RUDOLPH

See his entry in the Oxford DNB, and those of his children the writers John Lehmann and Rosamond Lehmann. 1p, 12mo, with mourning border. In fair condition, on aged paper. Folded once, and with biographical information in small type at head. Addressed to ‘Messrs. Henry & Co’, publishers of his recently published book: ‘Dear Sirs / I am obliged for the two Copies of “In Cambridge Courts” which you sent me. Will you kindly send my further Copies to me at / 15 Berkeley Square / London W. / May I take this opportunity of congratulating you on the get up of the book. It is charming.’

20 x 25 cm colour print. Suitable for framing. In good condition, with a few light dinks. Head and shoulders shot of Ford in jacket and tie, standing in front of an American flag, arms folded and with his trademark toothy smile. Large signature ‘Gerald R. Ford’ on a white stripe of the flag, downwards and slightly over Ford’s right shoulder. It was Lyndon Johnson who said of the subject of this photograph: ‘Jerry Ford is so dumb he can’t fart and chew gum at the same time’ (the word ‘fart’ being altered by the press to ‘walk’). See image.

3pp., 16mo. Bifolium. On aged and foxed paper. He wishes to be informed 'whether the Forget Me Not" so long and ably edited by your Father will be published for the ensuing year - i.e. for 1848'. One of his daughters has 'written down Stories one or two of which have already appeared, and she would be very happy to avail herself of an opportunity of writing something' for the annual, so he asks him to 'ascertain whether your Father would like to insert a short Nouvellette [sic] to the extent of 4 to 5 pages'.

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with two postmarks (one of Pimlico), to 'R. Ackermann Esqre | 101. Strand -'. On aged and worn paper, with one short closed tear. A good letter, full of content revealing of Ackermann's business and the art trade in general. The first paragraph reads: 'I am extremely sorry the last Fashions have not met your approbation. The inflamed state of my eye rendered it impossible for me to engrave them myself, and I calculated on the known talent of Mr. Chsman [i.e. Thomas Cheesman (1760-1834)] to be my substitute.

American physician and explorer of Africa (1866-1939). The recipient was Assistant Secretary at the Natural History Museum, London. One page, 12mo. Good, on slightly discoloured paper, and with remains of stub still neatly attached to one edge. A significant letter, sent on the eve of Donaldson Smith's most notable expedition. 'Just a line in haste to tell you I & Dodson [a taxidermist engaged for the expedition] are ready to start for Rudolph Gillitt [another taxidermist] having left for England after hearing of his father's death.

American physician and explorer of Africa (1866-1939). The recipient was Assistant Secretary at the Natural History Museum, London. One page, 12mo. Good, on slightly discoloured paper, and with remains of stub still neatly attached to one edge. A significant letter, sent on the eve of Donaldson Smith's most notable expedition. 'Just a line in haste to tell you I & Dodson [a taxidermist engaged for the expedition] are ready to start for Rudolph Gillitt [another taxidermist] having left for England after hearing of his father's death.

De Cordova was a voluminous author (see his entry in Who Was Who). Several of the couple's works were adapted for the cinema during the silent era. Of the four items present here, 'The Man in Mourning' was published in the Green Book Magazine, February 1916, and de Cordova's entry in Who's Who 1914 lists 'The Earthquake' among 'seven sensational dramas for the London Hippodrome'. No record has been found of the other two pieces. Four duplicated typescripts. In fair condition, with some wear and aging. ONE: '"The Earthquake" A Dramatic Sketch by Alicia Ramsey and Rudolph de Cordova'. A play.

92pp., 8vo. In grey printed wraps. In good condition, on lightly-aged paper, in worn and chipped wraps. Shelfmarks, stamp and labels of the Board of Education Reference Library, London.

Both items in good condition, on lightly-aged paper, with slight rust spotting. Manuscript: 12pp, 4to. On twelve leaves, paginated 1-12. With emendations and corrections. Note at head of page: 'Dates & title meant to be typical only: subject to revision from collection catalogue etc & to fit later details of book.' Also at head of page, in red pencil: 'Aquatint collection draft first chapter'. Manuscript: 9pp., 4to. On nine leaves attached with stud (last leaf loose).

