JEAN

Peisse had already published his translation of ‘Fragments de Philosophie de M. William Hamilton’ (Paris, 1840), and had followed this with one from Dugald Stewart (1842-5). 2pp, 12mo. Forty-one lines of closely-written text. In fair condition, lightly aged and worn, with chipping and closed tears to edges. Folded once. Signed ‘L. Peisse / Louis Peisse, conservateur de l’ecole impériale des Beaux-arts. 2. Rue Boursault.’ The British recipient (one of Hamilton’s executors?) is not named (in a postscript Peisse apologises for being unable to decipher his details, or those of his co-editors).

See her entry in the Oxford DNB. She published around two hundred books under seven pseudonyms, and these are said to have sold a hundred million copies and been translated into twenty languages. The recipient Eileen Cond was an enthusiastic collector of autographs, and had the ability to draw a more than perfunctory response from her targets. 1p, 4to. In fair condition, lightly aged and creased. Folded for postage. Good bold signature: ‘Victoria Holt.’ Addressed to ‘Miss Cond, / Stream Cottage, / Sidbury, / Sidmouth, Devon.’ She has signed Cond’s bookplate and is sending it back.

See the entries in the Oxford DNB for his brother-in-law Sir Samuel Romilly and his son Peter Mark Roget, as well as Joshua Kendall’s 2008 biography of the latter, ‘The Man Who Made Lists’. From the Roget family papers, and certainly of later date than the two schoolboy commonplace books by Jean Roget offered separately. Roget is not named as the author, but the handwriting is his, and the spine bears the remains of a blue paper label with the words ‘MSS of the Rev. J. Ro[get]’ on it the same nineteenth-century hand (P. M. Roget's?) as the two commonplace books.

See the entries in the Oxford DNB for his brother-in-law Sir Samuel Romilly and his son Peter Mark Roget, as well as Joshua Kendall’s 2008 biography of the latter, ‘The Man Who Made Lists’. The two items were commenced while Roget was a fifteen-year-old schoolboy in Geneva, and nine years before his 1775 emigration to London. The two volumes of the same dimensions, but not uniform. Vol.1: 179pp, small 4to. Vol.2: 146pp, small 4to. Both tight and internally in good condition, lightly aged, in worn card wraps, each with a different stencilled design on the covers.

For information about Angela and her sister Jean, one must turn to Michael Williams, ‘The Three du Maurier Sisters’ (2012), as neither are even named in their father’s and sister’s entries in the Oxford DNB. The recipient Eileen Margaret Cond (1911-1984), was an enthusiastic autograph collector. The two items are in good condition, lightly aged and creased. On light-blue paper with the same design of letterhead. Both addressed to ‘Dear Miss Cond’ and both signed ‘Angela du Maurier’. ONE (5 March): 2pp, 4to.

Not, one would imagine, a particularly common signature. In good condition, lightly aged. On 20 x 16.5 piece of watermarked laid paper: the lower half of a document dated in another hand to 1806. Another (illegible) signature at top right. The Crown Prince’s signature as ‘Attester’ is an excellent one, good and clear, reading ‘Christian August [lel?] Holstein’. He would serve as Crown Prince of Sweden between 15 July 1809 and 28 May 1810. After his death the line of succession would pass to the Frenchman Jean Bernadotte. See image.

According to the Victoria County History, Jean Nicholas Voyaux de Franous (1760-1840), a Frenchman, is ‘traditionally seen as the father of Roman Catholicism in Chelsea’. 1p, 12mo. In good condition, lightly aged. Signed ‘Abbé Voyaux de Franous’ and addressed to 'Dear Madam'. Indisposition is the cause of his delayed response. He was without ‘the least idea that Miss Harvey was without a place in the Chapel and gave immediate orders to have her accommodated with one.

Rieu was the son of Charles Pierre Henri Rieu (1820-1902) of Geneva, Keeper of Oriental Manuscripts at the British Museum, and elder brother of Emile Victor Rieu (1887-1972), both of whom have DNB entries. In 1947 he had privately printed (as’J. L. R.’) a ‘Chronicle of the Rieu Family now settled in England’. 2pp, 12mo. In fair condition, lightly aged and creased. Folded twice. Signed ‘J. L Rieu / Commissioner in Sind’. An nice sidelight on the workings of the Raj. He has been asked for a letter by ‘Mr. Mansing Ramsing’, on behalf of his son ‘Mr. Bhojraj M.

