BENEVOLENT

See their separate entries in the Oxford DNB. On 12.5 x 9.5 cm piece of light-grey paper, cut from. The large signatures are written one on top of the other on one side of the paper, with the only other writing the date at the head: ‘Alfd. Edwd. Chalon / Jno. Jas Chalon’. On the reverse is the beginning of an application to the Artists’ General Benevolent Institution: ‘Gentlemen, Your Petitioner Elizth. Debh. Bone, only Daughter of the late Mr Bone R.A.

Four pages, 16mo, bifolium, in narrow frame of stiffer paper, good condition.

3pp, 12mo. On bifolium with mourning border. In good condition, lightly aged. Folded once. Rough pencil floorplan on verso of second leaf. Twenty-eight lines of neatly-written text. Signed ‘Agnes Macdonell.’ She has seen Mrs Blair’s name ‘in the list of subscribers to the Government Benevolent Institution’, and writes a line ‘to beg, if you have not already given your vote and kindly interest to any Candidate - to do this in favour of the poor lady whose card I enclose’ (not present).

Pamphlet: 4pp, 8vo. Bifolium of thick wove paper. In red wraps, with title printed in black on front cover, with words: 'Printed by permission.' The full phrase is printed at the end of the article on p.4. Drophead title on p.1 same as title on cover. In fair condition, lightly aged and worn. The bifolium of text was formerly glued into the wraps, but the glue has become brittle, and the wraps and contents are now detached from one another. There was a report of the meeting, and of Kipling's speech, in The Times, 10 May 1907; and the speech was later collected in 'A Book of Words' (1928).

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

1p., 4to. On bifolium. Aged and worn, with small spots at head and foot. Irving's signature is firm and bold. The only other words in his autograph are 'Dear Hall Caine', but there is slight offsetting of other writing by Irving on the blank second leaf. The circular is an invitation to be 'placed on the list of Stewards on the occasion of the Annual Dinner of "The Actors' Benevolent Fund," of which I am the President'. Irving will be in the chair, and the dinner will take place at the Whitehall Rooms, Hotel Metropole.

1p., 4to. On aged and worn paper. Thirty-eight lines of text. Written with the forced Wodehousian bonhommie of a desperate man. He has had an operation at a nursing home, so the beginning of the letter needs to be taken metaphorically: 'My dear Finck, | This is a nice kettle of Fish and no mistake! | Came out of jail day before yesterday, but only on ticket-of-leave. Strict police supervision for two years - finger-prints - strawberry-marks - nothing kept secret! | However, they say they can make a job of it and my tail, such as it is, remains vertical.

3pp., 4to. Bifolium. In good condition, on lightly-aged paper, with traces of mount adhering to the blank reverse of the second leaf. The First page is headed, in fancy type, 'ROYAL MEDICAL BENEVOLENT COLLEGE. | EPSOM.', beneath which is an engraving of the College. The prospectus is presented in the form of a letter, and is dated 'Febry. 1859' and signed (as a 'faithful fellow-laborer') by Propert in light-blue ink.

12mo, 10 pp. Text clear and complete. On aged and worn paper, with pin holes and a spike hole. Includes list of the 'Board of Management for 1907', accounts, 'Statement of Accounts, December 21st, 1901, to December 20th, 1906. Compiled by Mr. J. M. Longley, Treasurer and Chairman of the Finance and General Purposes Committee.' Also 'Report Presented at the Half-Yearly General Court, 27th Dec., 1906.' The 'Result of Poll', 'December Election, 1906', by Courtney, contains lists naming 'Successful Candidates' and 'Unsuccessful Candidates'.

On one side of a piece of paper roughly 8 x 12.5 cm. Good, lightly aged. Reads ' Henry Colburn | 13 Gt Marlborough Street | Martin Arthur Shee | Peter North 22 Soho Square | Dominic Colnaghi'. Fragment of docketed manuscript record of the case on the reverse: '<...> 830 | <...>nes O'Connor | <...>ent Case | <...>y 12th. 1841'.

On blue paper 10 x 18 cms. Good, with trace of previous white paper mount on reverse. Printed receipt, filled in in manuscript. Reads 'No. [32] 5, VIGO STREET, | W.1. | [June 2nd 1937] | Received a DONATION of [One Guinea] | from [The Misses Ruck] | for the ARTISTS' GENERAL BENEVOLENT INSTITUTION. | £[1] : [1] | [-] | [next word deleted] Secretary | [next two lines cyclostyled in purple ink] most gratefully | Laura Knight'.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

Landscape. Dimensions of paper roughly nine inches by thirteen and a half. Trimmed. Clear image on aged and foxed paper. Captioned 'This ENGRAVING of the BOOKSELLERS' PROVIDENT RETREAT at Abbots Langley, Herts, erected upon ground presented by JOHN DICKINSON, ESQ.

Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Four noted British artists of the earlier part of the nineteenth-century: Witherington (1785-1865), Jackson (1778-1831), Lonsdale (1777-1839), and Hofland (1777-1843), together with the sculptor Chantrey (1781-1841), and the art critic and connoisseur Balmanno (1780-1861), who left England for America in the early 1830s. Paper dimensions roughly three inches by four. Creased, and on paper discoloured with age, with show-through from remains of seal under Chantrey's signature. Reads 'J Chantrey | W. F. Witherington | John Jackson | James Lonsdale. | T. C. Hofland | Robert Balmanno'.

English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.

British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.

All four are notable British artists of the first half of the nineteenth-century: A. E. Chalon (1780-1860), J. J. Chalon (1778-1854), Geddes (1783-1844), Robertson (1777-1845). Paper dimensions roughly four and a half inches by five and a half. Grubby and discoloured with age, and with some wear and creasing to edges. Signatures read ' R: Jackson [perhaps John Richardson Jackson, mezzotint engraver, 1819-77] | Alfd. Edwd Chalon | Jno. Jas. Chalon | Andw. Geddes | A. Robertson'.

British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'

Stanfield was a marine and landscape painter (1793-1867); Meredith was employed by the auctioneers Machin and Debenham of King Street. Paper dimensions roughly five and a half inches by four inches. Folded twice. Grubby and lightly creased, with dog-eared corners. Reads '[signed] Michael Meredith | No 6 Blomfield St | Finsbury Circus | [signed] C Stanfield R A | Mornington Place | Novr. 20th. 1825. From a collection of material relating to the Artists' General Benevolent Fund.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.