CONVERSATION

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

2pp., 4to. In good condition, on aged paper, with traces of mount at head. The Earl and his brother loathed one another. FitzHardinge was a notorious philanderer, and Berkeley - whose violent behaviour included assaulting the bookseller Fraser and duelling with Maginn - held his position as a Member of Parliament to spite him. The letter begins: 'Sir. | You have published a letter from Mr.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Her 'constant practice' has always been to return her thanks for the gift of a poetry volume 'before I could possibly have had time to read it', but in this case 'this caution was impossible for I received your little Vol: in all the hurry of leaving town, & I may say England, for I shall not return to London before our departure'. She is glad she was not able to write before reading the poems 'with the attention they merit & with all the pleasure they have given me'.

12mo, 2 pp. Good, on aged paper. A formal letter in the third person. Windham 'is almost ashamed' of sending Sharpe 'anything so trifling as what accompanies this note'. His justification for doing so is the 'wish of having his opinions stated with tolerable correctness on a subject to which Mr Sharpe, as a matter of some interest at the moment, may happen in some degree to have turned his thoughts.' Sharp's name was often misspelt by contemporaries, and he is listed in the index to the online Oxford DNB as 'also known as Sharpe, Richard'.