1p, 12mo. Seventeen lines of closely written text. In fair condition, lightly aged and worn, laid down on a leaf from an album. The recipient is not named, but is addressed as 'Monsieur le Comte'. The letter concerns the count's 'ami et protégé' 'M. Leharivel' [author of 'Grammaire Francaise Pasigraphique, Simplifiee Et Regularisee, Pour Servir de Base Fondamentale; Et Anecdotes, Et Contes Historiques (1839) ].

Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed Jean Cocteau, 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b. Agreement, one page, folio, signed on behalf of Cocteau on 7 November 1952, on share of revenue between Marsh and Cocteau on adaptation, SIGNED by Marsh and by a representative of the Union Financière Artistique on behalf of Cocteau, appointing Dr Jan van Loewen as exclusive agent; c.

1p, 8vo. In fair condition, lightly aged and worn. With stub from mount adhering along one edge. From the celebrated manuscript collection of Richard Monckton Milnes (Lord Houghton). In reply to the unnamed recipient's letter, he writes that he has presented to the Berlin Academy 'votre Prospectus que vous les avez deja fait parvenir par M le Directeur Merian [i.e. Johann Bernhard Merian (1723-1807)].' The Academy wishes Formey to thank the writer for his attentions, but as such works do not feature 'dans le plan de la Bibliotheque', the Academy will not be able to profit from the offer.

The two signatories sign on separate sides of a 13.5 x 16.5 cm leaf of faded pink paper torn from an autograph album. In good condition, lightly aged. Schnabel's large firm signature is on the recto: 'Artur Schnabel | 19. X. 1934'. Goossens signs in a large bold hand on the reverse: 'Yours sincerely | Léon Goossens | 1934'. A small photographic portrait of Goossens, cut from a newspaper, has been tipped-in at bottom left, and another party (presumably the recipient) has written the word 'ABERDEEN.' at bottom right.

The two volumes of diaries of Jean Kilgour Hart cast light on the interesting wartime crossover between the Universities of London and Cambridge. On the evacuation of Queen Mary College to Cambridge at the beginning of the Second World War, both the College administration and male staff and students were accommodated at King’s College. Women staff and students were initially provided with accommodation at Girton College, but from 1940 they were housed in two private houses in Hills Road.

There has been a recent resurgence of interest in Mona Inglesby and her International Ballet (1942-1951). In 2008 Kay Hunter published a study of the troupe, titled 'Ballet in the Blitz'; then in 2012 BBC Radio 4 aired a documentary about Mona Inglesby and International Ballet, titled 'Black-Out Ballet: The Invisible Woman of British Ballet'. The writer of the documentary, Ismene Brown, gave the following explanation of her motives: 'In 2006 an elderly dancer died in Bexhill-on-Sea, Sussex. She was 88, and had once been one of Britain's most recognised ballerinas.

Substantial unpaginated ring-bound 4to volume, with striking coloured cover illustration by Christian Bérard. Internally in fair condition, lightly aged and worn, in worn covers detaching from ring binding. A stylish volume, printed on both shiny art paper and thick rough grey stock. In three sections: 'The Story of this Exhibition'; 'Style in French Art by Gérard Bauër' and 'Twelve Scenes'. Profusely illustrated, including tipped-in plates. Several pages of advertisements for up-market Parisian shops at front and rear.

31pp., 8vo. Disbound pamphlet. In green printed wraps. In fair condition, on aged high-acidity paper, in worn wraps, with a few notes in light pencil. The title-page is headed: 'Collège de France | Cours de Philosophie Sociale | Leçon d'Ouverture | (16 décembre 1897)'. On p.6 Izoulet writes: 'cette leçon d'ouverture a pour but d'expliquer l'origine et le titre de la nouvelle chaire, la nature et l'esprit du nouveau cours'. Now scarce.

