BARRY

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

4pp, 12mo. On four loose leaves. In fair condition, lightly aged and worn, with minor traces of grey paper mount along edges on blank reverses. The poem is titled 'The Dream of Fine Editors | (after the dinner to J. N. Dunn. April 23rd. 1897)'. (At the time of the dinner the Scottish journalist James Nicol Dunn (1856-1919) was on the verge of being appointed editor of the Morning Post, a position he would hold from May 1897 to January 1905.) There is no record of the poem having been published, and it is likely to have been written for after-dinner recitation only.

Proctor was a much loved individual in literary circles, from the days of the London Magazine to the mid-Victorian period, in which he was the dedicatee of both Thackeray's 'Vanity Fair' and Wilkie Collins's 'Woman in White'. His reputation as a poet was international: he was thought highly of by Pushkin. 1p, 12mo. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse. The letter reads: 'Dear [Harris?] | Pray tell me where [?] I can have some conversation with you about some patients of the name of [Lealer? Lester?], whom you know.

It is safe to say that no Shakespearian actor travelled as widely as Allan Wilkie, and few can surely match the number of his performances. Although born in Liverpool, Wilkie considered himself Scottish ('a young Scots boy'). Inspired by Osmond Tearle, he took to the stage, learning his craft with Ben Greet's company. The Times obituary of 'Mr. Allan Wilkie | Shakespearian actor-manager', 8 January 1970, describes how, after six years as a touring actor-manager in England, Wilkie took his troupe to India, China and Japan, 1911-1913.

1p., 8vo. In fair condition, aged and worn. He begins with regard to a change of address ('Widcombe Manor - where I was overhoused and understaffed - is for sale.'), and continues with reference to a booklet ('I chuckled over the illustrations'),as well as his book 'An Impending Sword' (written 'in the naughty nineties, long before I met Dot Boucicault, whose experiences were then unknwon to me'), and the Princess Royal. He concludes: 'I never heard the yarn of the man who stripped himself. I can cap it. My brother, Arthur, vanished from the luncheon table.

Nine items. In fair condition, on aged and worn paper. Heavily annotated by Duncan. The letters (each 1p. long, two in 4to and two in 8vo) concern her orders and wants'. On 23 April 1945 she writes: 'I find on looking through the Play Pictorial bound volumes that No. 28 His Highness My Husband is missing. It is not a very important one, in fact I don't remember hearing of the play before, but if you happen to have a copy among your single numbers, I should be glad to have it, in order to complete the volume.

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

Green half-leather, worn, one menu per day per page for most days between 22 Sept.1882 and 6 Jan. 1884. A bookplate is the only clue to the family the volume belonged to, the coat of arms and motto ("Loyaulté n a honte") of the Dukes of Newcastle-under-Lyme, specifically at this time (1880s) Henry Pelham-Clinton, 7th Duke of Newcastle-under-Lyne (1864-1928) whose family seat was Clumber House, nr. Worksop, Notts (restored after a fire in 1879; presumably the home of this volume).

On 3 x 11 cm slip of paper. In fair condition, lightly aged. Cut from the end of a letter. Good firm signature. Reads: 'Yours faithfully | Charles Barry'.

CARD: Addressed to 'Barry Duncan Esq. | 11, St Martin's Court | London | W.C.2'. In good condition, lightly aged, with 'Puppet Master' letterhead in red ink, with illustration of Mr Punch. He thanks him for being 'attentive' in sending cuttings. LETTER: 1p., 4to. On aged and creased paper. With cancelled 'Puppet Master' letterhead. Addressed to 'B. D.' Sending payment for hired items, and discussing a translation 'done a week ago for Salzburg Marionettes'. Speaking of Edinburgh he writes: 'I like this city v. much - some fine bookshops - but no playbills'.

3pp., 4to. On three leaves of yellow paper. In good condition, with slight staining from paper clip. Emendations in black and red ink. No evidence of publication of the text has been discovered. It begins: 'On 25th July, 1943, Mr. Churchill wrote "I consider Wingate should command the army against Burma. [...]"'.

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

1p., 4to. On aged and worn paper. In response to Duncan's advertisement in 'The Stage', he asks whether he would be 'interested in the famous cartoons, in colour, which, with the signature of "Spy," used to appear in "Vanity Fair."? I have about seventy in good condition, all published between 1860 and 1885'. He also offers 'several volumes of old plays - some of them over 140 years old, and asks whether Duncan 'might care to drop in and have a look at these "treasures. | But, give me a tinkle on the 'phone first as I am rather a busy Man.'

The collection of seventeen items in fair condition, with light signs of age and wear. Two of the letters are signed 'Frank Pettingell', the others signed 'Frank (P.)' and 'Frank'. Two of the letters are in their original envelopes. They total 5pp., 12mo. On 22 August 1947 he writes regarding his collection of playscripts, mostly acquired from the son of the comedian Arthur Williams, and now at the Templeman Library, University of Kent: 'We are on holiday here [in Broadstairs] since "Fifty-Fifty" finished [...] When I get back next month I would like to sort the old M.S.

