RONALD

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased, with one short closed tear to an edge. Folded twice for postage. The salutation (‘My dear old “Phil,” ’) and the signature ‘Landon Ronald’ are in autograph, the rest typed. The recipient is ‘Dr. W. J. Phillips, / “Kelvinside,” / Malcolm Road, / Wimbledon, S.W.’ He sends a ‘thousand thanks’ for Phillips’s ‘delightful telegram’. ‘It was indeed good of you to think of us all down here. It was a great night, and one I shall never forget.

See the entries of members of her extraordinary family in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage, and accompanied by envelope with stamps and 1950 Edinburgh postmark, addressed by her to ‘Adam Dickson Esq. Junior / 28 Comely Bank Grove | Edinburgh’. Signed ‘Winifred Peck’. Responding to an autograph hunter, she writes: ‘Dear Sir, / How kind of you to like to [sic] my books & to say so.

238pp, 8vo, with frontispiece and illustrations. In green cloth binding, gilt. Internally good and tight, on lightly-browned paper, in good binding with slight discolouration at head and foot of spine, caused by loss to the creased and damaged dustwrapper. The three signatures are one on top of the other in the centre of the recto of the front free endpaper: ‘Leslie Piddington. / Sydney Piddington / Russell Braddon’.

See their entries in the Oxford DNB. Two Autograph Signatures, on an 11 x 5 cm slip cut from a leaf of an album. In good condition, lightly aged. On one side: ‘Novar / G. G. Australia 1914 - 20. / Stirling 14. 10. 22.’ (The date ‘1914’ is slightly smudged. On the other side ‘Katharine Atholl - Jan. [...]’; and above it, in another hand ‘Duchess of Atholl - Under Secretary for Edu’. See image.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

Tritton was educated at Winchester College, and in later life held the office of High Sheriff of Essex. He served as War Office Publicity Officer between 1940 and 1945 (the first civilian to hold the post). The present items exhibit the candour and evocative immediacy for which his wartime diaries were praised on their publication in 2012. Two long letters to 'Darling', both 2pp, 4to. Both in good condition, lightly aged, and folded twice. ONE (signed 'R.'): Thirty-eight lines of text. He is writing her a second letter of the day, prompted by boredom and the want of something else to do'.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

Five documents. The two telegrams are in fair condition, lightly aged and worn; the other items are in good condition. A photocopy of a typed page from Brooks's diary explains the context in entertaining fashion: '”Staggerer number one,” whispered Dick Swiveller over my shoulder this morning when on my office desk I found a letter from Ronald Staples giving me a twelve month's statutory notice of dismissal from the editorship of Truth.' He explains that the magazine is losing money, and criticises Staples's plans. 'However – here's a how-de-do!

Typed screenplay, 103pp., 8vo. In good condition, lightly aged and worn. Paginated to 99, but with the pagination heavily disrupted by the addition and removal of a large number of pages of revisions on pink or blue paper, each amended leaf dated at the head. Held together with two metal studs, in yellow card binding with windowpane for title. Title-page states 'MANDELA | by | Ronald Harwood | 9 September 1986', without further details. Loosely inserted is a six-page 'Call Sheet No.

1p., 4to. In fair condition, on aged and worn paper. Offering him, following the unanimous decision of a committee meeting and on his recommendation, an honorary 'Diploma of Fellowship [...] limited to 100 members, of past-students and Professors'. Finck's song 'In the Shadows' was one of the last to be played as RMS Titanic went down.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

147pp., 8vo. In fair condition, on aged paper, with rusty binding, in worn covers. In manuscript on the cover are the return address and 'Producer's Copy'. In the same hand is an addition to the ending: 'Judy | Then there is a ghost' | Geoffrey | Not a word to your father'. 'Who's Who in the Theatre' records a production of the play in 1938, but there is no reference to it on either OCLC WorldCat, or on COPAC.

68pp., folio. Stapled. In printed card wraps in red and black, with Robert Capa photograph on cover. In fair condition, worn and aged. Markings, mainly in pencil, throughout. In manuscript at head of p.1: 'Reference copy - prices no longer apply'. Loosely inserted is a typed page carrying a list of books, headed 'SPAIN. FICTION. Spanish Civil War and after.' Southworth's foreword (2pp., in small type) is titled 'Collecting Material on the Spanish Civil War by Herbert Rutledge Southworth (Author of "El Mito de la Cruzada de Franco," "Antifalange" & numerous articles on the Spanish Civil War)'.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Each of the four items has text clear and complete. The four are in fair condition, on aged paper, with minor staining from the paperclip used to attach them, and a small closed tear at the foot of the first letter. Letter One to 'Dear Mrs Chapman'; the other three to 'Dear Ronnie'. Letter One (4to, 2 pp): 19 November 1938. Chapman (referred to throughout as 'Ronnie') has not been well, and Fisher makes a suggestion to his mother regarding his 'future': 'Cecil Rhodes spent seven years on this process and never regretted it.

4to, 21 pp and fold-out graph. In original green wraps. Text clear and complete. Fair, on aged paper, with rusty staples. Describing the case of 'a strong young Englishman, age 26, weight 154 lbs., [who] was infected in N.E. Rhodesia near the River Luangwa in September, 1909'. Fold-out graph of 'Number of Trypanosomes per c.mm.'

Both letters are tipped in on a captioned sheet removed from an autograph album. Both items lightly-aged, but good. Item One: 12mo, 1 p. Inviting him to 'a small dance for Hubie' at a location 'lent by Miss Constable'. 'You need not dance!' Item two: 12mo, 1 p. Asking him to 'come fairly early' the next day, and to 'stay on after the children have gone & have supper - of a sort'. Refers to 'H's party'.

The archive is in very good condition, with very slight creasing and aging, and with all items entirely legible. Most items quarto, and most of two pages or more (one running to seven pages). One letter has the head and first paragraph cut away. All but the first two items, which date from 1953 and are signed 'Sidney R Campion', are signed 'Sidney'. The bulk of the correspondence dates from the 1970s. An important archive consisting almost exclusively of long, interesting and discursive letters addressed to a close and trusted friend.

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.

Probably the most famous of the Fleet Street cartoonists (1916-95). One page, quarto. Folded twice. Good, but lightly creased. He thanks him for the 'very nice letter and compliments', but feels he 'must administer a small but friendly reprimand. The Jean Rook [a noted Daily Express columnist] originals you refer to were ones concerning her article of the day and were a personal presentation.' Discusses charity commitments, before remarking 'It may surprise you that I spend more time in the studio working for charities than I do earning my living!

Dimensions when folded roughly 4 3/4 inches by 6 inches. Somewhat grubby, but well printed and in good condition overall. Front of card printed in black with Searle's printed signature and 'to my Valentine -' in red at head. Cartoon illustration of bespectacled young lady with bouffant hair and hairband, in dainty skirt and heels, holding beribboned had in front of her, posing in front of wall on which she casts large shadow of horned devil with tail.