JOYCE

See his entry in the Oxford DNB. ‘Rambles in Ireland’ was published in 1912, with illustrations by Jack B. Yeats. On one side each of four 4to leaves of aged and worn paper. The first leaf carries a covering page on which is the typed word ‘KINSALE’; above this Lynd has written in pencil: ‘26 / Rambles in Ireland / (By Robert Lynd) / Chapter VII’. The three pages which follow carry the text: title and 21 lines on the first, and twenty-five lines apiece on the second and third.

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

For information on Russell see the Oxford DNB entry on his wife from 1957, the social worker Kit Russell [Katherine Frances Russell, née Stewart] (1909-1998). Both letters are in fair condition, lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp, 12mo. She begins the letter with a question: 'Dear Sheridan Russell. | What is Time and Talents?

1p, 16mo. In fair condition, folded once, with two punch holes at margin, one affecting a word of text. She states that it is kind of him to ask her again, and she feels 'very churlish in having to say NO a second time', but her 'autumn-winter plans are complicated by a big concert tour & a lot of other [pro]bable dates', so she must reluctantly refuse his invitation.

The signature ('Robert S Ball') is on a 3.5 x 11 cm slip of paper, laid down on a piece of light-grey paper cut from an album, with the letterhead 'OBSERVATORY, | CAMBRIDGE' on a second slip laid down on the same piece. In good condition, lightly-aged.

16mo, twelve leaves (last leaf blank). Unpaginated: a total of twenty printed pages, comprising four prelims, fifteen pages of poems, colophon. Stitched into light brown boards, with 'POMES PENYEACH | by | JAMES JOYCE' printed in green on front board, and 'PRICE ONE SHILLING | Herbert Clarke, Paris' likewise on rear board. Errata slip at rear. First trade edition, following a limited edition of, according to the colophon, 'thirteen copies [...] been printed on Dutch hand-made paper and numbered 1 to 13'.

There has been a recent resurgence of interest in Mona Inglesby and her International Ballet (1942-1951). In 2008 Kay Hunter published a study of the troupe, titled 'Ballet in the Blitz'; then in 2012 BBC Radio 4 aired a documentary about Mona Inglesby and International Ballet, titled 'Black-Out Ballet: The Invisible Woman of British Ballet'. The writer of the documentary, Ismene Brown, gave the following explanation of her motives: 'In 2006 an elderly dancer died in Bexhill-on-Sea, Sussex. She was 88, and had once been one of Britain's most recognised ballerinas.

Elegantly printed in black and grey-blue. [28] + [1]pp., 4to. On loose leaves, on eight bifoliums, arranged in four pairs. In very good condition, lightly aged, wrapped in brown paper.

4pp., 12mo. Bifolium. In fair condition, on lightly aged and worn paper. Arnold, whose conversion to Roman Catholicism hindered his academic dvancement in England, was grandfather of the writer Aldous Huxley, and taught James Joyce at Dublin. At the time of writing he was running a private tutoring establishment at Oxford. He begins the letter by explaining that it has hardly been possible to reply to Hutchinson 'during term time [...] I had so much work on my hands'.

Two stitched pamphlets of uniform design. 15pp., 12mo, and 19pp., 12mo. Tastefully printed, with covers in red and black. Both items in good condition, lightly aged and worn. The first volume - 'A First List' - has a full-page 'Advertisement' by 'D. H.', in which he aspires to 'offer a fair proportion of what is alive in modern writing - a hope which is my raison d'etre as a publisher [...] nothing, if not lack of sense, or lack of the desire, need stop one from printing whatever is available, and has intrinsic vitality or permanence'.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

76pp., foolscap 8vo. Includes one fold-out leaf. Internally in good condition, on aged paper. In worn and chipped orange card wraps. With shelfmarks, stamp and label of the Board of Education Reference Library, London. Divided into the main headings: The Problem of Children's Play; How Much Spare Time?; Clubs and Organisations; Games and Sports; The Cinema and the Radio; Reading and Other Hobbies; What Do Children Like Doing Best? A smaller (and earlier?) version of a 90-page item published with the same title and date, but with the author's name given as 'Joyce Ward'.

90pp., foolscap 8vo. Includes extra leaf stapled in to make a fold-out. Internally in good condition, on aged paper. Author's 'Introduction' printed on inside front cover. In worn and chipped orange card wraps with damaged spine. With shelfmarks, stamp and label of the Board of Education Reference Library, London. Divided into the main headings: The Problem of Children's Play; How Much Spare Time?; Clubs and Organisations; Games and Sports; The Cinema and the Radio; Reading and Other Hobbies; What Do Children Like Doing Best?

Ten items, in good condition, on lightly-aged paper. ONE: Typescript titled 'THE CASTLE | A play in three acts (nine scenes) based on Franz Kafka's novel THE CASTLE | by MAX BROD | translated by James Clark | All rights reserved | 1963'. [viii] + 98 + [i] pp., 8vo. With two-hole metal punchbinding; in original blue wraps. Prepared by 'Scripts Limited' of Wardour St. With a few minor emendations in pencil. TWO: Two copies (typescript and carbon) of a paper entitled 'On Dramatizing Kafka's "The Castle" | by Max Brod' (3pp., folio).

2pp., 12mo. Good, on lightly-aged paper. He begins by enquiring whether the recipient is 'the J. R. Clark who appeared recently on TV', whom he 'would love to meet'. 'In 1934 my two aunts were in Germany and wrote letters home. They were keen Nazis and my older aunt met Goering & Goebbles. My grandparents and younger aunt were given luncheon by the Mussolinis when in Rome.' He was 'rivetted' by the television programme, as he was 'transcribing the letters sent to their mother by my aunts when the programme was broadcast'.

Totalling 68 pp, comprising 50 pp, 12mo; 18 pp, 4to. In good condition, on lightly-aged paper. Two signed 'W. A. Smart' and the others 'WAS.' All addressed to 'My dear Ernest'. Written in a spirited, chatty, and (for a diplomat) surprisingly indiscreet style, of which the beginning of the second letter (Salonica; 19 August 1919), concerning the appointment of Victor Vincent Cusden (1893-1980), gives a good example: 'Were you not content with condemning me to physical and financial ruin in this death-trap? Why, to add to my afflictions, did you send me this pathetic shop-boy?

Special Number. In French. cr.8vo, original printed wraps, partly unopened spine partly frayed and damaged, pages yellowing (cheap paper used), including "Textes Inedits de Thomas Hardy", a letter from James Joyce," etcBiographie - Bibliographie."

52 pages, 8vo. In original blue printed wraps, which are folded around endpapers, the rear of which bears publisher's advertisements. In poor condition: paper browning and spotting with age, binding loose and wraps frayed and worn, especially at spine. The front wrap has a long closed tear at head, and the indentation of a paper-clip, which attaches the typewritten letter (1 page, 8vo, discoloured and worn at extremities), headed 'Room 102, | Surrey Street. | 7.4.52', from 'Christine' to 'Ita'.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,