PULMAN

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website, which descibes the background to this material, although its author us clearly unaware of the increasing tension between Pulman and Wouk revealed by material in the present collection: 'In early 1978 Paramount TV producer Stanley Kallis and author Herman Wouk approached Pulman to write a treatment (to be followed by a screenplay) for Wouk's sweeping World War Two novel 'The Winds of War'.

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

Folder of material from the Jack Pulman papers. 43 items in good condition, lightly aged. The Writers' Guild of Great Britain, established in 1959, is a Trades Union for writers working in television, radio, film, theatre, books and multimedia. Pulman began his career while studying economics, and his understanding of the business side of screenwriting is evident in his arbitration decisions contained in this collection. His distinguished career is well described on the British Film Institute's website.

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).