3pp., 4to. Addressed, with black wax seal, on reverse of second leaf to 'The Earl of Buchan at Kerkhill | by Edinburgh'. In fair condition, lightly aged. He is 'hardly relieved' from 'a very distressing ophthalmy withh great head-ackes [sic]', but thanks the Earl for 'sending the pamphlet of Dr. Homes on the Croup, for my friend Monsr. Le Roy, one of ye. Members of ye. Royal Acady. at Paris'. He is sending him the Philosophical Transactions, 'as regularly as they come out, by the indicated way of Mr. Donalson'. The 'Medal of ye late Captn. Cook [...] has not yet been distributed to ye.

Printed in black on one side of a 49.5 x 65 cm. piece of thick paper. In fair condition, aged and rolled into a tube. A tasteful design, featuring an engaving of a palm leaf. Signed at foot by 'Paul Chabas' and 'A. Bréauté'.

1p., 12mo. In good condition, on lightly-aged paper. The letter reads: 'My dear Sir, | Only one Word to let you know how deeply I feel your untimely loss and to ask you to be by Mrs. Lewis, her daughter and all your people the interpreter of all my sincerest sentiments of regret. | Yrs. truly | Duke de Penthièvre'.

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

[1] + 11, 16mo. In good condition, lightly-aged, no wraps, disbound, with slight damage to spine. The only copy on COPAC at the British Library. There is a copy in the Bibliothèque Nationale.

80 + [1]pp., 8vo. Unstitched signatures with brown paper wraps and grey boards, both with text in red. In plain black paper-covered slipcase. On reverse of half-title: 'Il a été tiré de cet ouvrage, imprimé sur Vélin de Rives, 110 exemplaires numérotés de 1 à 110, réservés aux Membres de la Société des Bibliophiles et Graveurs d'Aujourd'hui. | En outre, dix exemplaires numérotés de I à X ont été réservés à l'artiste et aux divers collaborateurs de l'édition. | Exemplaire No 35 imprimé pour M. Jacques Le Désert'.

2pp., 12mo. Written lengthwise across the paper, so that the letterhead runs up the left-hand margin of the first page. She thanks him for his letter and 'the Cocteau profile (most interesting and infuriating - splendid misunderstanding - written down with such authority.)', as well as '"The Holy Terrors" notices'. She has been delayed in sending him the script of 'The Confidential Clerk' as she had to go to King's Lynn. She is sending the script now, and asks for it to be returned 'fairly soon, as it is Henry Sherek's and he may suddenly scream for it!' (Sherek was the play's producer.)

1p., 4to. In fair condition, on lightly-aged paper, with a few short closed tears along fold lines. He apologises for replying with 'un retard inqualifiable!' He apologises profoundly for 'ce contretemps' which has not allowed him to thank Mansfield properly 'pour l'Admiration que vous avez bien voulu me temoigner - sans doute à l'occasion de l'un des derniers Salons à Paris'. He is sending a photograph, with his autograph.

2pp., folio (approximately 41 x 21.5 cm), in double column. Fair, on aged paper, creased and with outer margin trimmed. Tipped-in onto leaf removed from album. The first column introduces the problem, and is followed by a 'Lettre de M. DUPIN ainé, au Prince Président de la République', dated 'Paris, ce 23 Janvier, 1852'. This is in turn followed by a letter 'Au Prince-Président de la République', Paris, 26 January 1852 by five 'Les executeurs testamentaires du feu Roi Louis Phillippe'. They are: Dupin, Duc de Montmorency, Comte de Montalivet, Laplagne-Barris, Scribe.

Five manuscript items, all in the same pencil hand. The name and address of Jean B. Maclachlan written twice on Item One indicates the identity of the notetaker. All texts clear and complete. Fair, on aged paper (but see slight damage to Item Two). Item One: Manuscript notebook. 12mo, 61 pp. Stapled. In original blue wraps, 'SUPPLIED FOR THE PUBLIC SERVICE'. Repeatedly and untidily stamped in red ink on front cover 'PLYMOUTH', with 'CAPTAIN, R.M. | ASSISTANT PAYMASTER' and 'ROYAL MARINES | PLYMOUTH'.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.