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

1p., 8vo. 22 lines. Fair, on aged and worn paper. Addressed on reverse to 'William Jerdan Esqr | Grove House'. On wove paper watermarked 'G & R TURNER | 1826'. The letter can thus be dated from between 1826 and 1829, the year 'Ackermann's Repository of the Arts' ceased publication. Written in a difficult, hurried hand. She has received a letter from 'Mr Ackermann', saying that the package which Jerdan was 'kind enough to promise should go in your bag yesterday I having given it to you too late for the boy on Monday, has not reached him'.

1p., 4to. Good, on lightly-aged paper. Hassler begins: 'The peculiar position in which I am, will plead my excuse for addressing you the enclosed papers, and the cold which I have, for not coming personally in the present bad weather, as I intended, and shall do soon as admissible.' He asks Spencer to visit 'this Office before Your ultimate decision upon the plan of Operation for the Coast Survey'.

4to, 1 p. Twenty-lines. Text clear and complete. He has found 'il Barone' and is going to see 'Der Freishutz'. Monico is 'una gran bella citta', where he has seen 'molte belle cose'. He finds the Madonna of Rafael 'Divina'. A postscript concerns the print-seller Ackermann, as well as the art dealer Woodburn, and 'Cockerill'. The reverse carries a closely-written 30-line manuscript, in another hand, apparently in German, and followed by an indecipherable signature. It contains at least two references to 'Campball' [sic].

On paper 25 x 20 cm. Plate size 14 x 18.5 cm. Uncoloured. Title beneath print and engraver's details beneath bottom right-hand corner. Image and text clear and intact. On aged, creased and foxed paper with wear and slight loss to extremities. The illustration shows a number of galleons at sea with wind-filled sails. Each is filled with knights whose flags and shields, each bearing different designs and coats of arms, are ranged along the sides. The National Maritime Museum possesses a coloured copy of this uncommon print, which also featured in the Hennin Collection.

On a piece of good wove paper, roughly 415 x 260 mm. Dimensions of engraving 180 x 220 mm. On aged paper and with the margins of the leaf trimmed. Laid down along the right hand margin runs a strip of blue paper, 30 x 410 mm, which it may be possible for a professional restorer to remove. This edges the border of the print (which is clear and entire) and overlaps a few letters of the text. Neatly coloured in sombre tones.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

BM 13489. Landscape. On a piece of wove paper, roughly 215 x 305 mm. Good, on heavily-aged paper and with strip of blue paper mount adhering to the blank reverse. The title 'BERNADOTTE' is at the head, and the publication details and caption at the foot. Shows Bernadotte in martial pose and uniform, riding his white horse over a fearsome serpent. He wears a sash on which are written the words 'Leipsic' and 'Victory'.

BM 12195. Landscape. On a piece of wove paper. Originally a rectangle roughly 240 x 340 mm, but with an arc cut away beginning in the top left-hand corner and ending at bottom right. This loss has no effect on the text, and only the merest effect on the image, only trimming the outer edge of some very lightly-painted clouds. Apart from this good, on lightly spotted paper, with a thin strip from blue paper mount adhering to the blank reverse.

BM 12202. On piece of wove paper roughly 410 x 280 mm. On lightly aged and spotted paper, with slight wear and small closed tears to extremities. Closely trimmed at head and foot. Repair to blank reverse, which carries a strip of cloth from previous mount. Text and image clear and entire. Image roughly 190 x 120 cm.

12mo, 1 p, 10 lines. On worn, discoloured paper, with slight loss due to the breaking of two seals. Text clear and entire. The letter has been readdressed in another hand (hence the two seals) to 'Mr Price, Crease & Sons, Smithfield'. Harrison quotes his 'friend of the L. G. [i.e. the Literary Gazette]' as follows: 'Your D'Israeli paper may be useful as there is a new Edition. May I do as I like with its matter?' He asks for 'an answer as soon as possible'.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.