CARICATURIST

See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

See his entry in the Oxford DNB. The present item is a nice piece of printed ephemera relating to the man described in his Guardian obituary as ‘the dominant cartoonist of the western world’. In 1937 Goebbels had told Lord Halifax that Low’s cartoons were harming Anglo-German relations, and after the war it was revealed that his name was in the ‘black book’ of individuals to be ‘liquidated’ on German conquest of Britain. In good condition, lightly aged.Small 4to bifolium printed in brown ink on thick wove paper.

See his entry in the Oxford DNB. A scarce item: no copy in the British Library and the only copies on COPAC at Cambridge and the V & A. In fair condition, lightly aged and with slight creasing to outer edge of front cover, on which a label has been laid down, carrying an inscription (repaired at one corner with archival tape) by Thomas: ‘From one child to another - Love and I cant thank you enough for everything - I’ll look forward to Janiuary - Muh love I’ll writer later’. A stapled pamphlet in brown card wraps. 16pp, landscape 8vo.

See Gould’s entry in the Oxford DNB, with that of Lady Lyte’s husband. The Lytes were Somerset neighbours of Gould. 1p, 12mo. In good condition. He is glad to hear that ‘Mr Logsdail has done the drawing for you for he would be able to do far more justice to it than I could possibly have achieved’. On the occasions when he is called upon to ‘put sentiment into a cartoon’ he is ‘always conscious of failure and it is well to know one’s limitations’.

See Gould's entry in the Oxford DNB. 2pp, 12mo. In good condition. The two leaves of the bifolium on which the letter is written have been separated, and each bears minor evidence of mounting on the blank reverse. He thanks Ashford for allowing him to ‘look through your very interesting collection of autographs’, which ‘does equal credit to your energy and to the good nature of mankind in general’. He continues: ‘The pages of an autograph book always make me realise that people are not so crabbed and disagreeable to each other as pessimists imagine or profess to believe.

See both their entries in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition. He has ‘just read with much grateful pleasure’ the ‘very kindly reference’ to him in her ‘delightful book’ (presumably her second volume of reminiscences, ‘Leaves from the Notebooks of Lady Dorothy Nevill’, 1907). He is ‘just in the middle of it and enjoying it keenly’. The only fault he can find is that he will soon come to the end of it. It deserves great success and he hopes she will ‘give us more reminiscences’.

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

Albumen print photograph, dimensions 15 x 10 cm. Mounted on 16.5 x 10.5 cm card. Printed in red ink on the reverse of the card are the firm's illustrated details ('Photoraphers to the Queen the Prince of Wales and other members of the Royal Family' and 'Prize Medal For Portraiture Vienna Exibitiion 1873.' In fair condition, lightly aged and worn. The National Portrait Gallery lists four versions of this image, but not within an oval, as here.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

One page, 12mo, some marking but mainly good, clear and complete. "Dear Sir, | Please deliver to the bearer the design for The Merchant of Venice | Yours truly | George Bentley | George Cruikshank Esq,". There are pencilled notes and figures on the verso, probably in Cruikshank's hand (figures from 1-10 repeated, then 1-7, then notes including the words large and small and a name, the meaning of which escapes me.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

Two pages, 12mo, bifolium, good condition. He visited Redgarve's house but the latter was out. But he caught up with him later in the day when the family returned to town. [He] suggested that I should write a letter to him explaining the object desired; which he would forward to his Brother without a moments delay; So I want you to write out the particulars, something like the enclosed for me to copy in my letter.

On a piece of good wove paper, roughly 415 x 260 mm. Dimensions of engraving 180 x 220 mm. On aged paper and with the margins of the leaf trimmed. Laid down along the right hand margin runs a strip of blue paper, 30 x 410 mm, which it may be possible for a professional restorer to remove. This edges the border of the print (which is clear and entire) and overlaps a few letters of the text. Neatly coloured in sombre tones.

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

Total thirteen pages, mainly 8vo, fair to good condition, texts clear and complete. Jocular, often obscurely, and in a difficult hand, subjects include: an invitation to ride; Furniss missing the Cardinal; trip to Calais; Paris trip for "Mr Punch"; "night gatherings of clubs"; Lord Rosebery; another ride, giving directions, suggesting meeting at Tenniel's place, and concluding with cartoon of a mill on top of a hill (obvious destination); reference to the Punch table and something confidential happening involving the proprietors.

Paper dimensions roughly fifteen inches by ten and a half wide; print dimensions twelve inches by seven and a quarter wide. Good clear image with border a little dusty and aged. Full-length image of a dour Panizzi standing at a desk holding a book. Page of letterpress on separate leaf of same dimensions, containing spirited account ['he sought refuge in Switzerland, but he was expelled discreditably from that country, [...] Keeper of the Printed Books [...] the man in all Europe most competent to fill it.

Plate size roughly four and a half inches by four and a quarter wide, on paper six inches by five wide. 'Kay fecit' in bottom left-hand corner and date in bottom right. Good clean image on aged paper with some wear to blank border. The figures are identified in pencil at foot as 'McNab, K. McKenzie, Easton [^surgeon in the army] & Stabilini'. They are named as Eiston, Stabilini, McNab and McKenzie' by the National Portrait Gallery.

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

Noé, Amédée-Charles-Henry de (1818-1879). French cartoonist.. - caricaturist. One page, 8vo, laid down, sl. damaged but text clear and complete. He says that Madame de Noe [avec accent] is fully recovered from illness and wonders if his correspondent can dine next sunday. "Un mot de reponse s.v.p." He concludes with formal best wishes. The conjoint blank leaf is laid down - on the recto of this blank is a draft acceptance signed [Paggi?].

Anglo-Irish journalist and caricaturist (1854-1925), best known for his work for Punch. Three pages, 12mo. Very good, but with slight wear and discoloration to recto of first leaf of bifoliate. Asks to 'know the fate of Miss Lyster's M.S.' 'You will recollect I called & saw you about it some months ago. She is anxious you should understand you can have the M.S. without the drawings as you did not seem <?> for the latter | An answer will much oblige | Yours very truly | [signed] Harry Furniss'.