TUPPER

See his entry in the Oxford DNB, which states: ‘After the death of his first wife he married second, on 24 June 1933, Caroline Maud Abadie (1863–1948), the widow of General Sir Henry Richard Abadie; she was the daughter of Colonel Fanshawe Gostling, of the Royal Berkshire regiment.’ In addition to the two letters apiece from Sir Reginald and Lady Tupper, the material includes, as Item Five, a leaf carrying a 26-line postscript from Lady Tupper to a lost letter. All but Item Five below are on uniform 12mo leaves of grey paper.

See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

Three 12mo letters in good condition, lightly aged and worn. An interesting batch of letters, in which one minor Victorian poet critiques the work of another, both to the author himself and to his publisher. The three books by Smith which are the subjects of Tupper's letters are 'Olrig Grange' (1872), 'Borland Hall' (1874) and 'Hilda Among the Broken Gods' (1878), all of which were published by the Glasgow publishers James MacLehose and Sons. ONE: Addressed 'To the unnamed Author of Olrig Grange'. 4 December 1874. On letterhead of Albury House, near Guildford. 4pp., 12mo.

On one side of a piece of wove paper, 15.5 x 9.5 cm. In fair condition, on aged paper, with one creased corner and a small nick at the head. The drop-head title is in capitals, with the second line having only the opening quotation marks (before the initial word 'BEWARE'). The poem is 29 lines long, with three seven-line stanzas followed by an eight-line one. At the foot of the poem: 'Albury. Mary Frances Tupper.' The first stanza reads 'The stamp of Rome is on their heart, | Take care! take care! | They play the Jesuits' crafty part, | Beware! beware!

Printed on all four pages of a bifolium, with each leaf roughly 17.5 x 13.5 cm. Lightly creased, and with the outer pages a little grubby, but good overall. A self-consciously well-printed production, with each page encased in a black ruled border, and with an engraving of the sculpture on the front page, beneath which, 'A. C. CHISHOLM. DEL. J. DURHAM. NV.' Possibly complete in itself, but in view of the elaborate title probably a taster for a volume which, considering the fact that there is no record of this item on COPAC, was probably never printed.

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'

12mo: 2 pp. Very good. Relates to the photographic series 'English Artists of the present day', published by Seeley with accompanying essays 'by J. B. Atkinson, S. Colvin, F. G. Stephens, T. Taylor, and J. L. Tupper'. He is sending 'a copy of No. 3. The other we count as a presentation copy.' 'The Woolner photo. will I hope not be thought so bad by those who have not seen Elliott & Fry's. I was glad to find this morning that it had not struck Mr.