alcan prie Monsieur Delacroix de remettre au porteur le Testament (tissé) de Louis XVI, dont il a besoin pour le cours de ce soir au conservatoire des Arts et metier. | le preparateur du cours | Ernest Stamm | Paris le 13 fevrier 1860'. Loosely inserted in blue paper wraps with slip of an entry for the letter from a French autograph catalogue, misattributing it to Stamm.

4to, 1 p. Good, on aged paper worn at extremities. Text clear and entire. Gives details of his placement in 1837 in the 'cadre de reforme de la Garde Nationale', and of the registration of the decision by the Mayor. 'Cette décision [...] m'est réclamée par le nouveau Sergent major de la compagnie, M. Alger, et je viens vous prier de m'en faire délivrer une copie dûment légalisée.'