ONE: Note. 1p., 12mo. In fair condition, lightly aged. In envelope addressed to Duncan at 11 St Martin's Court, London. Reads simply: 'Please let me have your catalogue when its ready | C L'. Lefeaux's name in capitals at head. TWO: Letter. 1p., 12mo. In good condition, lightly aged. He asks him to 'put the enclosed leaflet about the Repertory Players' in his window as agreed, offering two tickets as a mark of the commitee's gratitude.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

The thirty-six items in the folder are in good condition, with light signs of age. ONE: Six Autograph Letters Signed, one Typed Letter Signed, and one Autograph Card Signed. All signed 'Moira Lister' except the last communication, the card, which is signed 'Moira d'Orthez'. With four stamped envelopes, addressed to Duncan at his bookshop in St Martin's Court. A courteous and businesslike correspondence, firmly parrying Duncan's efforts at greater familiarity. The first letter, typed, is dated 8 March 1955, and relates to the sale of books.

3pp., 12mo. Bifolium. Fair, on lightly-aged paper. It is not 'from inattention or indifference' that Kelly has left Barry's letter unanswered. 'I think it would be inconsistent with my duty in the office which I now hold to become a member of your very excellent association'.

24pp., 16mo. Woodcut vignette on title-page, showing man in military uniform restraining a struggling woman, under a tree. Stitched, in plain cream wraps. Internally fair, on aged paper, in worn wraps. Ownership inscription on flyleaf of 'John Hutchinson | October 1850'. Thirteen line note by Hutchinson on rear flyleaf, concerning the Bowes family, and further manuscript notes by him on pp. 13, 17, 21 and 22. Slip of paper with another note by Hutchinson loosely inserted.

12mo, 4 pp. In bifolium. 42 lines. Clear and complete. Fair, on aged paper. He thanks him for the news of the 'progress of repairs &c at the Legation', and approves 'of your having ordered extra help to scrub the floors after all the mess which no doubt the workmen left behind them "more americano".' The former state of the 'kitchen flue [...] may account for the apparent inefficiency of the old Range'. He will return on the 'arrival of the next F.O. Bag on Monday'. Gives his travel plans.

12mo, 1 p. Thirteen lines. Text clear and complete. On aged and foxed paper with some fraying to edges (not affecting text). He would like to show Taylor 'something of interest with reference to Sir Herbert Taylor [sometime soldier and Private Secretary to teh KIng]' and suggests meeting that night. 'It seems rather late, but I shall be at von Herkomer's till then'.

On upper half of a piece of quarto paper, unevenly torn to make a piece roughly 11 x 18.5 cm. Fair: on aged paper. Part of address from previous letter to 'W. Jerdan <...> | 267 Strand <...>' on reverse, which is docketed 'Procter | Miss Proby | Cornwalls poems'. Reads 'I inclose you a note left here for you | George says he will review the book for you next week - in the meantime give a flourish in your notice - 'The time does not admit of doing just to the vol. &c &c We are all a Party in this success -'.

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'

12mo: 1 p. Very good. 14 closely-written lines. 'A friend of mine was asked by our dear old kind friend Chorley to assist in procuring for a Protege of his a musical education. I think the young person was originally introduced to him by Lady Devonshire. A sum was promised for two years, and the time is approaching for the payment to be made.' Asks if she can tell her 'anything about this'. 'You will be glad to hear I know that my husband is still well - His birthday the 21st. Novr. found him 84.'

On piece of creased and lightly spotted paper roughly 11 x 11 cm. Reads '<...> for half a Century. | Believe that I remain | Dear Barry | Your's faithfully | [signed] Joseph Kay | Charles Barry Esqr. Kt. | &c &c &c'.

Wife (1799-1888) of the English poet Bryan Waller Procter ('Barry Cornwall', 1787-1874), and stepdaughter of the noted jurist Basil Montagu. One page, 12mo. Very good on slightly paper, and with closed tear to blank second leaf of bifoliate. Written on behalf of her husband during his final illness. 'Mr Procter desires me to say that you have his ready permission to print The Old Arm Chair | I regret to say that my husband is now too feeble to write to you.' Signed 'Anne B. Procter'.

Victorian writer (1799-1888), stepdaughter of the jurist Basil Montagu (1770-1851), wife of the poet Bryan Waller Procter (1787-1874), and mother of the poet Adelaide Ann Procter (1825-64). One page, 12mo. Folded once. Discoloured and heavily foxed, but in good condition otherwise. 'I really do not know how to thank you for your lovely present - | I hoped to have seen you yesterday and been able to say farewell - as I go tomorrow to the Thomson Hankeys until the 2d. Jany. | I have also to thank you, for the pleasant dinner, as well as your having presented me to Mr Buckston -.